Sentences with phrase «by viewer interaction»

The work is intentionally open to interpretation and driven by viewer interaction.

Not exact matches

They point to other destructive aspects of television that have been stressed by television researchers and theorists; the privatization of experience at the expense of family and social interaction and rela - tionships; (33) the promotion of fear as the appropriate attitude to life: (34) television's cultural levelling effects which blur local, regional, and national differences and impose a distorted and primarily free - enterprise, competitive and capitalistic picture of events and their significance; (35) television's suppression of social dialogue; (36) its distorted and exploitative presentation of certain social groups: (37) the increasing alienation felt by most viewers in relation to this central means of social communication; (38) and its negative effects on the development of the full range of human potential.

The film spends a lot of time acclimating viewers to his dissociative identity disorder, a lot of which we learn about through interactions with his therapist Dr. Fletcher, played by Betty Buckley.

This DVD comes with a virtual storybook, a music video with Brooke Allison, a featurette about the new music on the DVD and two set - top games that provide some interaction best experienced by the younger viewers.

When a video of a South Carolina school resource officer's classroom arrest of an African - American girl spread quickly online last year, most viewers were surprised by the violent nature of the interaction, in which the officer forcefully pulled the girl from her desk and threw her across the room.

Robert Storr recently wrote an article on the interesting paintings of Rick Briggs where he commented that paintings should initiate a viewer's interaction by creating the question: «What's that?»

In 1998, he published his book Relational Aesthetics, which theorized a new style of art — pioneered by such figures as Pierre Huyghe and Dominique Gonzalez - Foerster — that placed an increased emphasis on viewer participation and the interaction between humans surrounding works.

Real violence reflects the artist's interest in states of interaction between the viewer and the work, in particular as they are activated by the gaze.

These paintings often glow from within and seem almost alive, breathing, interacting with the viewer in silent dialogue, creating a sense of the sacred in the interaction, reminiscent of the I - Thou relationship described by renowned theologian Martin Buber.

His pictures are structured in a way that their candidness is snapshot like — intimate moments captured through a fleeting glance — the focus of the scene is the interaction, between subject, artist and viewer — described by Freud himself when he said «You can't be aware enough.

My current show at Honfleur gallery May4 - june 8th consists of a sculptural installation with sound elements, a kinetic interactive sculpture, an immersive scent and light object, and several interstitial castings, along with light - works derived from these castings, mimic and sometimes manipulate viewers» body language by evoking gestural interactions between bodies.

Creating a personal process to claim ownership of an image, Chyrum Lambert's work utilizes the interaction and gravity of his elements to create a work that is ultimately defined by the viewer; Fay Ray creates collections of artifacts that speak of ritualized behaviors and object - fetishism.

There is a lot more that can be conveyed through the study of a sitter than their appearance, a more human interaction to be had by the viewer.

On the occasion of the show, Carossa exhibits a new body of organic / animal - like - shape sculptures made by using expanded foam, colors and found objects, whose interaction in the limits of both the piece and space, offer viewers mixed feelings, based on a balance between opposite forces, including dirty and clean, hard and soft, bright and opaque, weight and light.

The result is an eclectic showcase of new work by local artists and the interaction of artists with arts professional with viewer that is unlike any other event.

Inspired by Giorgio de Chirico, Andre Breton and other 20th century surrealist painters, Weldon's dream - like and fantastical narratives playfully coax the viewer to consider the role of social media in our everyday lives - the absurdity of time spent scrolling through photographs and feeds, as well as the the withdrawn insularity of choosing social media over genuine social interactions.

Finally, «Narrative» sets landscape as a stage for social interactions, often constructed to be actively interpreted by the viewer.

Encouraging a dialogue and interaction with the visitors and viewers, this is a special recognition for one artist particularly well - regarded by the public.

About Terrain: Terrain Exhibitions is committed to producing spontaneous interactions between the viewers and artworks by creating opportunities for artists to make site responsive installations that redefine the definition of public art.

is committed to producing spontaneous interactions between the viewers and artworks by creating opportunities for artists to make site responsive installations that redefine the definition of public art.

This emptiness created by means of reserved enactments, minimal interventions and reduced gestures makes space for the relationship between the separate works, mutually charged by their interaction, and thus opens up the interpretative impetus for the viewer's perception that is driven not only by seeing, but also by moving around, feeling and hearing.

However, the opportunity for interaction was not lacking, as exemplified by the oversized sculpture, Portrait of the Artist (2013), by Jennifer Rubell at Stephen Friedman in which viewers can crawl into the «womb» of the piece.

Viewers pass by the window, perhaps not knowing the context of the work, but are still afforded the visual interaction.

Robert Youds strives towards addressing the social function by remaining conscious of the audience and encouraging interaction between the viewer and the painting.

Those who pass by the window, perhaps not knowing the context of the work, are still afforded visual interaction, while those viewers inside are offered a more intimate experience.

Envisioned by the artist as a mise - en - scène, the transparent paintings feature stylized portraits of women and encourage viewer interaction.