Sentences with phrase «by viewer participation»

She creates performances set within site - specific installations activated by viewer participation.

The Golden Lion for the central show's best artist went to Franz Erhard Walther of Germany, for his hanging fabric works meant to be activated by viewer participation.

Not exact matches

It works in digital advertising, focused on boosting engagement with viewers by creating ads that require participation.

Features both the American and British versions of the film, commentary track by creator / actor Richard O'Brien and co-star Patricia Quinn, an audience participation picture - in - picture track with a live version of the show and a «callback» subtitle track that cues viewers to classic audience responses, featurettes, two deleted musical scenes, outtakes, alternate opening and ending, and other celebrations of the culture of «Rocky Horror.»

In 1998, he published his book Relational Aesthetics, which theorized a new style of art — pioneered by such figures as Pierre Huyghe and Dominique Gonzalez - Foerster — that placed an increased emphasis on viewer participation and the interaction between humans surrounding works.

In his manifesto, The Ergonic Messenger, Dugger explains how in Participation Art, the body or hand of the viewer is «used to give forceful impetus to the artwork by articulating or positioning the sculptural elements manually... relying on the power of the human hand to provide action or motion.»

Touch Me is a suite of sculptural works that are activated and completed by the tactile participation of the viewer, with the same conceptual simplicity that characterizes so much of Ono's activity.

The viewer's participation in an active visual dialogue with a painting was in fact a part of all Hard Edge painting and the MoMA exhibition included examples by all three schools.

With Meireles's larger installations in the show, viewers are confronted by entire rooms filled with art, engaging them to experience the work through direct participation, either by walking through it or inhabiting the space.

A vast, floating sea of plastic strands suspended from the ceiling, The Houston Penetrable is completed only by the viewer's participation.

Seduced by the beauty of materials, the power of beliefs and the physical and psychological experiences that originate from making art, the diverse works of these artists encourages — even demands — the viewers» participation and reflection that exceeds the typical comprehension of physical materials.

Widely known as an icon of Op art, Riley first came to prominence in the 1960s — notably after her participation in The Responsive Eye exhibition at MoMA in 1965 — creating visually disruptive black - and - white paintings that actively engaged the viewer's perception, using geometrical patterns that were quickly taken over by the fashion and design industries throughout the «Swinging Sixties».

Bulloch's participatory sculptures explore the physical and psychological aspects of space by using simple light and sound effects that require the viewer's active participation.

From 2012, she started holding interactive solo exhibitions in which works are completed by the viewers» participation.

By combining parallel forms in an open and original framework, Gillick encourages active participation and fluid exchange between the gallery space, the viewer, and the artwork.

In his installations, Ernesto Neto continues the tradition of Brazilian modernism, an approach strongly characterised by the viewers» presence and participation.

Painting ambiguous narratives, populated by human and animal figures, his artwork allows the viewers participation in creating the final story.

Following the tradition of Brazilian Modernism that advocates the idea of viewer's presence and active participation, Neto's installation Boa, placed at Museum of Contemporary Art Kiasma in Helsinki, from March until September 2016, again gives the opportunity to escape from the stress of everyday life by devoting some time to senses.

This year's festival is inspired by the opening of a new wing of displays, Energy and Process, which explores Arte Povera, Post Minimalism and their legacy of merging art and life together by using humble, everyday materials and viewer participation.

This work, «Untitled» (L.A.) by artist Felix Gonzalez - Torres, relies on your participation as the viewer to contribute to the work's power.

Her words urge viewers to be willing to expose their participation in the suffering perpetuated by our current society, and, significantly, clarifies that this exposure is not «sacrifice» but «primer and prelude.»

This project will continue to develop its experimental movement to arouse viewers» latent senses that situates within their inner world, and to touch viewers» daily lives through active participations of their movement in the space, which is occupied by the artists» existing senses.

With nineteen - sixties Minimalism having established an active engagement between the spectator and object, the works in the exhibition continue this dialogue by including the viewers» physical participation or perceptual awareness as a crucial component in each artwork.