Sentences with phrase «by wall texts»

Accompanied by wall texts written by Ann Wilson Lloyd, which additionally splice the stories of these women artist couples (one living, one dead), each image is a sort of sphinx.

Duchamp's Fountain is accompanied by wall texts supplying answers to the question: «Why make art from everyday things?»

This object - heavy approach is generous to lay viewers unaccustomed to the dense theoretical wall texts and schematic drawings that often stifle architecture exhibitions; at the same time, none of the towers were accompanied by a wall text, so visitors to the opening wandered through them as if lost in a maze, stopping to snap selfies for Instagram.

The reproduction of a room from the actual Ganjiakou 303 apartment, where Zhu first made these pieces, can be found as an independent space inside the entrance on the right side of the gallery, complemented by a wall text relaying the ideas and discussions Zhu had with his artist friends whilst living there.

Waters» actual sources of inspiration, we are told by wall text, are typographic.

Instead it will appear this November, tastefully lit and accompanied by wall text, in the hushed galleries of New York's Whitney Museum of American Art.

Artworks reinstalled by the museum is called out by a wall text stating: «This work is by an artist from a nation whose citizens are being denied entry to the United States, according to a presidential executive order issued on Jan 27, 2017.

Not exact matches

Further illumination is given to the Corinthian text when it is related to Ephesians 2:14 - 22 where Christ is pictured as breaking down the walls that divide Christians from one another by abolishing «the law of commandments and ordinances» (vs. I5).

We differentiated between computational approaches (either based on volume data, such as the number of mentions related to a party or candidate or the occurrence of particular hashtags; or endorsement data, such as the number of Twitter followers, Facebook friends or the number of «likes» received on Facebook walls), sentiment analysis approaches, that pay attention to the language and try to attach a qualitative meaning to the comments (posts, tweets) published by social media users employing automated tools for sentiment analysis (i.e., via natural language processing models or the employment of pre-defined ontological dictionaries), and finally what we call supervised and aggregated sentiment analysis (SASA), that is, techniques that exploit the human codification in their process and focus on the estimation of the aggregated distribution of the opinions, rather than on individual classification of each single text (Ceron et al. 2016).

The tutorials are there, but are mostly large walls of text which don't teach the practicality of things like choosing the right meal before a hunt, or determining what weapons work best with the skills provided by different pieces of armor.

I was expecting a rather standard text - based adventure game — your typical wall of words broken occasionally by a choice selection.

His first shorts Heroes Are Immortal (90) and Straight Ahead Until Morning (94), both set in small towns by night, show his interest in juxtaposing image and text, assaulting the viewer with torrents of speech: the first a dialogue between two young men (one played by Guiraudie) who wait night after night for a third to arrive, the other the monologue of a watchman caught up in the repetitive, futile pursuit of a wall painter.

Many Indie Authors now have beautiful ebook covers designed by talented artists, which are much more appealing than a multi-color background with a white text title, or a hatchet in a wall on a traditionally published cover.

Suspenseful text and wordless double - page spreads tell the story of young Hugo, an orphan secretly living in the walls of a train station where he labors to complete a mysterious invention left by his father.

There are not walls of intimidating text, there are info graphics broken up by small paragraphs of text allow you to read and understand easily.

I was reading through The Wall Street Journal's Daily Shot column, done by the estimable @SoberLook, and saw the following graph and text:

The 2014 study by Ottawa - based Wall Communications says the average price for the most basic cellphone service with low call volumes and no text or data was $ 35.70 per month.

If that's not novelty enough, you can choose a track on the jukebox by text message (though when I was there I had to head outside to get reception) or make your way to the bathroom to check out the glass walls that become opaque when the light is turned on (again, maybe a little confusing after a few drinks).

- demo has been downloaded over one million downloads - over 45k survey responses - run by pushing the analog stick all the way - hold B to run even faster (although random enemy encounters go up to balance this)- fast travel option - adjustments to designs of the environment based on the issues with visibility, especially in dungeons - traversable areas stand out, adjustments to wall and floor color, and visible landmarks, and more - radar that points players towards entrances, exits and important places - improved visibility - adjust screen brightness - adjust HD - 2D filters - fixed issue where it was too easy to accidentally overwrite your save - 9 save slots and 1 autosave slot - adjusted text size and streamlined the UI - skip scene option - option to replay cutscenes - option to change text speed - game balance refinement so that battles provide a good challenge, but are not overly frustrating - battles with a full party of four and more important elements have not yet been shown

By that, i mean, I rather wait until I have proper internet then risk buying a PS4, find out that some games are unplayable without bloody patches, get real annoyed, do a giant wall of text that is then countered by another wall of text which forces me t do another wall of text etcBy that, i mean, I rather wait until I have proper internet then risk buying a PS4, find out that some games are unplayable without bloody patches, get real annoyed, do a giant wall of text that is then countered by another wall of text which forces me t do another wall of text etcby another wall of text which forces me t do another wall of text etc..

While Monster Hunter World gives a lot of information upfront by necessity, it gives it in huge walls of multi-page text.

I checked Twitter on Christmas Eve, only to be greeted by a massive text - wall of confusion.

Players of «Counter-Strike: Global Offensive» may have already seen lobbies being flooded by chat bots with walls of text.

Schad writes: «Camino Real is a 1948 play by Tennessee Williams... and when it comes to entering into a dialogue with the works at Gagosian, reading the text can be illuminating... On the set, there is a wall and a gate that separates the town from what is simply out there - an unknown wasteland, a place where no one ever comes back from, Terra Incognita... I think about Twombly at the end of a long journey, which has taken him to places in the old world and the texts of our Western culture that I would like to visit.

Messy, confounding, and plagued by unduly academic wall text, the final result only partly lived up to expectations.

The wall text, in light gray, stopped me in my tracks: This year, Lehmann Maupin Gallery is pleased to present a selection of works by the female artists from the gallery.

The new galleries also incorporate more wall text, or «didactics,» to explain the groupings, and that too is another welcome nugget of innovation squeezed out by the glacial forces of change at the gallery.

Each piece is accompanied by the listing price and wall text explaining its origins.

Also included are reproductions of Wolfson's new series of wall - mounted sculptures comprised of bumper stickers overlaid on inkjet prints, candid photographs of the artist taken by Gaea Woods, and a text by the artist providing context for the visual material.

with text by Ronald Kuchta and Michael Walls) Painting in America: Yesterday and Tomorrow, The Decorative Arts Center, New York, USA (curated by Dave Hickey)

The back room has more overtly sculptural or conceptual work, including wall text by Lawrence Weiner, a circular wall incision by William Anastasi, a white square of fluorescent light by Dan Flavin, and a still frailer square of black yarn by Fred Sandback.

A range of texts about Riley's original and enduring practice grounds and contextualizes the images, including new scholarship by art historian Richard Shiff, texts on both the artist's wall paintings and newest body of work by Paul Moorhouse, Twentieth - Century Curator at the National Portrait Gallery in London, and a 1978 interview with Robert Kudielka, her longtime confidant and foremost critic.

In Mungo Thomson's solo exhibition at Kadist Art Foundation, Wall, Window, or Bar Signs, the gallery is filled with neon works that appropriate the form of Bruce Nauman's spiraling neon text piece, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) from 1967.

Yoan Capote is quoted in the wall text by his painting as saying, «The sea, for me and for a lot of Cubans, was like a wall, more an image of isolation than a beautiful place.

So the wall text tells us in at a new joint exhibition by the two Atlanta - based artists at the Swan Coach House Gallery through...

The wall - texts are few and far between, the single - paragraphed descriptions are unclouded by scholarly references, and the show's diverse pairings of art across all mediums feel intuitive, playful, and sincere.

The first play, & faintly heard (as it sinks, slowly):, by Studio for Propositional Cinema, is installed in the exhibition space as a wall text, printed documents, and scenographic elements.

So the wall text tells us in a new joint exhibition by the two Atlanta - based artists at the Swan Coach House Gallery through February 17.

The gallery will be installed with images of color photographs of great lushness and black & white photographs of frozen desolation, while the center of the space will be occupied by a wall - mounted aluminum plaque with the original Russian text of Brodsky's A Part of Speech, a poem about the memory of his lost homeland.

The exhibition included both freestanding sculptures and wall works combining text and image; exhibited as well were examples of «interactive sculptures» (some produced in collaboration with Esther Shalev - Gerz), pieces either re-created, presented in the form of photographic documentation, or made accessible by computer.

The original monuments are not mentioned by name in the work, rather each installation is accompanied by a vinyl text on the wall that describes an aspect of these monuments in mostly general terms.

Sure, «Pop for the People» relies on a lot of wall text, and even on photograph, but the artworks, as meaningful presences, are enhanced rather than diminished by this arrangement.

Though the exhibition's supplementary texts provided by the gallery specifically reference the 2008 financial crisis, the collected newspapers on the walls date from 2014 and later, the global incident only discussed in retrospect.

A range of texts about Riley's original and enduring practice grounds and contextualizes the images, including new scholarship by art historian Richard Shiff, texts on both the artist's wall paintings and newest body of work by Paul Moorhouse, 20th Century Curator at the National Portrait Gallery in London, and a 1978 interview with Robert Kudielka, her longtime confidant and foremost critic.

Drawings, artist notebooks, paintings, engravings, photographs, video - installations, and full - length video works are respectfully laid out in roughly chronological order, and a bilingual (English / Spanish) catalog lovingly assembled by curator Valerie Smith rounds out the succinct wall text that introduces Downey's obsession with invisible forces, giving context to each section of works.

1992 Doubletake: Collective Memory and Current Art, Hayward Gallery, London, England, essays by Lynne Cooke, Bice Curiger and Greg Hilty, London: South Bank Centre / Parkett Stephan Balkenhol: Uber Menschen und Skulpturen / About Men and Sculpture, texts by Stephan Balkenhol, James Lingwood and Jeff Wall; interviews by Ulrich Ruckriem and Thomas Schutte, Stuttgart: Edition Cantz Witte de With Center for Contemporary Art, Rotterdam, The Netherlands

The diastic poem is obtained by filtering the text from the last letter written by Lehman Bros to their shareholders (LB Annual Report 2007) with the following line from Michael Douglas in Wall Street (1987) «The point is, ladies and gentleman, that greed, for lack of a better word, is good».

WHAT I LOVED: SELECTED WORKS FROM THE»90S includes Catherine Opie's Vaginal Davis and Justin Bond; Glenn Ligon's Untitled (I Remember the Very Day); Lari Pittman's Existential and Needy; Karen Kilimnik's Actresses sisters as murderers; erotic work from Wolfgang Tillmans, Marilyn Minter, and Cindy Sherman; Elizabeth Peyton's Stephen Malkmus; Jack Pierson's large collage tribute to»50s iconography, Self Portrait (James Dean); Mike Kelley's Party Girl; wall texts by Kara Walker and Lawrence Weiner; and an extensive series of drawings by Raymond Pettibon.

The gallery walls are occupied by the artist's words, found in the wall - sized, poured - glass text sculptures, and in the machine - embroidered writing on top of the artist's paintings.

The letters add up to a text (which accompanies the work) a stammering, hesitant, syntactically unsure consideration (written by a hand that appears on the wall like the hand that wrote on the wall in the episode of Belshazzar's Feast in the Old Testament) of the relationship between «I» and «We» and the horizon that encompasses singular and plural modes of being.