Sentences with phrase «by women behind the camera»

The spectacular new series from Starz — helmed by women behind the camera — looks at family, grief, and gentrification from a novel perspective.

Not exact matches

ABOUT THE AWFJ and EDA AWARDS The Alliance of Women Film Journalists, Inc. (AWFJ), a not - for - profit corporation, is an international association of leading professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to supporting film work by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting the annual AWFJ EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the moWomen Film Journalists, Inc. (AWFJ), a not - for - profit corporation, is an international association of leading professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to supporting film work by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting the annual AWFJ EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the mowomen — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting the annual AWFJ EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the mowomen in the movies.

The streamer's FYSee space at Raleigh Studios in Hollywood, Calif., was home to two such important conversations on Saturday — «leading the charge,» moderated by Variety's own Jenelle Riley, featured powerful women in front of the camera, including Alison Brie («GLOW»), Danielle Brooks («Orange Is the New Black»), Sarah Gadon («Alias Grace»), and Regina King («Seven Seconds»); Variety «s executive editor of TV, Debra Birnbaum, moderated a panel with those behind the camera — showrunners and «shot callers» Liz Flahive and Carly Mensch («GLOW»), Marta Kauffman («Grace and Frankie»), Gloria Allred («Seeing Allred»), Veena Sud («Seven Seconds»), Melissa Rosenberg («Marvel's Jessica Jones»), and Netflix's own vice president of original series Cindy Holland.

The organization is dedicated to supporting film work by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting the annual AWFJ EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the movies.

We support work by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting the AWFJ EDA Awards in recognition of outstanding accomplishments (best and worst) in cinema each year.

Creative talent returning behind the camera included director of photography Erik Alexander Wilson («Tyrannosaur,» «Submarine»), production designer Gary Williamson («Bunny and the Bull,» «Submarine»), Oscar - winning costume designer Lindy Hemming («Wonder Woman,» «The Dark Knight»), and editor Mark Everson («Mindhorn,» «Alan Partridge»), joined by editor Jonathan Amos («Baby Driver»).

The evening, presented by Max Mara and Lancôme, honored all the women, in front of and behind the camera, who have been nominated for an Academy Award this year.

The long - rumored project will also mark another sea change for the company, as it's co-directed by Anna Boden, alongside her filmmaking partner Ryan Fleck, making it the first MCU film to have a woman behind the camera.

KTEP 88.5 FM's ON FILM host Charles Horak discusses The Alliance of Women Film Journalists» annual and festival EDA Awards recognizing the work and contributions done by women and about women, both in front and behind the camera, points to the decreased level of opportunity for women behind the camera in 2016, and elicits a list of must - see undervalued 2016 films by and about wWomen Film Journalists» annual and festival EDA Awards recognizing the work and contributions done by women and about women, both in front and behind the camera, points to the decreased level of opportunity for women behind the camera in 2016, and elicits a list of must - see undervalued 2016 films by and about wwomen and about women, both in front and behind the camera, points to the decreased level of opportunity for women behind the camera in 2016, and elicits a list of must - see undervalued 2016 films by and about wwomen, both in front and behind the camera, points to the decreased level of opportunity for women behind the camera in 2016, and elicits a list of must - see undervalued 2016 films by and about wwomen behind the camera in 2016, and elicits a list of must - see undervalued 2016 films by and about womenwomen.

The Alliance of Women Film Journalists, Inc. (AWFJ), a not - for - profit corporation, is an association of professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to supporting work by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting annual EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the movies, and EDA Awards at selected film festivals throughout the Women Film Journalists, Inc. (AWFJ), a not - for - profit corporation, is an association of professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to supporting work by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting annual EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the movies, and EDA Awards at selected film festivals throughout the women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting annual EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the movies, and EDA Awards at selected film festivals throughout the women in the movies, and EDA Awards at selected film festivals throughout the year.

was undoubtedly groundbreaking as comic book adaptations seek to elevate their female characters by adding more women behind the camera.

ABOUT THE ALLIANCE OF WOMEN FILM JOURNALISTS: AWFJ, a not - for - profit corporation, is an international association of professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to raising the volume on women's voices in the film community by broadening opportunities for women who write about film and supporting films by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the moWOMEN FILM JOURNALISTS: AWFJ, a not - for - profit corporation, is an international association of professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to raising the volume on women's voices in the film community by broadening opportunities for women who write about film and supporting films by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the mowomen's voices in the film community by broadening opportunities for women who write about film and supporting films by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the mowomen who write about film and supporting films by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the mowomen — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the mowomen in the movies.

The success of Patty Jenkins» 2017 Wonder Woman was undoubtedly groundbreaking as comic book adaptations seek to elevate their female characters by adding more women behind the camera.

The depressing statistics don't take away from the great work those women are doing behind the camera, nor does it subtract from the excellent performances in front of the camera by current Emmy nominees like Viola Davis of How to Get Away with Murder, Taraji P. Henson of Empire, Elisabeth Moss of Mad Men, Amy Poehler of Parks and Recreation, Jessica Lange of American Horror Story or any of the other women who are up for awards tonight.

We're in the countryside, with a windmill in the distance behind two women, passers - by, walking toward the camera.

AWFJ is dedicated to raising awareness about women's perspectives on film and to supporting work by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs, and by presenting the annual EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the movies.

Mirrored on the successful work by LGBT advocates and the PGA's producer mark, this recognition for positive progress will be a visible identifier for companies that have prioritized equal gender hiring practice and have financed or supported business opportunities for women in front of and behind the camera.

ABOUT THE AWFJ and EDA AWARDS The Alliance of Women Film Journalists, Inc. (AWFJ), a not - for - profit corporation, is an international association of leading professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to supporting film work by and about women — both in front of and behind the cameras — through intra — group promotional activities, outreach programs and by presenting the annual AWFJ EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the moWomen Film Journalists, Inc. (AWFJ), a not - for - profit corporation, is an international association of leading professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to supporting film work by and about women — both in front of and behind the cameras — through intra — group promotional activities, outreach programs and by presenting the annual AWFJ EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the mowomen — both in front of and behind the cameras — through intra — group promotional activities, outreach programs and by presenting the annual AWFJ EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the mowomen in the movies.

That's why the attempt made by Candy (Maggie Gyllenhaal) to leave prostitution and move into pornography is the most compelling through line of the piece: From in front of and eventually behind the camera, Candy can use her awareness of the male gaze to make a product of herself and the other women on - screen.

(It is satisfying, too, that in a show partly directed by Michelle MacLaren and other women directors, Candy is essentially making the case for diversity behind the camera.)

Marvel can be better by embracing its already - existing and already - awesome stable of female heroines, and getting women behind the camera to tell those stories.

Women's representation is sorely needed both in front of and behind the camera: the Celluloid Ceiling, which tracks women's employment behind the camera, found that in 2017, only 11 % of the top 250 films were directed by wWomen's representation is sorely needed both in front of and behind the camera: the Celluloid Ceiling, which tracks women's employment behind the camera, found that in 2017, only 11 % of the top 250 films were directed by wwomen's employment behind the camera, found that in 2017, only 11 % of the top 250 films were directed by womenwomen.