Sentences with phrase «by working with publishers»

We might begin by working with publishers to arrive at a fair and competitive market pricing for publishing an article (including platform costs and investments in future improvements), rather than replicating monopoly pricing determined by discipline grant levels.

I think Amazon should focus on the Kindle Books by working with the publishers to make the digital quality better and the prices more affordable.

Since Amazon was dominating the ebook sales industry by setting low $ 10 prices for books, Apple tried to change the playing field by working with publishers to make sure they wouldn't agree to Amazon's pricing scale.

In the past, the only way to get your book into the hands of readers was by working with a publisher who could get your book into stores.

Because of this tie to UWP, users of the new program will not have full access to the Xbox One's power; for that they'll need to get access to a hardware - based SDK which can only be accessed via ID@Xbox (the company's indie - foccussed self - publishing initiative) or by working with a publisher.

Not exact matches

MONTREAL — Comments made by Justin Trudeau to the United Nations on Tuesday shouldn't prevent Donald Trump from working with the prime minister should he become U.S. president, says well - known American magazine publisher Steve Forbes.

The program has also partnered with The Working Group, a top web and mobile development shop in Toronto; Media Profile, one of Canada's most successful public relations firms; Global Accelerator Network, an international alliance of organizations that operate accelerator programs, championed by TechStars; and Postmedia Network Inc., the largest publisher of English daily newspapers in Canada.

I made the very difficult decision to leave working in my dream job with Jamie and branch out on my own to tell my story in food so I quit my job, went freelance as a food stylist and recipe writer and within a year I was fortunate enough to have been spotted by my amazing publisher Louise Haines and was offered a book deal and from there my blog, newspaper and magazine columns all organically followed on.

Produced and directed by Boston - based visionary youth sports parenting expert and author, Brooke de Lench, and drawing both on her experience as a parent of a concussed high school football and lacrosse player and as the founder and publisher of MomsTEAM.com, the acknowledged «pioneer» in youth sports concussion education, «THE SMARTEST TEAM» documents how de Lench worked with a high school in Newcastle, Oklahoma to address the challenges concussions pose in football.

Produced and directed by visionary youth sports parenting expert and author, Brooke de Lench, and drawing both on her experience as a parent of a concussed high school football and lacrosse player and as the founder and publisher of MomsTEAM.com ®, the acknowledged «pioneer» in youth sports concussion education, «The Smartest Team» documents how de Lench worked with a high school in Newcastle, Oklahoma to address the challenges concussions pose in football.

Produced and directed by visionary youth sports parenting expert and author, Brooke de Lench, and drawing both on her experience as a parent of a concussed high school football and lacrosse player and as the founder and publisher of MomsTEAM.com ®, the acknowledged «pioneer» in youth sports concussion education, «The Smartest Team» documents how de Lench worked with a high school in rural Oklahoma to address the challenges concussions pose in football.

The books, all brand new, came as a result of NYSUT's partnership with their national affiliate, American Federation of Teachers, and an organization called First Book, which provides free books donated by book publishers to organizations that work with kids in Title I schools.

BY MICHAEL RICONDA With the passage of a resolution through the County Legislature's Planning and Public Works Committee on April 30, the naming of the Spring Valley toll plaza in honor of the late Rockland County Times publisher Armand Miele has come closer to being a reality.

Not to be confused with the imaginative book and CD - ROM The Way Things Work (by David Macaulay and Ardley) from the same publisher or 101 Great Science Experiments by the same author and publisher, this will be invaluable on primary teachers, shelves.

That said, the only platform specified by Amazon was PC, so a console version remains unconfirmed for now, though the likelihood is high, with even a Switch port seeming somewhat plausible given the publisher's close working relationship with Nintendo.

As early implementers, these educators have gone both to the «source» of the standards and used other proxies for quality and alignment: They've worked directly with and learned from the standards» authors themselves and / or used tools created by them (e.g., the Publishers» Criteria developed by Student Achievement Partners and several other groups).

Imagine, for example, a world - history core: One publisher might produce a series of historical novellas by a writer and a historian working together to go with various places and periods in history.

Emily Victorson, co-founder and publisher of Allium Press of Chicago, will talk about how publishing with a small press differs from self - publishing, when it makes sense to pursue traditional publishing, the advantages of working with a small press, how to identify small presses that might be interested in your work, how to pitch to a small press, and how being published by a small press can be a valuable first step in your publishing career.

Despite being based in Ireland, the publisher hopes to work with authors from across the globe and says that its «editors work with authors on a one - on - one basis to ensure each book presented is of the highest quality... the publisher works side - by - side with authors to develop effective marketing plans and promotional programs, advising on career choices and forward career planning, and assist in setting up the author's overall image.»

If a publisher can convince you they have the best way to do things, then by all means you should work with them.

Rowling's secret was scooped by The Sunday Times, which noticed that Galbraith used an agent and publisher that had worked with Rowling.

I often wonder what those whose job it is to market think of the denigration of their skills by publishers who have dispensed with such services and expect the authors to do the work.

While traditional publishers (actually, the top end publishers) are fighting over business and legal issues, like any big business, you adapt and work with what works — eBooks still represent a minority in sales, but it is rapidly catching up to print, and by all accounts, has already passed hardcover (which has been in decline in a slow death since the advent of paperbacks and trade paperbacks in the 40s and 50s).

But as long as HQN editors are working both with HQN and Dellarte writers, and thus earning HQN profits through both commercial and fee - based publishing, I would hope RWA wouldn't compound the «form over substance» problem by winking at HQN and saying that its commercial imprints are publishers even while those same editors are also working at Dellarte.

Workshop leaders work side - by - side with you on your work - in - progress, and help move it to the next level in preparation for submission to agents or publishers.

While there's certainly a lot to be excited about with regards to the current crop of iPad comics apps by companies like Comixology and iVerse (who both have their own self - branded apps as well as ones developed alongside companies like Marvel, IDW, and Archie), the future of sequential art on the iPad — if there is indeed one — will likely lie in the ability for artists and publishers to craft works designed specifically to play toward the device's strengths.

I was a literary agent by then, so I knew Becky's platform was strong enough that larger publishers would be interested in working with her.

In a press call covered by Heidi MacDonald of Publishers Weekly, Marvel executive editor Tom Brevoort acknowledged that graphic novels are «more and more a preferred format, even with the rise of digital» but were always a «fiscal problem» until «openings of various other distribution channels allowed this to work.»

Now, thanks to that investigation, the original class action suit which sought to return some of the $ 250 million that some estimates claim consumers overpaid may fall by the wayside as three of the publishers involved are working to reach a settlement with all fifty individual state governments.

According to the press release, the new imprint program will be overseen by Allison Dobson, Vice President, Digital Publishing Director, working with Scott Shannon, Senior Vice President, Publisher, Digital Content, and Matt Schwartz, Vice President, Director of Digital Strategy.

The biggest news, though, is that we're working with a number of major publishers (and important smaller ones) to provide a storefront that contains deluxe digital graphic novels aimed at the «real mainstream,» the audience for graphic novels that reads Maus or Fun Home or Dotter of Her Father's Eyes but would never think of going into a comic shop guarded by a dodgy life - size statue of She - Hulk... We think the immersive «lean back» experience that tablets provide, along with purchase ease - of - use and the ubiquitous availability that app stores provide, can, if handled right, create a sea change in the consumption of graphic novels — and, if we have our way, the whole thing will have absolutely * nothing * to do with superheroes.

Ingram Publisher Services is the most recent entity to work with Nielsen's PubEasy community, formerly owned by Bowker.

The initial eliminations were based on the all - important «pitch,» whereas later eliminations were decided by full reads from Publisher's Weekly reviewers (participants who had advanced to that stage were provided with the PW review of their works).

This is by no means the average, and it was also doubly awkward when publishers I was working with started rejecting my book.

Some of the recipes are short enough that I can transcribe it by typing it in again to the computer, but I feel offended that I can not deal with this in an efficient manner rather than a work around, working around the paranoia of publishers.

Working by, of, and for the trade, Publishers Launch Conferences are designed to help publishers, agents, authors, retailers and other channel partners with the transition to prosperity in the new era, and help mediate between new technology, players and paradigms and the existing structures and relationships that still drive the revenue in thePublishers Launch Conferences are designed to help publishers, agents, authors, retailers and other channel partners with the transition to prosperity in the new era, and help mediate between new technology, players and paradigms and the existing structures and relationships that still drive the revenue in thepublishers, agents, authors, retailers and other channel partners with the transition to prosperity in the new era, and help mediate between new technology, players and paradigms and the existing structures and relationships that still drive the revenue in the business.

I can't guarantee that after working with me at this level your novel will be accepted by an agent or by a mainstream publisher or small press — if, indeed, that is your preferred route to publication — but I can guarantee that it will be a better novel.

Unlike the self - publishing field, traditional publishers — big or small — are less likely to be tinkering / experimenting with the price, and they are unlikely to work with the author post-publication to change the price unless for a specific campaign (as described by Mike).

McQuivey might respond that, even in the midst of that high - profile screwup by the publishers, the Big 6 had plenty of people working on digital books, preparing a way forward for the industry that aligned better with customer's evolving reading patterns.

While some designers will be employed full - time by publishers and won't do freelance work, some will be freelancers and might take on self - published titles, especially if the work is in line with other projects they've undertaken.

Try a freelance editor who comes recommended by a publishing professional or an editor you know has worked with a number of published authors and publishers.

My attempt to restore this weekly feature on my blog was thwarted a few months into the year by a series of challenging, distressing, exhilarating, and generally overwhelming events — from editing a new speculative fiction anthology to the death of my mother - in - law, from a six - week home renovation to a partial roof collapse at my place of employment that caused 100 - hour work weeks, from caring for a sick bunny (he's better now, thankfully) to building a new website for one of the small - press publishers I work with.

That advice is picky for traditional publishing (unless you're working with an editor and know it's required by your publisher) and completely irrelevant for self - publishing.

I am working with my publisher, Firebringer Press, to release volume two of our Middle of Eternity anthology series by July.

I've gone indie with my backlist, and am seriously considering putting up a few original works as well, for many of the reasons mentioned by others — timing, doesn't fit a print publisher's mold.

As part of the publishing programme, the BWA's substantial network of experts, agents and publishers (we do not work with vanity publishers and this programme will not involve self - publishing) will work with the author in an intensive way according to the their needs, to ensure the authors work is published by a traditional publisher, but not necessarily via the traditional route and that's where the difference lies.

You can bet the Podleskis have been approached many times by publishers who'd like to work with them.

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Hachette and HarperCollins took the lead in working with Apple to capitalize on this golden opportunity for the Publisher Defendants to achieve their goal of raising and stabilizing retail e-book prices above $ 9.99 by collectively imposing the agency model on the industry.

Scholastic, the world's largest publisher and distributor of children's reading content, is working to bridge the end of one school year with the beginning of another by offering free reading apps and digital learning games aimed at providing an incentive for students to self - teach during their vacations.