The value in this book comes from numerous examples from real briefs filed
by writers like John Roberts, Ruth Bader Ginsburg, Barack Obama, and others.
After her death in 1975 her work continued to be championed
by writers like Dorothy Walker, and was included in Rosc 1980 but was exhibited only rarely.
A year later a substantial retrospective of Frömel's work was held at the Municipal Gallery, but her work has rarely been seen since, despite being championed
by writers like Dorothy Walker.
Inspired
by writers like Edgar Allen Poe and H.P. Lovecraft, this episodic horror game series hopes to create an online community that will help to shape and mold future episodes of the game.
This new short story by John August falls into the genre of paranoid «spy - fi» popularized
by writers like Jorge Luis Borges and shows like The Prisoner and The Man from U.N.C.L.E.
They provide a stark contrast to the glamorization of the war provided
by writers like Jeff Shaara who wrote Gods and Generals.
You are probably surrounded
by writers like you who just aren't sure how to connect with others.
In addition to director Steven S. DeKnight (the creator of Spartacus and showrunner on Daredevil season 1), Uprising was handled
by writers like Kira Snyder (The Handmaid's Tale) and Emily Carmichael (The Adventures of Ledo and Ix) and boasts an international cast of up and comers like Scott Eastwood, Cailee Spaeny, Tian Jing, and Adria Arjona.
Not exact matches
I experienced this from the other side during the two years I spent at Conde Nast Portfolio, when the great Graydon Carter made it his mission to render Vanity Fair's new sister title irrelevant
by publishing the best longform business journalism in town, even if that meant hiring away Portfolio's
writers,
like Michael Lewis.
A select few are genuine page - turners,
like The Confidence Game
by New Yorker
writer Maria Konnikova.
That meant that all the cold calls were written
by real people, professional freelance
writers who could do things
like add a reference to the person's home town or hobbies and such.
A London - based
writer has illustrated how easy it is to manipulate review sites
like TripAdvisor,
by pushing an entirely nonexistent restaurant to the top spot in all of London.
There's a solution I
like, and it comes courtesy of Hollywood — specifically, from actress -
writer - producer Mindy Kaling, whose impressive success as a young woman of colour in a town run
by old white men routinely spurs people to ask where she gets her confidence.
You'll learn about: * The opportunities provided
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Writer, GamesBeat * Johannes Waldstein, CEO, FanAI Inc. * Roc Harry, Relationship Director, Worldpay * Carter Rogers, Senior Analyst, SuperData Research Sponsored
by Worldpay
A story with millions of your own adventure in it — looking for readers,
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by giving $ 1 or more and spreading this campaign and the story to the world.
A
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like a content strategy guide, editorial calendar, and keyword searches.
These concepts,
like being the low cost producer, having proprietary intellectual property or exhibiting network effects, have been well documented
by many
writers.
Although the films Alibaba Pictures Group has invested in
like So Young (
by actress - turned director Zhao Wei, who is also a major shareholder of the company) and Tiny Times (
by popular
writer Guo Jingming) have recorded remarkable box - office revenues, the company has yet to turn a profit, with a net loss of HK$ 443.54 million for the first half of last year.
The metaphorical Baptists include leading economic advisors
like Kenneth Rogoff (recently labeled
by one Indian
writer «the high priest of demonetisation») and Larry Summers.
Usually the idea of modesty was presented innocuously enough, often at big concerts and conferences led
by eloquent, attractive young artists and
writers like Joshua Harris and Rebecca St. James with largely good intentions.
He observes, however, that «the modernist desire in Frost and Eliot — to preserve an independent selfhood against the coercions of the market, a self made secure
by the creation of a unique style — is subverted
by the market, not because they wrote according to popular formulas, but because they give us their poems as delicious experiences of voyeurism, illusions of direct access to the life and thought of the famous
writer, with the poet inside the poem
like a rare animal in a zoo.
Did you realize that some of the myths that the bible has recieved credit for, were actually myths held
by some of the
writers of the texts,
like the Greeks?
One of the most persistent mistakes made
by critics of the crop of celibate gay Christian
writers that came together around the blog Spiritual Friendship is the assumption that when we use any language that they don't
like (most commonly, though not limited to, the word «gay») to describe our experiences, we are using that language to make ontological claims.
And then that moment of birth being one of complete relief and release and joy, yes absolutely, but instead of popping champagne corks or bursting into laughter, I cried from the core of myself —
like some ancient
writer said, I lifted up my voice and I wept, because she was finally here and we were alive and we were safe and I felt held
by the God - with - us; it was the most human and most sacred thing I'd ever done in my life, it felt
like a glimpse of Incarnation.
One can still find this emphasis on divine immanence in
writers formed
by Pentecostalism
like James Baldwin, who equated it with the outworking of love in human life.
A public renewed
by the text stands a chance of connecting to speakers and
writers like King and Lincoln.
Concludes Wright: «It is as though... «the word of the YHWH» is
like an enormous reservoir, full of creative divine wisdom and power, into which the prophets and other
writers tap
by God's call and grace, so that the word may flow through them to do God's work of flooding or irrigating his people.»
God has already maligned Himself
by inspiring biblical
writers to record horrendous acts against people, many of which appear to be on the same level as those crimes committed
by men
like Hitler, Stalin, and Saddam Hussein.
It also would have been useful for these
writers to consider C — Pop within the broader context of niche — driven evangelicalism, exemplified
by congregations such as Willow Creek and Grace Chapel, publishing houses that market things
like «the women's Bible,» and even those evangelist muscle men who thrill pre — teens
by shattering bricks with their heads — all for Jesus of course.
Now it is no longer «men of God writing Scripture as they were moved
by the Holy Spirit» but rather, something
like this: «Men of God having inspired ideas which they provided to a professionally - trained letter
writer, who then composed the letter according to standards and guidelines found in a letter - writing manual before getting the approval of the man of God to send the letter out to its intended recipients.»
The consistently well credentialed and talented speakers such as Christianity Today's Andy Crouch, neuroscientist Caroline Leaf, Sports Illustrated
writer Thomas Lake — and in years past, the
likes of David Brooks and Os Guinness — are reigned in
by a large clock visible to all that counts down their eighteen, nine, or three minute presentations.
Then darkness is considered
by most, if not all, mystical
writers, to be that which surrounds God,
like the Cloud of Unknowing.
18) The fact that there is a later punk - driven attempt to democratize rock fame (and not in the fatuous way that Andy Warhol's «15 - minutes of fame» comment suggested) or that pop / disco artists
like Michael Jackson and Madonna will pick up on Bowie's fame - playing and image - emphatic example, in Madonna's case overtly subordinating the music to the prerogatives of notoriety, do not alter what ALMOST FAMOUS is showing us, that rock can be thought of as a social phenomenon / scene that one might belong to («you're too sweet for rock and roll» is said not
by a musician to a musician, but
by a groupie to a rock
writer), that is as fame - focused as it is music - focused.
Like any author worth his salt, the
writer in Jeremiah begins
by stating the subject of the passage: «This is what the Lord Almighty, the God of Israel, says to all those I carried into exile from Jerusalem to Babylon... «(Jeremiah 29:4).
My friend didn't spill the beans on any specifics, but perhaps that explains why so many Christian songs sound
like they maybe started out as a run - of - the - mill love song before the
writer realized that
by adding a few references to Heaven, this could work as a pretty decent worship song.
Yet
like the slight things left
by other major
writers, these brief prayers and ruminations cast fresh light on O'Connor's literary vision as it was just beginning to develop.
Like so many
writers early in their careers, O'Connor felt she had to leave home to gain a broader perspective than the one afforded her
by rural Georgia life.
The
writer Delmore Schwartz, who almost certainly was one of the models for Bellow's Humboldt,
liked to say that life is a wedding,
by which he meant that the universe is meaningful, and one can happily take his place in it
like the figures in Brueghel's painting.
Homosexual activists
like the playwright Larry Kramer and the
writer Gabriel Rotello, author of Sexual Ecology — an important weaving together of ecology theory, epidemiology, and sexual politics — have been ferociously attacked
by their fellow gay activists for publicly acknowledging that AIDS results as much from human behaviors as from specific microbes.
Jefferson felt that the other
writers were devoted and inspired
by God, they were fallible and likely to reflect their own viewpoints -
like Sts.Paul and Timothy not caring much for women.
Probably he also expected the kingdom to come in something
like the way envisaged
by the Synoptic evangelists and other New Testament
writers.
Why in the world would anybody write something
like this... was the
writer being punished for something
by the editor?
This article,
like our August cover story, appears as a chapter in Martyrs: Contemporary
Writers on Modern Lives of Faith, a collection of essays edited
by Susan Bergman (Harper San Francisco).
I genuinely was interested in this subject because of late it has somewhat been playing on my mind and so sought to discover the truth on the matter and so sought out discussions and literature
by christian
writers that I might examine their different stances on the issue and try to find a moral cross-section as I think is appropriate for all questions since the ranging views are
like politics ranging from far left wing to far right wing views.
Any minister who,
like the
writer, has heard many «confessions» of sin, made formally or informally
by parishioners and friends, will be able to testify to the danger just noted.
«At precisely those points of urgent need... Paul is most conscious that he is writing as one authorized,
by the apostolic call he had received from Jesus Christ, and in the power of the Spirit, to bring life and order to the church
by his words... This is not to say that the
writers of the New Testament specifically envisaged a time when their books would be collected together and form something
like what we now know as the cannon.
He could very easily said something
like... «My wife, the church, should be embraced
by you as it was
by me» OR he could have said «My wife, Mary, is a royal pain in the @ $ $» OR since the writing is from 150 yrs after he died Jesus might not have said anything of the sort and the
writer was attributing words to him.
The
writer complains that his people have been mastered
by Lords other than their God, and though they have suffered
like a woman in labor they have not been able to bring forth new life.
I disagreed fiercely at first, but eventually decided it was unimportant to the claims of Christianity — just
like a spherical earth or a heliocentric solar system is, even though neither were believed
by the biblical
writers.
They contended that the biblical
writers were conditioned
by the times in which they lived, and that biblical religion,
like all religion, was subject to historical development.