Sentences with phrase «by young sculptors»

Not exact matches

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On the other hand, the treasure hunters are portrayed by an all - star international cast: married art expert James Granger (Matt Damon), the youngest of the lot, architect Richard Campbell (Bill Murray), sculptor Walter Garfield (John Goodman), French art dealer Jean Claude Clermont (Jean Dujardin), art historian Preston Savitz (Bob Balaban) and alcoholic British art expert Donald Jeffries (Hugh Bonneville).

In addition to this new initiative, other programs undertaken by the Foundation include free art education programming for New York City youth and young adults, the Painters & Sculptors Grant Program, grants to arts organizations, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, as well as grants to artists and arts communities in need of emergency support after a disaster.

In addition to this initiative, other programs undertaken by the Foundation include free art education programming for New York City youth and young adults, the Painters & Sculptors Grant Program, the Emerging Artist Grant Program, grants to arts organizations nationally, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, as well as grants to artists and arts communities in need of emergency support after a disaster.

This will be after taking in Robins sculpture, and Gary Wraggs paintings in Deal.Great that there are two shows of British Abstract Painting and Sculpture on at the moment.With Bill Tucker at Pangolin and Sams cracking show of 60s colour in Liverpool, Abstraction is far from a dead issue.Indeed there is a symposium by Matthew Macauley at a northern university [to be confirmed] coming up, with requests for papers.Two very good painters rang me to say go and see the Picasso show at Tate Modern, which I did.It was stunning and there were probably eight or so masterpieces in one room from one year!Tony and Sheila Caros show in Peterborough and Graham Boyd at the Cut, Frank Bowling in Dublin and Scully in Newcastle, Mali Morris at Women can't Paint at Turps Banana, loads to see, enjoy, think about and stimulate new work.I hope there are all those hungry [artistically] young Abstract Painters and Sculptors out there keen to extend the genre.!

From a major piece by one of the year's best - reviewed young artists to a head - turning historical prank by America's most famous living sculptor, these are works that could add major oomph to any collection.

In addition to the Painters & Sculptors Grant Program, other programs undertaken by the Foundation include the Emerging Artist Grant Program, free art education programming for New York City youth and young adults, grants to arts organizations, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, as well as grants to artists and arts communities in need of emergency support after a disaster.

Kenneth Armitage was one of eight young British sculptors, including Reg Butler, Lynn Chadwick, Robert Adams and Geoffrey Clarke whose work, when first shown at the Venice Biennale in 1952, was dubbed by Herbert Read «the geometry of fear».

In addition to this initiative, other programs undertaken by the Foundation include the Painters & Sculptors Grant Program, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, education initiatives for both young and adult artists, as well as grants to artists and arts communities in need of emergency support after a disaster.

The project space's first few shows have focused on younger black artists who have had little market exposure, such as the Yale MFA student Vaughn Spann and painter and sculptor Leonardo Benzant, subjects of the current show «Homeostasis,» curated by black curator and Aljira Center director Dexter Wimberly.

The volume focuses on sixteen major works by the Young British Artists, a dynamic association of painters, sculptors, video artists, and photographers whose irreverent and genre - bending art first took London by storm in the late 1980s.

Previous exhibitions include: Uncertain States of America, a major survey of forty - five young American artists curated by Hans Ulrich Obrist, Daniel Birnbaum and Gunnar Kvaran (Summer 2006); major retrospective exhibitions of the Brazilian sculptor Tunga (1997) and American artist Dave Muller (2002); and the first museum exhibitions of Kara Walker (1995) and David Shrigley (2001).

Powell was inspired by Augusta Savage (A» 25), a young sculptor and the newly appointed director of the Harlem Arts Workshop.

Among several pieces, the showstopper is Crystal Cage (Berenice), a suitcase full of photos and papers collected by the assemblage sculptor that tell his invented story of a brilliant young girl.

CounterPointe will present collaborations by series curator Julia K. Gleich (Gleich Dances) with sculptor Rachel Beach, and Lynn Parkerson (Brooklyn Ballet) with artist Michelle Forsyth as well as Kristin Draucker with sculptor Kara Daving, Brenda Neville (Neville Dance Theatre) with sculptor Courtney Puckett, Janice Rosario (Janice Rosario & Company) with painter Jessica Weiss, Ursula Verduzco with sculptor Sarah Bednarek and Eryn Renee Young (XAOC Contemporary Ballet) with artist Amanda Browder.

Victor A. was born in the year 1982, and from a young age was led to art by his father, a sculptor.

In a recent episode of his absorbing podcast, «Revisionist History,» cultural critic Malcolm Gladwell interrogates a statue modeled after a news photograph of a confrontation in 1963 between a police officer with a dog and a young black boy in Birmingham, Alabama.1 Made by African American sculptor Dr. Ronald McDowell, The Foot Soldier (1995) is far more horrific than the photo, Gladwell convincingly argues, because it bears an added imaginative potency: the narrative is told by a traditionally silenced voice, and for Gladwell this «is just what happens when the people on the bottom finally get the power to tell the story their way.»

At the end of the 1950s Caro, a young and promising sculptor, was visited in his studio by the American art critic Clement Greenberg, an extraordinarily powerful observer of art who had championed Jackson Pollock before anyone else.

The first four shows, now over, were by the astute Conceptualist Andrea Fraser, the young painter - installation artist Lucy Dodd, the veteran sculptor and earthwork artist Michael Heizer, and the jazz giant Cecil Taylor.

A scholarship from the National Arts Foundation allowed her to travel to Paris as one of the young Argentine artists featured in Pablo Curatella Manes and Thirty Argentines of the New Generation, a 1960 exhibit organized by the prominent sculptor and Paris Biennale judge.

Conceptual art, the show argues, was created by young artists impatient with the modernist abstraction of the previous generation, typified by sculptors such as Anthony Caro and Phillip King.

As you'd expect from a foundation that has built its reputation on forging networks between China and the international art scene, as well as developing the careers of young artists within the Greater China region, the works on show span creations by 1980s Neo-Geo stars Ashley Bickerton and Peter Halley through to new commissions by the current generation of Chinese artists, including Shanghai - based sculptor Zhang Ruyi and Guangzhou - based twin - sister duo Mountain River Jump!

This exhibition includes three of five recently refabricated editions of Palomar, a sculpture that was originally part of the important 1968 exhibition Younger Vancouver Sculptors curated by Alvin Balkind and presented at the UBC Fine Arts Gallery

And Nari Ward, the young sculptor in Harlem, was still working on «Peace Keeper,» a huge installation consisting of a hearse, covered with grease and feathers, set inside an iron cage and topped by a cloudlike mass of mufflers tied with industrial burlap.

Adventures in Glass, January 15 — February 13 * Young American Painters: John Ferren, Julio Girona, John Grillo, Angelo Ippolito, Marca - Relli, Joan Mitchell, February 22 — March 18 * Thirty - Seventh Annual Exhibition by the Professional Members, March 24 — April 30 * Pre-Columbian Sculpture, May 7 — June 20 (catalogue and supplement) Graphic Work by Edvard Munch, October 1 — 19 Young British Painters, October 25 — December 3 * Italian Sculptors: Marini, Manzù, Minguzzi, Mirko, Consagra, Fazzini, December 10, 1957 — January 23, 1958 *

Roy and Marie Neuberger Collection: Modern American Painting and Sculpture, January 4 — 30 * Janicki, Sterne, Glasco, February 2 — 26 * An Exhibition of Sculpture and Drawings by Young British Sculptors, March 2 — 29 * Thirty - Fifth Annual Exhibition by the Professional Members, April 3 — May 6 * World at Work: An Exhibition of Paintings and Drawings Commissioned by Fortune, Presented on the Occasion of the Magazine's Twenty - Fifth Anniversary, May 12 — 15 An Exhibition of Cubism on the Occasion of the Fortieth Anniversary of The Arts Club of Chicago, October 3 — November 4 * Noguchi: Sculpture and Scroll Drawings, November 11 — December 7 * Accent Rugs Woven by Gloria Finn and Designed by American Painters, December 13, 1955 — January 3, 1956 * Melanesian Sculpture, December 13, 1955 — January 3, 1956 *

In addition to hands - on workshops taught by extraordinary sculptors, the CSSC has hosted over 50 international Artists in Residence and more than 100 young artists in our Internship Program.

Later joined by sculptors Cesar (1921 - 98) and Niki de Saint Phalle (1930 - 2002), as well as the empaquetage (wrapping) artists Christo & Jeanne - Claude, these confident young artists proclaimed their «new sense of reality» and their determination to create a new concept of art which reemphasized the paramount importance of humanism in a society becoming more and more dominated by materialism.

Leading contemporary sculptor and draughtsman Rachel Whiteread (born 1963 in Essex, UK) is one of the original YBAs or Young British Artists exhibited and collected by well - known patron Charles Saatchi.

Next door to the Alexander Gray gallery, Greene Naftali was showing works by Rachel Harrison, a sculptor some 30 years younger than Edwards.

By 1985, the year after she moved into the building on West 57th Street that still houses her gallery, her program was strongly focused around post-minimalist, conceptual work, with Italian Arte Povera sculptors such as Giuseppe Penone and Giulio Paolini, and a lot of young Germans, including the installation artist Lothar Baumgarten, a former student of Beuys, and the then little - known painters Anselm Kiefer and Gerhard Richter.

While his elaborately painted folding screen titled The Fourth of June (Eton) is the centerpiece of Lehmann Maupin's fair booth, the real prize of this show is a five by four - foot painting titled The imagined atelier of Bruno Hat, 2016, which features an invented steely eyed young sculptor inside his decadent studio, encircled by a grouping of his sculptural busts.

Jewish Museum: «Other Primary Structures» (closes on Sunday) This two - part exhibition responds to the museum's landmark 1966 show, «Primary Structures: Younger American and British Sculptors,» by assembling the work of artists from elsewhere who might have been included, but makes its case with too few (poorly installed) works.

In Mr. Altmejd's case, mixing mirrors and images of decay can distantly summon to mind Robert Smithson, the 1970's post-Minimalist sculptor credited by the biennial's curators as important to young artists today.

There he met and befriended another aspiring young sculptor called Barbara Hepworth, who, like Moore, was inspired by the Yorkshire landscape of their birth.

A special exhibition organized by sculptor and installation artist Jack Pierson brings together the work of 10 artists who graduated from Yale University's photography MFA program, a crew that is evocative of many young artists working today — shredding the boundaries between genres, materials and ideas.

Vergne was first introduced to art by his mother, an art historian, and said that when he was young, seeing an installation by the German performing artist and sculptor Joseph Beuys as well as a Salvador Dali exhibition at the Pompidou Center in Paris helped open his eyes to the diverse potential of art.

The exhibition at Satellite Gallery includes three of five recently refabricated editions of Palomar, a sculpture that was originally part of the important 1968 exhibition Younger Vancouver Sculptors curated by Alvin Balkind and presented at the UBC Fine Arts Gallery (now the Belkin Art Gallery).

Jewish Museum: «Other Primary Structures» (through May 18) This two - part exhibition responds to the museum's landmark 1966 show, «Primary Structures: Younger American and British Sculptors,» by assembling the work of artists from elsewhere who might have been included, but makes its case with too few (poorly installed) works.

Double Standing Figure is displayed at the entrance to the British Pavilion at the Venice Biennale, which houses works by eight younger sculptors.

Caro's innovative work was complemented by his teaching at St. Martin's School of Art in London from 1953 to 1981, where he influenced a younger generation of British abstract sculptors including Phillip King, Bruce McLean, Barry Flanagan, Richard Long, and Gilbert and George.

On display are works by the most widely known sculptors of the 20th century such as Joan Miro, Donald Judd, George Segal, John Chamberlain, by celebrated contemporary artists such as Olafur Eliasson, Ernesto Neto, Jason Rhoades, and young 21st century artists such as Mark Dion, Will Ryman, and Florian Baudrexel.

VVV - though it only lasted for three issues - first appeared in June 1942 and was edited by a young American sculptor named David Hare.

Made possible by ABC Stone founder Jonathan Tibett with support from artists Oriano Galloni and Stephen Shaheen, this residency aims to promote the use of stone in artistic practice by pairing young artists with master sculptors for experimental learning through intensive mentoring.

In 1966, the Jewish Museum in New York organized the Primary Structures exhibit, showing large, minimal style works by young American and British sculptors.

Then, in 1966, the artist was included in the legendary exhibition «Primary Structures: Younger American and British Sculptors» organized by Kynaston McShine at the Jewish Museum in New York.

1956 Society of Sculptors and Associates, David Jones Gallery, Sydney, AU The Seasons (organised by the Contemporary Art Society), Tate Gallery, London, UK Artists of Fame and of Promise, presented by the Leicester Galleries, Brown Thomas Little Theatre, Dublin, IE Britisk Kunst 1900 — 1955, Kunstforening, Copenhagen, DK British Nátidskunst, Kunstnernes Hus, Oslo, NO Exposition Internationale de Sculpture Contemporaine, Musée Rodin, Paris, FR An Exhibition of Contemporary British Art, Silbermann Galleries, New York, US Mostra dei Premiati alla XXVIII Biennale, Messina, IT Yngre Britiska Skulptörer, Gothenburg, SE; Sandviken, SE; Linköping, SE; Tranås, SE; Lund, SE; Hälsingborg, SE; Halmstad, SE; Falkenberg, SE; Orebro, SE; Stockholm, SE 1955 Young British Sculptors (touring exhibition organised by the Arts Club of Chicago in collaborationwith the British Council), Arts Club of Chicago, Chicago, US; Walker Art Center, Minneapolis, Minnesota, US; Contemporary Arts Center, Cincinnati, Ohio, US; Albright Art Gallery, Buffalo, New York, US; Art Gallery of Toronto, CA The New Decade: 22 European Painters and Sculptors, Museum of Modern Art, New York, US; Minneapolis Institute of Arts, Minnesota, US; Los Angeles County Museum, California, US; San Francisco Museum of Art, California, US Summer Exhibition, Gimpel Fils, London, UK Eisenplastik, Kunsthalle, Bern, CH Documenta: Kunst des XX., Jahrhunderts, Kassel, DE Twentieth Century Sculpture (Victoria and Albert Museum Circulation Department), Harrogate Art Gallery, UK 54th London Group, Whitechapel Art Gallery, London, UK Contemporary Painters, Sculptors and Craftsmen, City Art Gallery, Leeds, UK Junge Englische Bildhauer (organised in association with the British Council), Kunstverein, Munich, DE; Württembergische Staatsgalerie, Stuttgart, DE; Kunstverein, Freiburg, DE; Staatliche Kunsthalle, Karlsruhe, DE, Städtische Kunsthalle, Recklinghausen, DE; Kunstsammlungen der Stadt, Düsseldorf, DE; Kunstlering, Rotterdam, NL 1954 Sculpture in the Open Air (London County Council Third International Exhibition), Holland Park, London, UK Of Light and Colour, Gimpel Fils, London, UK British Painting & Sculpture, Whitechapel Art Gallery, London, UK 53rd London Group, New Burlington Galleries, London, UK 1953 The Unknown Political Prisoner (sponsored by the Institute of Contemporary arts), Tate Gallery, London, UK IXe Salon de Mai, Palais de New York, Paris, FR Sculpture in the Home (Arts Council touring exhibition), College of Art, Gloucester, UK; Cotton Board, Manchester, UK; Temple Newsam House, Leeds, UK; County Museum, Warwick, UK; School of Art, Glasgow, UK; Art Gallery, Aberdeen, UK; School of Art, Great Yarmouth, UK; Laing Art Gallery, Newcastle, UK; New Burlington Galleries, London, UK 2e Biennale de la Sculpture, Middelheim Park, Antwerp, BE Collectors» Choice, Gimpel Fils, London, UK 52nd London Group, New Burlington Galleries, London, UK 1952 Seven British Contemporary Artists, Black Hall, Oxford, UK New Aspects of British Sculpture, XXVI Biennale, Venice, IT Summer Exhibition, Gimpel Fils, London, UK 51st London Group, New Burlington Galleries, London, UK 1951 American Abstract Artists Group, 15th Anniversary Invitation Exhibition, Riverside Gallery, New York, US Festival of Britain, South Bank, London, UK Sculpture: Second International Exhibition of Sculpture (organised by the London County Council in association with the Arts Council), Battersea Park, London, UK British Abstract Art, Gimpel Fils, London, UK 50th London Group, New Burlington Galleries, UK 1949 Summer Exhibition, Gimpel Fils, London, UK 48th London Group, New Burlington Galleries, UK Galerie de France, Paris, FR

1963 Sculpture in the Open Air (London County Council exhibition), Battersea Park, London, UK 7th Japan International Art Exhibition (Tokyo Biennial): National Museum of Modern Art, Tokyo, JP; Sogo Department Store, Osaka, JP; City Museum of Art, Takamatsu, JP; Yawata Museum of Art, Kita - Kyushu, JP; City Museum of Art, Kagoshima, JP; Daimaru Department Store, Fukuoka, JP; Central Civil House of City, Sasebo, JP; Tsuruya Department Store, Kumamoto, JP; Nakamura Oriental Department Store, Nagoya, JP; Fujisaki Department Store, Sendai, JP Creatura, Museum am Ostwall, Dortmund, DE Zeugnisse der Angst in der Modernen Kunst, Mathildenhöhe, Darmstadt, DE Skulptur: Bo Boustedts Samling, Göteborgs Konstmuseum, Göteborg, SE; Moderna Museet, Stockholm, SE Moore, Zajac, and Chadwick, M. Knoedler Gallery, New York, US 1962 Collectors» Choice XI, Gimpel Fils, London, UK Arte Britanica no seculo XX (organised by the British Council), Gulbenkian, Kent, UK; Foundation, Lisbon, PT; Coimbra, PT; Oporto, PT VII Esposizione Internazionale di Bianco e Nero, Lugano, CH Festival of Two Worlds, Music and Sculpture, Spoleto, IT Sculpture at the Keukenhof, Lisse, NL 3 Premio Carrara, Biennale Internazionale di Scultura, Carrara, IT 19 Young Sculptors (organised by Gloucester City Council), Hillfield Gardens, Gloucester, UK British Art Today, San Francisco Museum of Art, California, US; Dallas Museum for Contemporary Arts, Texas, US; Santa Barbara Museum of Art, California, US 1961 James Thrall Soby Collection (exhibition organised by the Museum of Modern Art, New York), M.Knoedler Gallery, New York, US 19th and 20th Century Drawings, Watercolours and Sculpture, Marlborough Fine Art, London, UK The Maremont Collection at the Institute of Design, Illinois Institute of Technology, Chicago, Illinois, US 2éme Exposition Internationale de Sculpture Contemporaine, Musée Rodin, Paris, FR Some Aspects of 20th Century Art, Marlborough Fine Art, London, UK 6e Biennale voor Beeldhouwkunst, Middelheim Park, Antwerp, BE De Rodin a Nuestros Días, Fundación Eugenio Mendoza, Madrid, ES IV Concorso Internazionale del Bronzetto, Sala della Ragione, Padua, IT Pittsburgh International Exhibition of Contemporary Painting and Sculpture, Carnegie Institute, Pittsburgh, Pennsylvania, US Recent British Sculpture (British Council touring exhibition National Gallery of Canada, in New Zealand by the Auckland City Art Gallery, in Australia by the State Galleries of Australia); Gallery of Canada, Ottawa, CA; Montreal Museum of Fine Arts, Montreal, CA; Winnipeg Art Gallery, Winnipeg, CA; Norman McKenzie Art Gallery, Regina College, Regina, CA; Art Gallery of Toronto, Toronto, CA; Public Library and Art Museum, London, Ontario, CA; Vancouver Art Gallery, Vancouver, CA; City Art Gallery, Auckland, NZ; Dominion Museum, Wellington, NZ; Otago Museum, Dunedin, NZ; Canterbury Museum, Christchurch, NZ; National Gallery of Western Australia, Perth, AU; National Gallery of Southern Australia, Adelaide AU; National Gallery of Tasmania, Hobart, AU; National Gallery of Victoria, Melbourne, AU; National Gallery of New South Wales, Sydney, AU; National Gallery of Queensland, Brisbane, AU; Newcastle Art Gallery, Newcastle (New South Wales), AU; Canberra, AU; Bridgestone Gallery, Tokyo, JP; National Museum of Modern Art, Kyoto, JP; City Hall, Hong Kong, CH

This traditionally refers to the body of work produced during the 1980s and 90s by a group of painters, sculptors, conceptual and installation artists - mostly former students of Goldsmiths College in London - known collectively as Young British Artists.

Frink came to maturity as a young sculptor in the mid-Fifties, encouraged from the very outset of her professional career by the attentive if not always respectful climate of support established for British sculpture internationally by Henry Moore.