Sentences with phrase «by young viewers»
This DVD comes with a virtual storybook, a music video with Brooke Allison, a featurette about the new music on the DVD and two set - top games that provide some interaction best experienced by the younger viewers.
http://www.fatguysatthemovies.com/ Not exact matches
«Idol,» which averaged more than 30 million weekly viewers at its 2006 peak and ranked No. 1 for nine consecutive years, averaged about 11 million last season (still enough by today's standards to land it in the top 20, but with fewer advertiser - favored younger viewers).
Disney and other media companies have been hit by the trend of «cord - cutting» as younger viewers increasingly opt for streaming services over cable and satellite TV channels.
The NFL's regular season TV ratings were down 9 % last year, and a fair amount of blame for the decline went to the fact that younger viewers have become increasingly distracted by the plethora of streaming entertainment options online and social media.
Her show with O'Leary was quickly deemed a hit by CBC management, drawing an unexpected audience of younger viewers and trouncing competing business programs in the ratings.
In an attempt to resonate with young audiences, Pai reassured viewers that they could still «gram» their food, post photos of puppies, and binge watch their favorite shows, by hammily depicting himself partaking in those activities.
Network Ten and our BBL team led by David Barham revolutionised the way cricket is broadcast in Australia and attracted new, younger viewers to the game.
Investors and analysts worry that companies such as Time Warner and Walt Disney Co (DIS.N) are being abandoned by «cord cutters,» especially younger viewers who are shifting to online services such as Netflix (NFLX.O) and Hulu.
For younger viewers who may know the Greatest only in his current state, immobilized and silenced by Parkinson's, that's a gift.
The EPL has been over popularized by advertisements, and various marketing strategies World Wide hence blinding the young viewers into believing that the best Football come from the ENGLISH and The ENGLISH PREMIER LEAGUE.
Later, the young Aderin - Pocock was transfixed by Carl Sagan's television series, Cosmos, which took viewers on a journey through space.
The outrage was partly fueled by the bullying behavior in the scene, which could give young viewers the impression that it's okay to tease someone about their allergy.
Review I have seen this movie twice, probably the third romantic movie that compelled me to do that, and the reasons are quite simple: It's probably impossible that anyone can't relate to young Josh Hutcherson's character, an 11 year old with a normal middle class life and problems (parents initiating divorce); that its surprise by the rediscovery of a young classmate (Charley Ray) initially as an unexpected friend and later as something else... The well crafted work of director Mark Levin is based on the mutual discovery of all these feelings (mostly new and uncontrolled) that evolved in Josh's character and in another particular viewer: you.
The film skews young, to be sure, and it isn't as memorable as the new Disney classics of the early 1990s, but there's still plenty here to hold the interest of viewers of all ages: delightful performances (particularly by Dench, plowing Angela Lansbury terrain), zinging comic dialogue and a soundtrack that's a wealth of sonorous riches.
Director Ryan Coogler and Michael B. Jordan take a far too familiar tale of a young man killed well before he's able to lead a full life and shake viewers out of their apathy at the potential that is so easily wiped out by a bullet.
The abundant tropes remind the viewer of those featured in vehicles favored by the likes of Steve McQueen, Charles Bronson, and James Coburn, men's men who made movies for men that weren't even likely to interest boys with a taste for action, as the work of the next generation of action stars (Stallone, Schwarzenegger, and Norris» other slightly younger Expendables cast mates) would.
The sad thing is that Wild Wild West shoots itself in the foot by not even really being something for the younger viewers.
It's clear, as well, that the film suffers from a somewhat hit - and - miss execution that's compounded by a slightly overlong running time, and it's generally rather apparent that the movie's been designed to appeal predominantly to younger viewers.
Viewers familiar with Dekalog may spot the appearance of the silent, watching young man (played by Artur Barcis) who appears in eight of the ten episodes, and a brief walk - on by Krystyna Janda and Alexander Bardini as the lead characters of Dekalog II.
THE CW TELEVISION NETWORK launched in 2006 as America's fifth broadcast network, with programming targeting younger viewers, a demographic highly sought after by advertisers.
In the hands of an even - keeled cast, including a stunning performance by young Sennia Nanua, Gifts offers plenty for the players and viewers to chew on.
About The CW: THE CW TELEVISION NETWORK launched in 2006 as America's fifth broadcast network, with programming targeting younger viewers, a demographic highly sought after by advertisers.
There hasn't been a single bit of footage revealed to the public, but if this line by Kent describing Vice as «like being in a time machine, going back to the time of mutton chops and Neil Young» doesn't seal the deal for viewers, I don't know what will.
The anti-electronics message would also meet with skepticism by today's audiences, as most of the groups of younger viewers that flock to a film like Pulse are already completely enrapt in this world of digital communications, probably texting messages to their friends before, after, and during the film itself.
Family viewers will need to weigh in these great messages against some content concerns that may be too intense for young viewers, such as the aforementioned boxing violence (some blood is shown) and bothersome scenes of Satterfield being beaten up by kids having «fun.»
Her incisive comic timing, withering looks and mega-watt smile are familiar to late - night TV viewers, but it's her impressive acting range that stands out here, marked by vulnerability, complexity and an easy chemistry with co-stars — both the actors playing her young students and the ever - affable O'Dowd.
With breakthrough performances from Emma Roberts, Nat Wolff and Jack Kilmer, the film is anchored by three prominent characters that can be relatable in one - way or another for younger viewers.
Following 2002's The Ring and its sequel The Ring 2 (2005), this time around, a young woman, Julia, played by Matilda Lutz, grows increasingly anxious as her boyfriend explores a dark subculture surrounding a disturbing videotape that supposedly kills viewers seven days after they view it.
Young viewers may be distressed as well by Theodore's fear of large birds and his worry over the state of the siblings» relationship.
Young viewers may also be troubled when a horse is attacked by a mountain lion (resulting in a bloody injury) and the ranch hands consider shooting the animal to put it out of pain.
Maybe younger viewers who didn't grow up with National Lampoon will be more educated by the doc, but I kept wanting it to dig a little deeper, find out exactly how this brand of comedy came to be and why it dissipated so completely in the «90s and beyond with straight - to - video sequels that tarnished the brand (which is completely ignored here).
In keeping with Elliott and Rosso's «Pirates» formula, the intervening plot proves far more complicated than such archetypal material demands, and as such is likely to alienate younger viewers who may already be overwhelmed by the intensity of Verbinski's vision.
The Plummer children are played by young actors unknown to most viewers (Brittany Snow, star of the recently cancelled «American Dreams» might be the exception); they perform capably in their roles from cutesy tots to angst - ridden teens though none particularly stand out.
For example, Katniss» kinship with a young tribute named Rue is underplayed in the film leaving viewers a bit chilled by some of the emotional scenes that later take place.
Following 2002's The Ring and its sequel The Ring 2 (2005), this time around, a young woman, Julia, played by newcomer Matilda Anna Ingrid Lutz, grows increasingly anxious as her boyfriend explores a dark subculture surrounding a disturbing videotape that supposedly kills viewers seven days after they view it.
It's perhaps not surprising to note, particularly given the origins of the eponymous creatures, that Trolls has been unapologetically geared towards very young viewers, as the movie, directed by Walt Dohrn and Mike Mitchell, boasts a bright, colorful, and ridiculously fast - paced sensibility that's sure to hold the attention of even the most twitchy of children - with the film's decidedly goofy atmosphere, at least, ensuring that it remains tolerable for the duration of its appropriately brisk runtime.
By making abortion just one, manageable aspect of a young woman's wider frame of concerns, it made a hugely subversive cultural statement without alienating viewers with its message — indeed, quite the opposite.
This engaging animation has plenty that will appeal to younger viewers, including an elf named Bryony (voice by Ashley Jensen) who can wrap in mid air.
His first shorts Heroes Are Immortal (90) and Straight Ahead Until Morning (94), both set in small towns by night, show his interest in juxtaposing image and text, assaulting the viewer with torrents of speech: the first a dialogue between two young men (one played by Guiraudie) who wait night after night for a third to arrive, the other the monologue of a watchman caught up in the repetitive, futile pursuit of a wall painter.
Special Jury Prizes To Be Heard, directed by Roland Legiardi - Laura, Amy Sultan, Deborah Shaffer and Edwin Martinez (USA, 2010) Jury Statement: «By filmically living with and sharing the dramas of a remarkably affecting group of young people over a period of years, To Be Heard wins the hearts of viewers with a roller coaster emotional ride... it's immediacy and poignancy make it a film that truly lives beyond the frame.&raquby Roland Legiardi - Laura, Amy Sultan, Deborah Shaffer and Edwin Martinez (USA, 2010) Jury Statement: «By filmically living with and sharing the dramas of a remarkably affecting group of young people over a period of years, To Be Heard wins the hearts of viewers with a roller coaster emotional ride... it's immediacy and poignancy make it a film that truly lives beyond the frame.&raquBy filmically living with and sharing the dramas of a remarkably affecting group of young people over a period of years, To Be Heard wins the hearts of viewers with a roller coaster emotional ride... it's immediacy and poignancy make it a film that truly lives beyond the frame.»
The script by Gerald Ayres (Rich and Famous) suggests a bleaker film than what plays out here, and perhaps a bit more personal, but in the waning days of the disco era, superficial treatments were the norm for fare aimed at younger viewers.
Speaking of his role on The Crown, and Churchill's relationship with the young Queen Elizabeth (Claire Foy), which viewers see evolve beautifully during the show's first season, Lithgow says, «That work was done by [creator] Peter Morgan, and all of the inspiration for the series came from one scene between Elizabeth and Churchill in his play The Audience.
The ads were based on real - time viewer social media submissions each Thursday and performed by New York's comedy troupes including Fun Young Guys, Magnet Theater Touring Company, MB's Dream and Stone Cold Fox.
The average younger viewer of Sonic Boom is going to find scenes of Sonic getting battered around like a ping pong ball between enemies and hearing Knuckles and Amy talk about how he has been tortured for six months by Eggman?
The artist's seemingly distinct activities — the severe black abstractions, the prolific and caustic social and political graphic work, and the color slides of historical monuments, temples, and buildings that showed his equally prolific world travels and keen sense of photographic record keeping — were received in coexistence by jubilant viewers, especially young artists and art students (during the artist's lifetime it would have been career suicide to show all simultaneously practiced sides together).
Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.
• A superb bronze figural inkwell by the Nuremberg artist Peter Vischer the Younger, on loan from the Ashmolean museum in Oxford, whose decoration evokes the carpe diem theme with an inscription urging its viewers to «reflect on life, not death.»
Y Gallery, participating in the EXPOSURE section for young galleries, displayed multiple works by a single artist, Ryan Brown, creating space for viewers to understand the works within the context of his larger oeuvre.
The initial intention of Minimalism, as outlined by a young Donald Judd in his early essays, was not only to take art off the walls, but also to completely alter the viewer's perception of it.
His hypnotic and exhilarating light sculptures will be appreciated by both the young and old, experienced and inexperienced art viewers, students of both the arts and sciences, and engineers who will be tempted to analyze the artist's algorithms.