But here's the problem with Eve at Subliminal Projects, and other shows like it: in attempt to trace a trajectory, it includes work
by younger female artists, who, perhaps with the exception of politically pointed Ayanah Moor, clearly do not belong to the same gang.
Not exact matches
One of the films that didn't blow us away at Sundance, but offered a solid film full of jokes made just for cinephiles, was In a World... The film directed
by actress Lake Bell follows a
young female voice coach (Bell) as she joins the all - male race to land the white - hot new trailer of a blockbuster trilogy, and with it lay claim to the legendary trailer catchphrase «In a world...» She faces stuffy, douchebag competition in Ken Marino and even her own father (Fred Melamed), a legendary voice - over
artist who can't bring himself to recognize his daughter's talent.
A graduate of the University of Virginia, Sara is a 2016 Stevie Award Winner for «
Female Innovator of the Year;» a Global Shaper with the World Economic Forum; an American Express Ashoka Emerging Innovator; a Cordes Fellow with the Opportunity Collaboration; a Peace X Peace 2012 Women, Power, & Peace Award Winner (Generation Peace Award); the only U.S. recipient of the Youth Leader Award in the Americas
by the Inter-American Development Bank Annual Board of Governors Meeting; an Ashoka Activating Empathy Award Winner; a three - time Beyond Sport Award Finalist; named a «Woman Entrepreneur»
by World Resources Institute New Ventures Mexico; a Creative Community Fellow with National Arts Strategies; a StartingBloc Fellow; a Finalist Nominee Social Entrepreneur / Innovator for the Women's Information Network 18th Annual
Young Women of Achievement Award; 1 of 3
Artists Transforming the World
by the Arts and Healing Network; Global Good Fund Fellow; honored among The Jewish Week NY's «36 Under 36»; and a Susan Schiffer Stautberg Leadership Fellow.
REPRESENTATION Ryan Lee Gallery in New York announces its representation of Emma Amos, the
youngest and sole
female member of Spiral, the African American
artists collective co-founded
by Romare Bearden in 1963.
We've had works
by female contemporary
artists working today whether it's someone who could have had a long career like Howardena Pindell or
artist Kara Walker or someone very
young like Xaviera Simmons, the photographer.
Highlights from Michelle Grabner's crowd - pleasing selection include Dawoud Bey's presidential portrait photography (Barack Obama, 2008), Karl Haendel's Theme Time Drawings, pencil drawings of various subjects arranged in shaped frames across a massive section of wall, and works
by Donelle Woolford, the fictional
young black
female artist «created»
by Joe Scanlan and played
by various actors whose Joke Painting (detumescence)(2013) investigates the notion of authenticity.
The
artist has also participated in several group exhibitions, including Engender at Kohn Gallery, Los Angeles, 30th Anniversary Exhibition, Part Deaux, at Jack Hanley Gallery, The Edge of Doom at H I L D E, Los Angeles, Human Condition at John Wolf, Los Angeles, American Optimism at Able Baker Contemporary, Portland, Fathoms at Radical Abacus, Sante Fe, On Painting at Kent Fine Art, New York, Friend of the Devil at Jack Hanley Gallery, Immediate
Female at Judith Charles Gallery, A Thing of Beauty at Geoffrey
Young Gallery in Great Barrington and New Paintings
By at Jack Hanley Gallery.
This
young generation of
artists investigates the «fourth wave of feminism»
by producing works that focus on the representation of the
female body and identity within the virtual and the everyday; taking charge of their own portrayal and challenging the discourse around ownership the male gaze is averted.
Identity Blueprint presents Polaroid and cyanotype photographs and experimental digital animations created
by young women from Newark, NJ's high schools participating in Gallery Aferro's workshop - based program taught
by working
female artists: Evonne M. Davis, Lisa Elmaleh, Ann LePore, Emma Wilcox and guest lecturer Noelle Lorraine Williams.
There will be hyperpigmented canvases
by British - Nigerian Yinka Shonibare MBE, of the
Young British
Artists generation; animal - skin sculptures of the
female form
by the Swazi
artist Nandipha Mntambo; portraits
by the queer South African photographer Zanele Muholi; the 2013 Venice Biennale's Angola Pavilion installation
by photographer Edson Chagas (winner of that year's Golden Lion award); an ebony bust
by Soweto - born Mohau Modisakeng; a huge dragon sculpture in rubber and ribbon
by the Cape Town — born Nicholas Hlobo; and sheets made of 1,150 tiny glass beads
by American
artist Liza Lou, who has a studio in Durban, a South African city around 800 miles from Cape Town.
The book, group - authored
by the
artist collective Bernadette Corporation, tells a rags - to - riches story about a
young female museum guard - turned - model.
In «Closer», Blanca finds himself in an embrace of found serenity — the
artists naked body interlocked
by two
young female figures, allegories of eternal beauty.
Jenny Saville's 1990s breakout work with obese
female bodies on supersized canvases — as seen on the Manic Street Preachers» Holy Bible cover — were discovered
by Charles Saatchi, who supported her for 18 months before exhibiting the results as part of
Young British
Artists III when she was 23.
As curator of the landmark 1993 exhibition, Coming to Power: 25 Years of Sexually X-plicit Art
by Women, Cantor highlighted a dialogue between the
female artists of the 60's and 70's who boldly incorporated explicit imagery in their work, including Louise Bourgeois, Lynda Benglis, and Alice Neel, and the
younger generation of
female artists, such as Cindy Sherman, Nan Goldin, and Marilyn Minter, who, like Cantor, continued to develop this concept.
It is fantastic to be able to re-open Leeds Art Gallery with a major new acquisition
by a
young international
female artist, supported
by the generosity of both VNXX and the Contemporary Art Society, who have been instrumental in the development of our nationally renowned collection for over 100 years.
Opening: Asher Penn's «Lonely Girl» at Martos Gallery Sex magazine editor Asher Penn will present diverse work
by seven
young female artists — Al Baio, Petra Cortright, Maggie Lee, Greem Jellyfish, Bunny Rogers, Analisa Teachworth and Amalia Ulman — who operate on a variety of online platforms, playing with the Internet as an arena for self - expression.
In the curated gallery sections, Focus features presentations
by galleries aged 12 years or
younger; Live is a space for performance and participation works; and new for 2017, Sex Work: Feminist Art & Radical Politics showcases
female artists working at the extreme edges of feminist practice since the 1970s.
Ryan Lee Gallery in New York is presenting a selection of works
by Emma Amos, the
youngest and only
female member of Spiral, a short - lived collective of African American
artists co-founded
by Romare Bearden in 1963.
I like the idea of recontextualizing work
by the old guys and giving some weight to the work of
younger artists, but maybe the mix should be more contemporary, sloppier, and sexier — especially with all the excellent
female painters exploring abstraction today.
A suite of wonderful self - portraits
by the
young Kia Labeija, the only
female HIV - positive
artist of color featured in the show, brings us into the present moment.