Also, fewer community cats in shelters increases shelter adoption rates, as more
cage space opens up for adoptable cats.
Additionally, fewer community cats in shelters increases shelter adoption rates as more
cage space opens up for adoptable cats.
Not exact matches
Battery
cages were the norm for egg - laying hens just a few years ago, but like gestation crates for sows — now banned in 9 states — chickens have an abysmal amount of room in battery
cages, barely enough
space to
open up a wing.
I think most people want to believe that their chickens get to run around in a big
open space like these chickens do, though in reality, they are generally packed 6 to a small
cage for their entire lives.
Anxiety was measured in two behavior tasks that are designed to trigger relevant behaviors and contrast the tendency for mice to explore or engage in social investigation against the anxiety - producing properties of novel objects in the
cage (the marble burying test) or an
open, brightly lit
space (a novelty - induced decrease in eating test).
Focus on taking long, deep, cleansing inhales through the nose and out through the nose (ujjayi breath is what we call it in yoga) and send that that breath between the
spaces in your rib
cage, into the muscles of your back body, and feel that extension that begins to
open through the chest.
So, in Virabhadrasana I, the grounding of the back leg can become a friendly invitation to the rib
cage to lift;
opening the chest can create
space for the arms to reach.
In a heart -
opening backbend, for instance, you increase the
space in your chest cavity, giving the lungs, rib
cage, and diaphragm more room to fill with air.
The game blends your traditional tower defence with a
space - exploration type adventure, and has you traversing a map in search of
caged space - bunnies — which you need to free in order for the end goal to
open up.
Macaws should still be kept in a suitably large
cage, but an
open play
space is best for exercise purposes.
Like perches, make sure there are not too many toys taking up too much
open space in the
cage, but that there are enough toys replaced and changed out sufficiently to keep the bird mentally engaged and active.
were always... fed.first... no
cages...
open spaces... my uncle.had a.dairy..
Each fostered animal
opens up a
cage or kennel
space for us to save another animal.
Dogs with cardiovascular instability or who have fractured ribs, pleural
space disease,
open wounds, thoracic tumors, flail chest — an injury following blunt force trauma, where part of the rib
cage becomes detached — or other cardiac or respiratory distress should not receive coupage.
Pen is a soft transition from previous
cage to a more
open space: you set some boundaries comprising bed, bowls with food and water first and some time later you expand the
space eventually switching to absolute freedom.
Hamsters can squeeze through very small
spaces, and are prone to finding the one place in the
cage where they can either chew a hole or pop
open a
cage latch to make their escape.
Cage aggression occurs when a dog can't back away from your reaching hands when the cage or crate door opens, and he defends the space with snarls and te
Cage aggression occurs when a dog can't back away from your reaching hands when the
cage or crate door opens, and he defends the space with snarls and te
cage or crate door
opens, and he defends the
space with snarls and teeth.
Dwarf hamsters can squeeze through very small
spaces, and are prone to finding the one place in the
cage where they can either chew a hole or pop
open a
cage latch to make their escape.
While this version of the
cage has lost the wide
opening lid of the Crittertrail Primary Habitat, the nest box on top of the
cage lifts off cleanly to provide another wide
open space for you to access your hamster.
This
cage is more ideal for dwarf hamsters with
cage territorial behaviors, as you can easily remove your hamster with a scoop without having to reach through narrow
spaces or corner your hamster thanks to the
open layout.
· Getting lost dogs home reduces stress on the owner and the dog, and · Reduces work for staff at shelters / animal control facilities and rescues, which · Saves taxpayers» money for animal care, and ·
Opens up
cage and kennel
space for truly homeless dogs.
It also
opens up
cage and kennel
space for truly homeless dogs.
Foster homes enable rescues to pull pets from
open admission shelters before they run out of
cage space and must euthanize for
space.
Furthermore this singling out of sculptural activity and giving them names like «
cages» and «legs» and aspects of sculpture itself being singled out for individual scrutiny like «physicality» and «
space»
opens the door to generalisations.
Rey Akdogan does it with metal tiling as incomplete as that of Carl Andre, Olof Inger with trash bags converted into the painting of light and
space, Gabriel Kuri with black slabs crushing beer or soda cans like a Richard Serra that collapsed during an
opening, Charlotte Posenenske with heat ducts as building blocks, Cameron Rowland with shelving brackets as line drawing, and Jean - Luc Moulène with rebar as an
open cage.
Her collaborative exhibitions include rEvolution: We the Light, Blue Sky Project, The Armory, Dayton, OH (collaboration with teenagers)(2010); Homeward Exodus, Dayton Art Institute, Dayton, OH (collaborative performance with Shaw Pong Liu and Ari Tabei)(2010);
Open Cage: NEW YORK — Celebrating John
Cage at 100, curated by Morgan O'Hara, Eyebeam Art + Technology Center, New York, NY (collaborative performance)(2012); EX: Creative Collaboration, The Carousel
Space Project, Chicago, IL (2012); Mixtopias, curated by Fletcher Mackey, VisArts, Rockville, MD (collaboration with Betrand Mao)(2013); Sweet» art, Area 405, Baltimore, MD (collaboration with Lisa Dillin)(2013).
Recent solo exhibitions include: All the
Cages Have
Open Doors, Pangolin London (2016); The Lines of Time, Tennant Gallery, Royal Academy (2016); Marks on the Edge of
Space, Rabley Drawing Centre, Marlborough (2014); To Know Without Remembering, Pangolin London (2013); The Power of Place, Sir Hugh Casson Room, Royal Academy (2007); Still Lines, Jubilee Park, Canary Wharf, London (2004).
MIDTOWN & UPTOWN & HARLEM Rebecca Horn; Forms of Attraction / Kelly / 475 Tenth Avenue @ 36 / thru 6/21 James Siena / Dieu Donne / 315 W 36 / thru 6/29 Spencer Finch thru 1/11
Opening 6/20; Etc. / Morgan Library / 225 Madison @ 36 John
Cage curated by Chris Murtha / Horticultural Society of NY / 148 W 37 / thru 5/23 Nikki Lindt / Heskin / 443 W 37 / thru 6/28
Opening 5/22 Washington Color Abstraction / Gabarron Foundation / 149 E 38 / thru 5/30 Failing to Levitate curated by Kerry Downey & Natasha Llorens / EFA Project
Space / 323 W 39 / thru 7/3
Opening 6/6 Reception 6/19 S.Polke thru 8/3; Jasper Johns thru 9/1; Lygia Clark thru 8/24;... Silence thru 6/22; Gauguin thru 6/8; R.Heinecken thru 9/7; Etc. / MoMA / 11 W 53 Urs Fischer / Lever House / 390 Park @ 54 / thru 5/30 Frank Bowling / Spanierman / 625 W 55 — floor 5 / thru 5/28 Seven Decades of Optic Art / Davidson / 724 Fifth Ave. @ 57 — floor 4 / 5/13 thru 6/27 Reception 5/20 (5 - 7 PM) Emily Mason; Claire Falkenstein; Beatrice Mandelman; Nina Tryggvadottire / Findlay / 724 Fifth Ave. @ 57 — floor 8 / thru 5/24 John Newman / de Nagy / 724 Fifth Ave. @ 57 — floor 12 / thru 5/30 Fairfield Porter / Hirschl & Adler / 730 Fifth Ave. @ 57 / thru 6/13 Mark Rothko / Pace / 32 E 57 / thru 6/20 Elena del Rivero; Yvonne Estrada / McCoy / 41 E 57 / thru 6/16 Group / Alexandre / 41 E 57 / thru 5/23 Traces / Blum / 20 W 57 — floor 2 / thru 8/1
Opening 5/29 Jack Youngerman / Washburn / 20 W 57 — floor 8 / thru 6/27 Leon Kelly / Naumann — floor 3 / 24 W 57 / thru 5/23 Lothar Baumgarten / Goodman — floor 4 / 24 W 57 / thru 6/14 Alex Brown / Jancou / 24 W 57 — floor 6 / thru 6/21 Dana Melamed; Josef Fischnaller / Stux / 24 W 57 — floor 6 (new location) / thru 5/31 3,000 Years of Geometry / Seve / 37 W 57 / thru 5/24 Santiago Calatrava / Marlborough / 40 W 57 / thru 5/31 Look At Me / Heller / 43 W 57 (new, second location) / thru 8/29 Lucy Williams / McKee / 745 Fifth / thru 6/20 Dawoud Bey / Boone / 745 Fifth / thru 6/28 Out of Hand thru 7/6, Etc. / Museum of Art and Design / 2 Columbus Circle @ 59 Knud Lonberg - Holm / UBU / 416 E 59 / thru 8/1 Michael Scott & John Chamberlain: a conversation / Gering / 14 E 63 (new location) / thru 5/31 Lyonel Feininger / Moeller / 35 E 64 / thru 6/27 (extended) Billy Al Bengston / Franklin Parrasch / 53 E 64 (new location) / thru 6/28 Image and Matter curated by Yumiko Chiba / Boesky / 118 E 64 / thru 6/14 Mark Grotjahn / Blum & Poe / 19 E 66 (new in NYC) / thru 6/21 Lynda Barry / Baumgold / 60 E 66 / thru 7/11 Kan Yasuda / Eykyn - Maclean / 23 E 67 / thru 6/27 Horacio Zabala; Eduardo Kac / Faria / 35 E 67 / thru 6/21 Anna Maria Maiolino / Hauser & Wirth / 32 E 69 / thru 6/21 Copied / Roth / 160A E 70 / thru 6/20 Nalini Malani / Asia Society / 725 Park @ 70 / thru 8/3 Pierre Soulages / Levy / 909 Madison @ 73 / thru 6/27 Pierre Soulages / Perrotin / 909 Madison @ 73 / thru 6/27 Robert Rauschenberg / Starr / 5 E 73 / thru 5/23 Frank Stella / Van Doren Waxter / 23 E 73 / thru 6/27 Carved, Cast, Chrushed, Constructed / Freedman / 25 E 73 / thru 5/31 Peter Sis curated by Charlotta Kotik / Czech Center / 321 E 73 / thru 9/1 Aftershock / Edelman / 136 E 74 / thru 5/31 Harmony Korine / Gagosian / 821 Park @ 75 (new, additional location) / thru 6/21 Biennial; Etc. / Whitney Museum / Madison @ 75 / thru 5/25 Kathleen Kucka / Geranmayeh / 956 Madision @ 76 — floor 3 / thru 6/28
Opening 5/20 (6 - 9 PM) But that joke isn't funny anymore curated by Ryan McKenna / Tilton / 8 E 76 / thru 6/7 Jasper Johns; Roy Lichtenstein / Castellli / 18 E 77 / thru 6/27
In early 1974, soon after he shared an all - star New Year's Day bill at St. Mark's with William Burroughs, John
Cage, Gregory Corso, Allen Ginsberg, Byrd Hoffman [Robert Wilson], Taylor Mead, Ed Sanders, Patti Smith, Anne Waldman, and Lewis Warsh, and several months before Art - Rite editors Edit deAk and Walter Robinson began their epochal evening (not yet «performance») series «PersonA» at Artists
Space, Onnasch Galerie at 139 Spring Street (the first German art space to open in SoHo) booked — I know no better word — the two least commercial not - yet - performance artists in town, Jack Smith and Farina, for evening appeara
Space, Onnasch Galerie at 139 Spring Street (the first German art
space to open in SoHo) booked — I know no better word — the two least commercial not - yet - performance artists in town, Jack Smith and Farina, for evening appeara
space to
open in SoHo) booked — I know no better word — the two least commercial not - yet - performance artists in town, Jack Smith and Farina, for evening appearances.