For example, Aubert and his team took 55 samples of the layers of
the calcite popcorn, showing that they formed a sort of ministratigraphic sequence in which the layers closest to the art were oldest and the top layers were the youngest.
Over the next 2 years, Aubert used a diamond saw blade to collect 19 samples of
calcite popcorn from 14 paintings in seven caves within a 1 - kilometer radius.
Not exact matches
Aubert cut samples of the cave
popcorn, shaving the
calcite into ultrathin layers in a process he calls micro-excavating.
Then one day in 2011, a Griffith University archaeologist named Adam Brumm noticed that some of the artwork was covered with
calcite growths colloquially known as cave
popcorn.
He then used the concentration of naturally occurring but unstable uranium in the
calcite to estimate how much time had passed since the
popcorn formed, giving him a minimum age for the art.