What's most likeable about Milt Jewell's two - part painting,
called Avenging Angels, is the gritty, ersatz surface.
She comes across here as an increasingly vehement
avenging angel waging a kind of war with the camera, using it to expose what might be
called both the tyranny and the inner lives of images, especially the images of women that bombard and shape all of us at every turn.