Sentences with phrase «called lives of the artists»
I've also shown work at the Whitney Biennial, having a show now in New York, different places, and also, I host the Yale University radio series called Lives of the Artists.
http://yourartmentor.com/ Not exact matches
His call to artists to show the world the glory of beauty and goodness, his appeal to women to discover their own unique vocation, his call to youth to seek God, brought a Christian inspiration into areas of life where a secular world view had longdominated.
He says that Catholic artists are no longer producing life - giving images of God, that Church people are themselves admitting that even in their rare moments of prayer they can not evoke the image of God nor call on his name (because these are inextricably linked with transcendence) and that many of the Church's own radical prophets and seers have witnessed to the death of God and to the fact that we can speak of God only when we speak of Christ.
Jalapeño called Life Skills featuring the work of Artist, Tara Carmichael.
In the 1990s, the performance artist Marina Abramovic taught a series of student workshops called «Still Life.»
Also, I'd worked in a nursing home with people at the end of their lives and it was a good wake up call as I realized one day I too would be at the end of my life and I asked myself what I would regret not doing by the time I got there - I got a loud and clear answer that I had to give being a full - time artist and earning an income from my passion a proper go!
Bernardo, 46, an accomplished trapeze artist, called the convention, her first, «one of the most amazing experiences of my entire life.»
In this theoretical artist's conception of the Milky Way galaxy, transluscent green «bubbles» mark areas where life has spread beyond its home system to create cosmic oases, a process called panspermia.
BEST FILM 50/50 The Artist A Better Life Bridesmaids The Descendants Margin Call Melancholia Moneyball Page One: Inside the New York Times The Skin I Live In Super 8 Take Shelter Tinker, Tailor, Soldier, Spy The Tree of Life
Film Editors Spencer Averick — «13th,» «Selma» Alexandre de Franceschi — «Lion,» «Bright Star» Keiko Deguchi * — «God Knows Where I Am,» «Fur: An Imaginary Portrait of Diane Arbus» Tracy Granger — «Still Life,» «Boys Don't Cry» Sabine Hoffman — «Maggie's Plan,» «Elvis & Nixon» Edie Ichioka — «The Boxtrolls,» «Toy Story 2» Janus Billeskov Jansen * — «The Hunt,» «The Act of Killing» Céline Kélépikis — «The Red Turtle,» «Now or Never» Melissa Kent — «American Pastoral,» «The Age of Adaline» Juan Carlos Macías — «Wild Horses,» «The Official Story» Jim May — «Goosebumps,» «The Chronicles of Narnia: The Lion, the Witch and the Wardrobe» Fredrik Morheden — «A Man Called Ove,» «The New Country» Christopher Murrie * — «Kubo and the Two Strings,» «Coraline» Tania Michel Nehme — «Tanna,» «Charlie's Country» Tia Nolan — «Annie,» «Friends with Benefits» Anne Østerud — «The Hunt,» «The Girl with the Dragon Tattoo» Gregory Perler — «Sing,» «Despicable Me» Jacopo Quadri — «Fire at Sea,» «The Dreamers» Fabienne Rawley — «Zootopia,» «MonsterHouse» Jake Roberts — «Hell or High Water,» «Brooklyn» Hayedeh Safiyari — «The Salesman,» «A Separation» Nat Sanders — «Moonlight,» «Short Term 12» Per Sandholt — «Land of Mine,» «A Funny Man» Suzanne Spangler — «Imperial Dreams,» «Smashed» Molly Malene Stensgaard — «Land of Mine,» «Melancholia» Alexandra Strauss — «I Am Not Your Negro,» «A Pigeon Sat on a Branch Reflecting on Existence» Christian Wagner — «The Fate of the Furious,» «Furious Seven» Monika Willi — «Amour,» «The Piano Teacher» Kate Williams — «The Whole Truth,» «Frozen River» Dan Zimmerman — «The Dark Tower,» «The Maze Runner» Lucia Zucchetti — «Their Finest,» «The Queen» Eric Zumbrunnen — «Her,» «Adaptation» Makeup Artists and Hairstylists Richard Alonzo — «Star Trek Beyond,» «Alice in Wonderland» Alessandro Bertolazzi — «Suicide Squad,» «Fury» Christine Beveridge — «The Monuments Men,» «Under the Skin» Felicity Bowring — «Gold,» «Tinker, Tailor, Soldier, Spy» Jerry DeCarlo — «Carol,» «Julie & Julia» Patricia DeHaney — «Sully,» «Interstellar» Naomi Donne — «Cinderella,» «Philomena» Linda Dowds — «RoboCop,» «Rampart» Audrey Doyle — «Legend,» «Mad Max: Fury Road» Tina Earnshaw — «The Promise,» «Titanic» Rick Findlater — «L'Odyssée (The Odyssey),» «The Hobbit: An Unexpected Journey» Paul Gooch — «Miss Peregrine's Home for Peculiar Children,» «Maleficent» Fae Hammond — «Fantastic Beasts and Where to Find Them,» «The Legend of Tarzan» Miia Kovero — «Inherent Vice,» «The Master» Michael Marino — «American Pastoral,» «The Wrestler» Frances Mathias — «Saving Mr. Banks,» «Beginners» Christopher Nelson — «Suicide Squad,» «Frank Miller's Sin City» Elaine Offers — «The Kids Are All Right,» «Far from Heaven» Conor O'Sullivan — «The Dark Knight,» «Saving Private Ryan» Daniel Phillips — «Florence Foster Jenkins,» «The Queen» Luigi Rocchetti — «Ben - Hur,» «The Nativity Story» Morag Ross — «Hugo,» «The Aviator» Nikoletta Skarlatos — «Free State of Jones,» «The Hunger Games: Mockingjay (Parts 1 & 2)» Vittorio Sodano — «Il Divo,» «Apocalypto» Shane Thomas — «The Dressmaker,» «Hacksaw Ridge» Kenneth Walker — «Loving,» «For Colored Girls» Kerry Warn — «The Great Gatsby,» «Australia» Carla White — «Hands of Stone,» «August: Osage County» Ann Pala Williams — «Live by Night,» «Click» Jeremy Woodhead — «Doctor Strange,» «Snowpiercer»
Theatrical Feature: The Artist Animated Feature: The Adventures of Tintin TV Drama: Boardwalk Empire TV Longform: Downton Abbey TV Comedy: Modern Family TV News: 60 Minutes TV Sports: ESPN's 30 for 30 TV Variety: The Colbert Report TV Documentary: American Masters TV Reality: The Amazing Race Web Series: 30 Rock Presents Documentary Feature: Beats, Rhymes and Life: the Travels of a Tribe Called Quest
National Poetry Month is a call to not only remember these inspirational artists, but think about and share how their work and the art form it embodies has endured to influence millions of lives.
This ongoing series of essays on the craft of writing will include all topics related to writing fiction, including: The Basics Plot & Structure Voice Theme POV Characterization Dialogue Narrative Creating a bond with your reader Pacing Advanced writing and plotting techniques Writer's block Marketing Branding Publishing Self - publishing Healthy habits Bad habits The Writer's Life eBook formatting Paperback formatting Amazon keywords Writing blurbs and descriptions Cover design & layout Productivity The Classics Short stories Poetry The Writing Process Show don't Tell Self - editing Proofreading Building a solid career Targeting a specific genre Genre Fiction Literary Fiction Sharpening your writing skills Making every word count Deadlines Putting together an Anthology Working with other artists Collaborating Grammar Punctuation Writing for a career Treating it as a business Running a small press Financing your career Keeping track of your royalties Staying motivated Writing movies Writing comics Writing games Building a fan - base Online presence Newsletters Podcasting Author interviews Media appearances Websites Blogging And so much more... Are you ready to be called an author?
The hotel will have what the brand calls a «living wall,» an interactive digital display on the property's façade that respond to human motion and features specially curated digital imagery of local artists and neighborhood experiences.
Gabe Swarr — co-founder of iam8bit Productions, supervising director for Nickelodeon's Kung Fu Panda: The Legends of Awesomeness, and the artist behind fantastic iOS game MeowWalker — has a neat, nostalgic cartoon / webcomic called Life In The Analog Age about «the world that existed before the internet, and life in general.&raLife In The Analog Age about «the world that existed before the internet, and life in general.&ralife in general.»
Living in Toronto, I recently came across a website called Art From Concentrate that sells online but also put up artworks of artists they work with in some coffee shops in Toronto.
It was cool to be able to call myself a professional artist, but the problem was, although I made my living from my art, I found myself spending only a tiny percentage of my time actually creating art.
Lisa Call is an example of an artist with a great day job who still has a day job and an active social life.
I recently attended a screening of a great little documentary called IndieKindred, which follows the lives of several artists and shows how their small group of artists supports each of them individually.
In the 1980s they were members of the movement Artists Call Against American Intervention in Latin America and remained anti-war activists throughout their lives.
Since 2007, the Foundation's Creating A Living Legacy (CALL) Program has sought to educate and support artists in the creation of a comprehensive archiving system to document their artwork and careers.
A meditation about love and life, this film offers a rare glimpse in the creative process of two extraordinary artists who pursued their call against all odds and became England's most unique voices in contemporary painting today.
Highlights of the exhibition include a rare Julia Margaret Cameron photograph made in Sri Lanka towards the end of her life; a self - portrait by Ellsworth Kelly drawn in Paris in 1949; the first collaborative work by Peter Fischli and David Weiss, a set of 10 photographs called the Sausage Series; a new painting on paper by Brice Marden; one of the art brut artist Adolph Wolfli's largest and most important drawings; a portrait of Lucian Freud by Walker Evans; and a mescaline drawing by Henri Michaux.
In addition to this new initiative, other programs undertaken by the Foundation include free art education programming for New York City youth and young adults, the Painters & Sculptors Grant Program, grants to arts organizations, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, as well as grants to artists and arts communities in need of emergency support after a disaster.
Gwen has been supported by the Foundation in a number of ways, as a grant recipient, an Artist - in - Residence at the Joan Mitchell Center, and as a Creating a Living Legacy (CALL) Artist.
These events aim to highlight the Joan Mitchell Foundation's innovative Creating a Living Legacy (CALL) Program, while also underscoring the crucial need for dialogue with artists around the production, presentation, and preservation of their work.
Though he employed metal wire and elastic cord early in his career, the artist soon dispensed with mass and weight by using acrylic yarn to create works that address their physical surroundings, the «pedestrian space,» as Sandback called it, of everyday life.
The Creating a Living Legacy (CALL) program was developed by the Joan Mitchell Foundation to document the careers of artists through the implementation of comprehensive inventorying and archiving systems.
The Emergency Grant Program provides funding after natural or man - made disasters that have affected a community, and from 1997 - 2012 the MFA Grant Program supported artists as they graduated from their respective programs.Further assistance to individual artists consists of program initiatives such as Creating a Living Legacy (CALL), Career Opportunity Grants, and the Joan Mitchell Center in New Orleans, an artist residency program.
In addition to this initiative, other programs undertaken by the Foundation include free art education programming for New York City youth and young adults, the Painters & Sculptors Grant Program, the Emerging Artist Grant Program, grants to arts organizations nationally, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, as well as grants to artists and arts communities in need of emergency support after a disaster.
Botero's solo exhibition Everyday's Poetry — Scenes from the fullness of life is a call to participate in the colourful and inspiring world of the internationally renowned artist.
His work addresses themes of religion, colonialism, capitalism, and artistic authorship, but refracts these sweeping subjects through intimate personal narratives — what the artist calls «the tiny diasporas of a person's life.»
Artist Trust is expanding the knowledge and awareness of archiving and documenting artwork through the Creating a Living Legacy (CALL) program.
We're pleased to announce the 2nd season of CALL / VoCA Talks with our Creating a Living Legacy (CALL) artists, as well as the availability of past Talks on video.
The show consists of over 136 artists from fifty - three countries, and will feature a space for live programming in the Central Pavilion designed by David Adjaye called The Arena.
The work is called «Jack Lemmon,» and it was made last year by Rachel Harrison, a brilliant artist in her mid-40s who lives and works in Brooklyn, N.Y.. It's on display in the permanent collection galleries at the Institute of Contemporary Art, on long - term loan from the benefactor Barbara Lee.
Their living legacy will better prepare the participating artists to respond to grant proposals, calls for exhibitions, and present their works to curators during studio visits; thus enabling them to further their careers by taking advantage of opportunities at home and outside the Deep South.
This event was one of a series hosted in partnership with the Joan Mitchell Foundation's Creating a Living Legacy (CALL) Program highlighting the innovative CALL initiative while also underscoring the crucial need for dialogue with artists around the production, presentation, and preservation of their work.
CALL artist Juan Sánchez will sit down with VoCA Program Committee member and Associate Conservator at Modern Art Conservation Jennifer Hickey at the Bronx Museum of the Arts to discuss his practice and the experience of documenting his life's work.
His exhibit will reconstruct the offices of Artist Actualization Services, a short - lived but influential artist organization in Los Angeles between the years of 1980 to 1985, which called on artists to constantly reinvent themsArtist Actualization Services, a short - lived but influential artist organization in Los Angeles between the years of 1980 to 1985, which called on artists to constantly reinvent themsartist organization in Los Angeles between the years of 1980 to 1985, which called on artists to constantly reinvent themselves.
This event is the last in a series of four that VoCA is hosting this fall in partnership with the Joan Mitchell Foundation's Creating a Living Legacy (CALL) Program highlighting the innovative CALL initiative while also underscoring the crucial need for dialogue with artists around the production, presentation, and preservation of their work.
However, the image's conceptual origins go back to the beginning of his career as an artist, with an abstract sculpture that he called the Rhythms of Life, a theme that has obsessed him ever since.
People have called painting dead so often that abstract artists have every reason to flee the studio in fear of the living dead.
The flattened primitive - like figures and heads, orifices with sharp teeth, and genitalia that Siena's abstractions give way to demonstrate what the artist calls the «interplay between materiality and life,» allowing for the juxtaposition of «randomness against order.»
CALL artist Mimi Smith will sit down with Christie Mitchell, VoCA Program Committee member and Assistant Curator at the Whitney Museum, to discuss her practice and the experience of documenting her life's work.
The only artist to have come out of Brancusi's studio, Noguchi had unique insights into what Noguchi Museum Senior Curator Dakin Hart calls «that Modernist Eden of ambiguity — where traditional craft met the avant - garde, object became indistinguishable from base, and art was life.»
In addition to the Painters & Sculptors Grant Program, other programs undertaken by the Foundation include the Emerging Artist Grant Program, free art education programming for New York City youth and young adults, grants to arts organizations, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, as well as grants to artists and arts communities in need of emergency support after a disaster.
Rather than see herself, as so many female artists did, as failing the call of the avant - garde, she remapped its margins, recognizing that all her labors — both in the studio and in the home — were efforts made to support and preserve life's forward momentum, its future.
In addition to this initiative, other programs undertaken by the Foundation include the Emerging Artist Grant Pilot Program, the Creating a Living Legacy (CALL) program that supports mature artists in the areas of studio organization, archiving and inventory management, education initiatives for both young and adult artists, as well as grants to artists and arts communities in need of emergency support after a disaster.
ALIZA NISENBAUM (Born 1977 in Mexico City; lives in Brooklyn) Calling her work «political witnessing,» Ms. Nisenbaum makes portraits of immigrants, many of whom she meets through her art classes at the Cuban - born artist Tania Bruguera's community space in Queens.