Sentences with phrase «called pop art»

His paintings coincide with an art movement called Pop Art, McIntyre said.

A curator at the Modern Museum has called Pop Art fascistic and militaristic.

It came after the Nouveau Réalisme exhibition at the Galerie Rive Droite in Paris, and marked the international debut of a highly significant group of artists who were soon to give rise to what came to be called Pop Art or Nouveau Réalisme.

Another has just been added, called Pop Art.

Not exact matches

Today I am doing a Colorful Skeleton Makeup Tutorial which was inspired by pop art makeup looks and Vincent Van Gogh starry night painting where Van Gogh used a technique called the impasto technique.

You can call these POP - ART!

Makeup artist Diane Kendal answered the call with bright crimson lips intensified with a dusting of neon tangerine powder for a «pop art — like spark.»

The mood's mostly pretty dour, which leaves the audience particularly grateful for those who provide comic relief: Dave Bautista's growly Drax, who in one scene is practicing the underappreciated art of standing really, really still; Tom Holland's chipper Peter / Spidey, taking it all in with wide eyes; Robert Downey Jr.'s ever - grumpy Tony Stark / Iron Man, who's pretty sick of Peter's pop - culture references (particularly «a really old movie called «Alien»»).

Of the small sampling of Hong Kong films I've seen, the ones I've liked best are not usually the pop action blockbusters but some of the so - called art movies, which in some cases have been box - office failures (largely because there is no art - movie market in Hong Kong): Yim Ho's Homecoming (1984), Wong Kar - wai's Days of Being Wild (1990), Stanley Kwan's Center Stage (1991), and Yim Ho and Tsui Hark's King of Chess (1991).

Call it a haunted house / high school romp / demon killer / surreal fairy tale: a stylized candy - colored bomb of a ghost story more jaw - droppingly unreal than scary, an experimental piece of pop - art genre filmmaking with a cartoonish flair to its art direction, special effects and graphic expressionism.

Sod buying it as a motoring icon, pop it in a gallery and call it art.

She has studied English literature at Goldsmiths University of London, run an alternative art space called JAGO, and opened a pop - up shop in London called theworldthewayiwantit.

Kiri Matsuura, one of the creative heads of game development studio NanaOn - Sha presented their latest masterpiece: a ground - breaking new game just released in Japan on PlayStation 2, called Mojibribon which seamlessly combines the art of Japanese calligraphy with pop cultural elements.

What women were doing was another kind of art, and to call their work Pop does a disservice to it.

As these exhibitions point out, the women whose art skirted around Pop — and can be somewhat misleadingly called Pop — complicate matters, which isn't a bad thing.

Starting with Pop Art, and its antecedents, most American art showcased at the Whitney Museum are works with literal content that address only one side of the so - called critical, intellectual dialectArt, and its antecedents, most American art showcased at the Whitney Museum are works with literal content that address only one side of the so - called critical, intellectual dialectart showcased at the Whitney Museum are works with literal content that address only one side of the so - called critical, intellectual dialectic.

«George's Basketball,» «Ada,» and the cutout of a bather in a bikini called «Maxine» (her figure naked when seen from behind) are among the first full - throated moments in American Pop Art.

The Sidney Janis Gallery held an early Pop Art exhibit called the New Realist Exhibition in November 1962, which included works by the American artists Tom Wesselmann, Jim Dine, Robert Indiana, Roy Lichtenstein, Claes Oldenburg, James Rosenquist, George Segal, and Andy Warhol; and Europeans such as Arman, Baj, Christo, Yves Klein, Festa, Rotella, Jean Tinguely, and Schifano.

These materials and objects constitute what Samaras has called a «five - and - dime aesthetic» that contrasted concurrent trends in art — Minimalism and the clarity of Pop — but resonates with subsequent generations of artists.

In his photography, sculpture, installations, and works on paper, Breuning merges humor, kitsch, and pop culture to investigate the relationship between high and low art, often calling into question our assumptions regarding historically designated «masterpieces» by artists such as Pablo Picasso and Jackson Pollock.

While these highly complex and laborious constructions (she often called them «three - dimensional paintings») moved her well beyond the vocabulary of the improvisatory, so - called «action painting» usually associated with American abstract expressionism, they also had virtually nothing to do with the pop art and minimalism which were then the rage of the 1960s New York art scene.

[12] She also created a series in 1963 which she called «mom art», in reaction to pop art.

In the midst of the teapot tempest «pop art» has created in New York this season, Lawrence Alloway, Curator of the Guggenheim Museum, has organized a modest, unassuming, historically - minded show he modestly calls «Six Painters and the Object».

Can one still call his collage Pop Art or an African American voice of the 1960s?

Other texts help to contextualize the Combines, such as Thomas Crow's essay that calls them the major artistic statement of their time, and the one body of art that could simultaneously hold its own from de Kooning to Pop art.

In the 1970s, though, Bates hadn't found his own style, and Dallas art was more interested in so - called Texas Funk, which blended vernacular Texas idioms with psychedelic and pop art (and included artists such as Bob «Daddy - O» Wade and the Oak Cliff 4).

Not unlike Sigmar Polke's early textile canvases of patchwork patterns adorned with layers of figurative pop culture flotsam, the success of von Bonin's ongoing textile series, called lappen (or «rags») lies in their formal contrast and material ingenuity rather than any rigorous decoding or art historical alignment.

The pieces are not instantly recognisable as Kelly's — no blocks of bright colour, no linear pivots, none of the hyperchromatic test cards which have marched across gallery walls since Kelly first developed his distinctive brand of abstraction, sometimes called hard - edged, sometimes called geometric, sometimes grouped with minimalism and Pop Art (all terms, incidentally, which Kelly himself rejects).

If Pop Art and Minimalism did nothing more than deride mass culture, one could hardly call that cynicism.

Influenced by POP and collage, Laura Benjamin's art is directed into a body of work she calls «Candy Wrapper Collage.»

Today, we call this type of art Pop Aart Pop ArtArt.

One way that Pop art is postmodern is that it breaks down what Andreas Huyssen calls the «Great Divide» between high art and popular culture.

«Pop up space Hackney, London Main OPEN CALL for a group exhibition in SINGAPORE at AWE • SOME FENIX ART GALLERY»

Pop Art introduced recognizable imagery, drawn mainly from popular culture into art, severing the boundaries that had previously existed between traditional fine art and everyday life, and between so - called high art and low cultuArt introduced recognizable imagery, drawn mainly from popular culture into art, severing the boundaries that had previously existed between traditional fine art and everyday life, and between so - called high art and low cultuart, severing the boundaries that had previously existed between traditional fine art and everyday life, and between so - called high art and low cultuart and everyday life, and between so - called high art and low cultuart and low culture.

«Stuart Davis has been called one of the greatest painters of the twentieth century and the best American artist of his generation, his art hailed as a precursor of the rival styles of pop and geometric color abstraction,» remarks Barbara Haskell.

Curated by Thibault Sandret of Glam Trash Pop and hosted by Virginie Sommet «s Studio / Gallery 173 on Canel Street is the exhibition «Don't Call It Street Art,» which will be on open to the public beginning this weekend on Dec 15th.

Pop artists appropriated the aesthetics of contemporary advertising, made use of popular means of production and expression, such as photography, film, or comics, and they lifted them to the status of contemplative objects, while at the same time scornfullyparodying the clichés of so - called high art.

In 2011 Dublin City Gallery The Hugh Lane showed a joint retrospective exhibition of both Hamilton's and Rita Donagh's work called «Civil Rights etc.» That same year, the Minneapolis Institute of Arts showcased Hamilton's work in Richard Hamilton: Pop Art Pioneer, 1922 - 2011.

Pop Art made the art world desirable to the general public, but this admiration constricted during the»60s, with the ascendant asceticism of Conceptual art and Minimalism, which called into question the whole idea of art as something to look Art made the art world desirable to the general public, but this admiration constricted during the»60s, with the ascendant asceticism of Conceptual art and Minimalism, which called into question the whole idea of art as something to look art world desirable to the general public, but this admiration constricted during the»60s, with the ascendant asceticism of Conceptual art and Minimalism, which called into question the whole idea of art as something to look art and Minimalism, which called into question the whole idea of art as something to look art as something to look at.

A boutique pop - up art fair, called The East Cut Art Fair, will take place in a 3,000 foot retail storefront at 160 Spear, just south of Market Street in mid-January 20art fair, called The East Cut Art Fair, will take place in a 3,000 foot retail storefront at 160 Spear, just south of Market Street in mid-January 20Art Fair, will take place in a 3,000 foot retail storefront at 160 Spear, just south of Market Street in mid-January 2018.

I was born outside Milan in a town called Busto Arsizio that was not particularly bookish, but for some reason, they had Pop Art in the library, translated into Italian.

Jess Fuller Born 1972, Portland, Maine, US Lives and works in Brooklyn, NY Education University of Iowa, Master of Fin e Arts, Painting, Iowa City, US Boston University, Bachelor of Fine Arts, Painting, Boston, US Solo Exhibitions 2017 Canada, New York, US 2015 Fairy Smoke, Herald St, London, UK Planet without a body, Martos Gallery, New York, US 2012 NADA Miami, Martos Gallery, Miami, US Jellie, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Washed up and bleached out, organized by Jens Peter Brask, Galleri Tom Christoffersen, Copenhagen, DK Group Exhibitions 2016 Fort Greene, curated by Adrianne Rubenstein, Venus, Los Angeles, US Re-Planetizer, curated by The Pit, Regina Rex, New York, US Inside Out, Berthold Pott Gallery, Cologne, DE 8 Femmes, Office Baroque, Brussels, BE 2015 BFA Boatas, Sao Paulo, BZ Call and Response, Gavin Brown?s Enterprise, New York, US I Can?t Wait to GetOff Work, Bannerette, New York, US 2013 The Fruit Loop, Soloway, New York, US Beach Painting Club, Paddle 8 Silent Auction, NY Limits of Desire, 7 Dunham, New York, US A la Carte, Minimal Art, Shoot The Lobster, New York, US 2012 Temperature, curated by Hillary Doyle and Reid Hitt, Projekt722, New York, US Made with Mustard, East Hampton Shed, East Hampton, US Slowed and Throwed, Chinatown Arcade, New York, US Bred and Fed, organized by Mary Grace Wright, Shoot The Lobster, Iowa City, US The Cat Show, Tomato House, Brooklyn, US Dallas Art Fair, Martos Gallery, New York, US New Traditionalists, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Text / Image, SOUTHFIRST, Brooklyn, US The Idea of the Thing..., organized by Rachel Uffner, Halsey McKay, East Hampton, US BNA: From Brooklyn to Nashville, ZieherSmith pop - up gallery, Nashville, US Tensile Strength, ZieherSmith, New York, US Monochrome, The Journal Gallery, Brooklyn, US Group Expo, The Armory Show, Canada Gallery, New York, US The Balloon, SOUTHFIRST, Brooklyn, US A PERSON OF COLOR: a mostly orange exhibition, organized by Jose Lerma, The Green Gallery, Milwaukee, US 2010 SALAD DAYS, The Journal Gallery, Brooklyn, US Material Issue and Other Matters, organized by Wallace Whitney and Michael Mahalchick, Canada Gallery, New York, US Selected Press 2015 Steer, Emily,?

MR. KARLSTROM: I gather you feel that indeed Pop Art in part is a response to an earlier revolution, shall we call it, which was Abstract Expressionism, because obviously the Abstract Expressionists felt they were throwing over an old order, creating something new.

Today, we might call it Pre-Pop Art or Early Pop Art.

Rauschenberg is considered to be a representative of Abstract Expressionism and Pop Art, but he has also come to be called a Neo-Dadaist.

This has been the primary focus of her so - called «Art History» paintings, in which she detournes famous images by artists like Andy Warhol and Frank Stella to incorporate her own viewpoint, such as in her series of paintings sneaking her own face into the Pop artist's self - portraits.

The title of the piece combines a reference to the New York taxi and limousine baron Robert Scull, a prominent collector of Pop art and sometime drinking companion of the artist, whose taxicab fleet was called «Scull's Angels.»

In 1999 the Ubu Gallery in Manhattan organized a revelatory exhibition of his so - called Prose Poems from the mid-1960s — large, colorful word - strewn collages that combined elements of Concrete poetry and Pop Art and presaged image - text artists like Barbara Kruger.

The avant - garde impulse in art to analyze and counter dominant cultural models suited Kelley nicely, but, when he actually went to art school, he found less the spirit of the avant - garde than institutionally certified, what he called «corporate,» Minimalism and Pop, which had started as a reaction to Abstract Expressionism and had become, in a little over a decade, nothing more than mannerism.

John Cage and the Judson Dancers performed, Oldenburg staged a happening called «Stars,» and Robert Rosenblum delivered a lecture on Pop Art.