Sentences with phrase «called women at work»

The show was called Women at Work, and it consisted entirely of paintings of naked women doing routine country chores in the open air - hanging out the laundry, chopping wood, removing brush in a wheelbarrow or taking breaks from these workaday labors.

Not exact matches

Last year she spoke at the Women's March in Washington, D.C., and she called on the crowd to work together to bring about change.

He remembers, for instance, working in tech support at an Internet advertising company and getting a frantic call from a woman who was «completely flipping out.»

The event, called Catalyst Canada Honours, is run by Catalyst — a nonprofit organization that is focused on expanding opportunities for women in business — and the group has been researching woman at work since its inception in 1962.

We asked one woman (we'll call her Natalia, because she preferred anonymity) who worked for six years at Walt Disney World in Orlando to tell us in her own words what it was like, and everything she learned from wearing those big costumes that, yes, are really, really hot.

Few men have been called «too aggressive» at work, while many women have — a reflection of early gender norms, Sandberg said, where little girls with a take - charge attitude get called «bossy.»

She spends two chapters arguing that the church's idolization of stay - at - home motherhood has heaped «minivan loads of guilt on [employed] women who are doing their best to manage their many roles» and who are doing the work to which God has called them.

This insight moved Williams to advance the possibility that in black women's identification with Jesus as surrogate Lord they risk being «passive to the oppressive operation of surrogacy in our lives» and «oblivious to forces at work influencing us to stand in somebody else's place, to be at the beckon of somebody else's call and to forever service the needs and goals and tasks and responsibilities of somebody else.

While the Sisters at the Sacred Heart convent run a home for pregnant women, other Sisters do «visitation» work, answering crisis - calls for help.

I don't think it's so much about the levites being paid for their service it's about us doing what's right toward Pastors that must feed and tend to the flock of GOD if GOD has called them.JESUS even said in luke 10:7 that the laborers are worthy of their wages.In luke 8 1 - 4 it's says even JESUS HIMSELF recieved financial support from the women who ministered to him with their possessions.Now most people today would say he should have been ashamed of taking money from those poor women but JESUS accepted their support and they was blessed for sowing onto the LORD»S work.1 Corinthains 9:1 - 15 says dint muzzle the ox while it tread out the grain was GOD talking about oxes no he was talking about those who labor in the ministry.Who goes to war at their own expense.Or who goes to war but pay for their clothes, guns, etc.No one because the goverment if that country provide these things because of the soilders service.Who plants a vineyard and don't eat from it.Who tends a flock and don't drink the milk of it.I think it's just spiritual sense to support a pastor that's teaching you the word, casting out devils, laying hands and healing is manifesting in people lived, going to hospitails, prisons, and house calls to pray for the sick and shut in, going to graduations and funnerals, praying and fasting for himself and the flock.I think a person who think a pastor shouldn't be paid for their service either don't know they need to be paid and need to be taught or they are demonic in their thinking and either hate GOD, PASTORS, AND GOD»S PEOPLE.Why do nt you hear people saying anything against the dope dealers, strip clubs, dope houses, liquor stores, etc.It's only when people give into the LORD»S work that evil minded or misinformed people have a problem with it.No sir we don't have to use the old testament to show that we should support out pastors.You don't use the law, love tells me to support the pastor.Under the new testament LOVE is the greatest of all.Love for GOD and man.If GOD asked for 10 percent under the law to support the levites who didn't have all the responsibilities of Pastor today.Church rent, gas for vans of thd church, insurance fir the church and church vehicles, feeding and clothing the poor, light, gas, and water bill, mantience on the church or vehicles, not to mention the Pastor own house, cars, children, insurance, etc.If would be foolish for one to think that a pastor should take care if his house and GODS HOUSE without people supporting the work of the KINGDOM OF GOD.If we love GOD we are going to support HIS KINGDOM and HIS PASTOR.If under the law GOD asked for 10 percent how much should we give under the LOVE COVENANT?Example I love my wife and if I had 300 dollars I would surley give her more that 10 percent which would be 30 dollars because I love her.The law says you must give LOVE says I chose to give because I love GOD and man.Again we don't have to use the law just love and spiritual sense because hate and a carnal senses will not understand.Now I have given you scriptures please do the same when you respond not your opinion.Please respond right away I await your answer.GOD BLESS.

It aims to link the image of Euskadi to the shared values of Basque society, such as a strong work ethic, commitment, drive to succeed, striving for change and equal opportunities for men and women, and to make these values our calling card at an international level.

And I don't doubt that some women have been inspired by the «Eat, Pray, Love» life or, what AskMen calls the Second - Act Syndrome: After raising a family and tending to the home and baking brownies for the Boy Scout fundraiser and volunteering to drive on who - knows - how - many field trips while doing paid or non-paid work (and, yes, being a stay - at - home parent is work), it's finally «me» time.

When my husband was briefly working at a cutthroat corporate lawfirm in the US, one of his colleagues, a married 30 - something year old woman, was called in for an evaluation in which the firm's managing partner essentially told her «You're doing great, and if you'd like to have a baby sometime soon, it's ok with us.»

Mothers are back in the news again, thanks to Democratic strategist Hilary Rosen whose comment about stay - at - home - mom of five Ann Romney, wife of presidential candidate Mitt Romney, as a woman who «has actually never worked a day in her life» reignited the so - called Mommy Wars.

According to The New York Daily News, the woman's son called her at work on Wednesday and told her that she had won the jackpot.

Many spend whatever maternity leave they get pumping to build up stashes of frozen breast milk to leave with caregivers and, once back at work, schedule pumping breaks about once every three hours (calling them «breaks» is a misnomer, however, because many women continue to work while pumping).

Just this month, the latest salvo — Leslie Bennetts's book «The Feminine Mistake,» a call - to - work warning women about the long - term costs of staying at home — hit the shelves with a bang, setting off another round of news stories, talk shows and cyberspace debates about the progress on the battlefront.

The unidentified contractor complained about what it called «improper and illegal» county requirements to direct at least 30 percent of the work to minority - and women - owned subcontractors, and to ensure that minorities and women comprise no less that 15 percent of the work crews.

Today, I call on you, our leading women, to reach out to the young ones, and to the men I say, take a stance to commit towards parity at the work place, home and school, because «a stronger woman does not make a weaker man but a better home, workplace and school.»

Amy Paulin (D - Scarsdale) on Monday called for separate votes on proposals to protect pregnant women from discrimination at work and another to further combat human trafficking.

We need to make sure that we are in control over the things that affects us.Anytime there is flood and people loose their life, most of the blame goes to sitting presidents.I am not saying that the central government does not have responsibility to ensure that enabling environment is created.They have a great work to do but as citizens what is our quota?When you move around Accra, sometimes i becomes angry within myself because i am in doubt as to whether our sanitation laws exit.People because of the tax they claim they pay waits for zoom lion workers to come and clean the choked gutters before our houses and shops either than that, it will remain like that.Is it modernity or civilization that has turned us to forget our traditional values or duties of ensuring that our environments is clean?Everybody in our Ghanaian setting knows the responsibility of men and women in making sure that our environments are clean not waiting for flood to occur and we start blaming sitting presidents.To the media, though your responsibility is to keep governments on it toes, you equally have a mandate in educating the public of what we are expected to do as citizens in other to ensure that our dear nation is a better ecosystem for all of us to live.The attention of the media should be shifted from making politicians popular to making us aware as citizens of our responsibilities.I sometimes get confused to hear journalists calling opponents to comment on issues concerning the sitting governments and the only thing that comes to my mind is what do the journalist want to hear from the political opponents?Nothing.They will end up criticizing without giving an alternative.The media should rather resort in questioning people directly to where the problems are coming from.Let us build our institutions.When it comes to energy issues.Citifm will call Hon.KT Hammond who was a deputy minister living who he worked under (His boss at that time) and I always become confused because what can we expect from him?nothing.

A recent study shows that particularly for women, the risk of conflict at work increases in so - called combi - and flex - offices.

The new work addresses what David Puts, a biological anthropologist at Pennsylvania State University, University Park, calls «one of the most contentious questions in the study of the evolution of human sexuality: whether women's orgasm has an evolutionary function.»

The symposium, called Women Leaders 2002, was coordinated by the Center for Gender Equity at the University of California, San Francisco (UCSF), and was the third leadership conference devoted solely to topics concerning working women in the UC syWomen Leaders 2002, was coordinated by the Center for Gender Equity at the University of California, San Francisco (UCSF), and was the third leadership conference devoted solely to topics concerning working women in the UC sywomen in the UC system.

In a collaborative study performed at Duke University with the Environmental Working Group, they found in 26 women that a common synthetic chemical in nail polish called triphenyl phosphate (TPHP, sometimes TPhP or TPP) is leaking into the bodies of women who wear nail polish.1 http://www.ncbi.nlm.nih.gov/pubmed/26485058 They think it leaches through the cuticles or possibly that another ingredient in the nail polish makes the nail itself more permeable.

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Phyllis Smith worked at a mall store called Brooks, a clothing store geared toward young women.

I'm going to show you how to meet your woman in Asia Call it the algorithm method: Working with data crunchers at dating sites, we put together 25 tips for writing the perfect profile.

Advocates in support of women were both heard and seen at last night's 90th Academy Awards, with three of Harvey Weinstein's accusers (Ashley Judd, Annabella Sciorra and Salma Hayek) focusing on «a new path» and Frances McDormand calling for all female nominees to stand in unison in recognition of their work.

Fox has released a trailer for a film called Hidden Figures, directed by Theodore (Ted) Melfi, a drama about the many African - American women who worked at NASA.

There's a young queer Asian woman who works at the coffee stand up the street from my apartment, let's call her Lou, and sometimes when I swing by for a morning cup, she and I make a bit of small talk about games.

Josh Pais: I had a movie called «Please Give» at Tribeca Film Festival, and I was walking out and this very attractive blonde woman [Lynn Shelton] came up to me and was going, «I'm such a fan of your work!»

With its flowing harmonies, «Disobedience» works equally well as an example of modern classical music at its most thankfully harmonious, Herbert dresses strings lines over each other with gossamer delicateness in a way that's also reminiscent of the hypnotic film works of ephemeral composer Michael Convertino («Bed or Roses») in a way that awakens with its womens» growing self empowerment, also calling to the ear such diverse, ultra-melodic composers as Claude Debussy and Richard Wagner.

For David Sloane, a doctor at Brigham and Women's Hospital in Boston and an instructor at Harvard Medical School, the best part of his work has to do with what he calls the «teaching moments» — the times when he's helping patients, medical students, and even colleagues understand complex information or new ideas.

The author of several books, including The Woman Who Knew Too Much: Alice Stewart and the Secrets of Radiation and Insomniac, she is at work on a book about the encroachment of so - called «reform» upon higher education.

Now the video shows a more confident woman standing at the front of her class, reviewing her work with the students from the week before, forecasting what the next lesson will be, calling a student to stand beside her at an overhead projector to walk through a practice problem.

Kurt was at work, and I was sure he was fielding plenty of calls there, but within minutes of the end of the conference, I had to deal with the frightened women of the ward who suddenly thought Jared Helm was a danger to them.

Between her work as a supermodel walking down the runways of Tom Ford and Marc Jacobs at New York Fashion Week, training for a marathon, and running a coding program for young women called «Kode With Klossy,» it's hard to imagine she ever has time for a little rest and relaxation.

They told us about their living situation in the guard colony called Camp America (six to a tent, not much to do), and gave vent to their frustrations at working with the detainees — many refused to look at women and would even turn their backs when they approached.

The exhibition will also call attention to the other strong work she has done with her production company, the Rufus Corporation, like 89 Seconds at Alcázar (a paean to Velázquez's Las Meninas that, despite being shown at the 2004 Whitney Biennial, is still lesser - known), as well as displaying plentiful documents relating to the making of Sabine Women.

Fahren Feingold's work is currently exhibiting in a collective show of 80 female contemporary artists called Uprise / Angry Women at The Untitled Space, New York from January 18 - 28, 2017.

I have always championed the contribution of black women and that's still very much part of what I do: In 2015, I curated a group show at Hollybush Gardens called «Carte de Visite», featuring work by three black women artists who wouldn't normally show there.

Norte Maar announces a call for choreographers for its 5th Season of CounterPointe: new work by women choreographers and their collaborations with artists, April 7 - 9, 2017 at the Actor's Fund Arts Center, Brooklyn.

In a show called «Uprising / Angry Women,» the works of more than 80 female artists, pieces created in reaction to the election and policies of President Donald Trump, are now on view at gallery Untitled Space.

Norte Maar announces a call for choreographers for its 4th Season of CounterPointe: women choreographers making new work with the pointe shoe, April 8 - 10, 2016 at the Actor's Fund Arts Center, Brooklyn.

The work that Marshall showed at that time was called The Woman at the Window, a collage in direct homage to Bearden's iconic works in the same vein.

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they arWorks, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they arworks Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

She is part of an Art Collective called Grupo < >, an organization of women artists of Latin American descent.Her work has been shown internationally in groups and solo exhibitions such as «Futre remnants of a missing word» (2016), Meyohas, NY; «Exhibition of collective Grupo < >» (2016), Experimental Gallery, Cornell University, Ithaca; Migratorry Patterns (2015), 56 Bogart, Brooklyn; Time Item (2015), Green Gallery, New Haven; Y sin embargo se mueve (2012), Die Ecke Gallery, Santiago, Chile; among others.She received the Susan H. Whedon Award for outstanding student in Sculpture at Yale University (New Haven, 2015), a CONICYT Scholarship (Santiago, 2013) and a FONDART grant (Santiago, 2012).

Her performance works [5][8] include a series of site - specific gifting performances called Limited, Limited Edition which she has presented at Socrates Sculpture Park, in Long Island City, Queens; [9] in Jamaica, Queens; at the Incheon Women Artists» Biennale in Incheon, South Korea; [10] at On Stellar Rays gallery in the Lower East Side; in three locations in Newark, New Jersey for Aljira Center for Contemporary Art, [11] in a school yard in East Harlem; on 14th Street as a part of the Art in Odd Places performance festival, and on H Street NE in Washington D.C. [12] For Bad Kanji (2015), she painted temporary kanji tattoos on viewers at the Spring / Break Art Show, held in the historic office spaces above New York City's main post office, the James A. Farley Post Office.

The release event for I Can't Work Like This held at Proqm in Berlin took place on the evening of the 28th of March, only eleven days after the artist Parker Bright stood in protest wearing a t - shirt, sharpie emblazoned with «BLACK DEATH SPECTACLE» in front of a painting by a white woman of Emmett Till's mutilated corpse, and only a week after Hannah Black published an open letter to the curators and staff of the Whitney Biennale calling for the paintings» removal and destruction.