Sentences with phrase «called color field»

This visit, as well as Louis's friendship with Kenneth Noland, spawned an exploration of different techniques of paint application, a style that would later be called Color Field Painting.

His position as a so - called color field painter was difficult to dispute.

Kenneth Noland, who painted some of the great emblems of the postwar American abstract style called Color Field painting, died Tuesday at his home in Port Clyde, Me.

And I think there is a tremendous distinction between this kind of internalized abstraction and what Greenberg called color field painting, which is nothing but color design on a flat plane.

She applied this to the processes of art - making: Frankenthaler defied rules about painting as well as printmaking, most consequentially when she thinned her paint with turpentine and poured it directly onto raw canvas, in a manner that radically redirected so - called Color Field abstraction.

Gottlieb was the most symbolic of these so - called Color Field painters and he became also the less abstract because he wanted to communicate stories in images.

As you may already know, Helen Frankenthaler was a pioneer of another technique called Color Fielding — a form of non-objective painting, that allowed for thinned - out oil or acrylic pigment to be applied, often times poured and spread, directly onto the unprimed canvas.

Not exact matches

The so - called leaf rust, or roya, is a yellow and orange - colored fungus that has swept coffee fields from Mexico to Peru over the past two years, threatening to stunt production and drive up the price of Latin American roasts.

Newman had close artistic connections with his art - mates Mark Rothko and Gottlieb, often called the painter of Color Field.

Released 2008, October Size Dimensions 110.5 x 52.6 x 17 mm Weight 145 g Display Type TFT resistive touchscreen, 65K colors Size 800 x 480 pixels, 3.0 inches — Full QWERTY keyboard — Optical trackpad Sound Alert types Vibration; Downloadable polyphonic, MP3 ringtones, composer Speakerphone Yes — 3.5 mm audio jack Memory Phonebook Practically unlimited entries and fields, Photocall Call records Practically unlimited Internal 256 MB RAM, 512 MB ROM Card slot microSD (TransFlash), buy memory Data GPRS Class 10 (4 +1 / 3 +2 slots), 32 — 48 kbps HSCSD No EDGE Yes 3G HSDPA, 7.2 Mbps; HSUPA, 2 Mbps WLAN Wi - Fi 802.11 b / g Bluetooth Yes, v2.0 with A2DP Infrared port No USB Yes, v2.0 miniUSB Camera Primary 3.15 MP, 2048 × 1536 pixels, autofocus, LED flash Features Touch focus Video Yes, VGA@30fps Secondary Videocall camera Features OS Microsoft Windows Mobile 6.1 Professional CPU Qualcomm MSM 7200 528 MHz CPU Messaging SMS (threaded view), MMS, Email, Push email, IM Browser WAP 2.0 / HTML (IE), RSS feeds Radio Stereo FM radio with RDS Games Yes + downloadable Colors Solid Black, Steel Silver GPS Yes, with A-GPS support Java Yes, MIDP 2.0 — MP3 / AAC / MPEG4 player — Pocket Office (Word, Excel, PowerPoint, OneNote, PDF viewer)-- Picture editor / blogging — Organizer — T9 — Voice memo / dial Battery Standard battery, Li - Po 1500 mAh (BST - 41) Stand - by Up to 833 h (2G) / Up to 640 h (3G) Talk time Up to 10 h (2G) / Up to 6 colors Size 800 x 480 pixels, 3.0 inches — Full QWERTY keyboard — Optical trackpad Sound Alert types Vibration; Downloadable polyphonic, MP3 ringtones, composer Speakerphone Yes — 3.5 mm audio jack Memory Phonebook Practically unlimited entries and fields, Photocall Call records Practically unlimited Internal 256 MB RAM, 512 MB ROM Card slot microSD (TransFlash), buy memory Data GPRS Class 10 (4 +1 / 3 +2 slots), 32 — 48 kbps HSCSD No EDGE Yes 3G HSDPA, 7.2 Mbps; HSUPA, 2 Mbps WLAN Wi - Fi 802.11 b / g Bluetooth Yes, v2.0 with A2DP Infrared port No USB Yes, v2.0 miniUSB Camera Primary 3.15 MP, 2048 × 1536 pixels, autofocus, LED flash Features Touch focus Video Yes, VGA@30fps Secondary Videocall camera Features OS Microsoft Windows Mobile 6.1 Professional CPU Qualcomm MSM 7200 528 MHz CPU Messaging SMS (threaded view), MMS, Email, Push email, IM Browser WAP 2.0 / HTML (IE), RSS feeds Radio Stereo FM radio with RDS Games Yes + downloadable Colors Solid Black, Steel Silver GPS Yes, with A-GPS support Java Yes, MIDP 2.0 — MP3 / AAC / MPEG4 player — Pocket Office (Word, Excel, PowerPoint, OneNote, PDF viewer)-- Picture editor / blogging — Organizer — T9 — Voice memo / dial Battery Standard battery, Li - Po 1500 mAh (BST - 41) Stand - by Up to 833 h (2G) / Up to 640 h (3G) Talk time Up to 10 h (2G) / Up to 6 Colors Solid Black, Steel Silver GPS Yes, with A-GPS support Java Yes, MIDP 2.0 — MP3 / AAC / MPEG4 player — Pocket Office (Word, Excel, PowerPoint, OneNote, PDF viewer)-- Picture editor / blogging — Organizer — T9 — Voice memo / dial Battery Standard battery, Li - Po 1500 mAh (BST - 41) Stand - by Up to 833 h (2G) / Up to 640 h (3G) Talk time Up to 10 h (2G) / Up to 6 h (3G)

release 2011, April 15th SIZE Dimensions 124.5 x 63.5 x 10.2 mm Weight 141.8 g DISPLAY Type TFT capacitive touchscreen, 16M colors Size 480 x 800 pixels, 4.0 inches — Accelerometer sensor for UI auto - rotate — Proximity sensor for auto turn - off — Gyro sensor — Touch - sensitive controls SOUND Alert types Vibration, MP3 ringtones Loudspeaker Yes 3.5 mm jack Yes MEMORY Phonebook Practically unlimited entries and fields, Photocall Call records Practically unlimited Internal 8 GB storage, 512 GB RAM Card slot microSD, up to 32 GB DATA GPRS Yes EDGE Yes 3G HSDPA, 21 Mbps; HSUPA WLAN Wi - Fi 802.11 b / g / n, DLNA, Wi - Fi hotspot / Wi - Fi Calling Bluetooth Yes, v2.1 with A2DP Infrared port No USB Yes, microUSB v2.0 CAMERA Primary 8 MP, 3264 × 2448 pixels, autofocus, LED flash Features Geo - tagging, face and smile detection, touch focus, image stabilization Video Yes, 1080p@24fps, 720p@30fps Secondary Yes, 1.3 MP FEATURES OS Android OS, v2.2 (Froyo), upgradable to v2.3 CPU Dual - core 1 GHz ARM Cortex - A9 proccessor, ULP GeForce GPU, Tegra 2 chipset Messaging SMS (threaded view), MMS, Email, Push Email, IM Browser HTML Radio Stereo FM radio with RDS Games Yes + downloadable Colors Black GPS Yes, with A-GPS support Java No — T - Mobile TV — NVIDIA Tegra Zone — T - Mobile Video Chat — Social networking integration — HDMI port — Google Search, Maps, Gmail — Digital compass — YouTube, Google Talk — DivX / Xvid / MP4 / H. 264 / H.263 / WMV player — MP3 / WAV / WMA / eAAC + player — Document editor — Organizer — Adobe Flash 10.1 support — Voice memo / dial / commands — Predictive text input BATTERY Standard battery, Li - Ion 1500 mAh Stand - by Up to 400 h Talk time Up to 7 h colors Size 480 x 800 pixels, 4.0 inches — Accelerometer sensor for UI auto - rotate — Proximity sensor for auto turn - off — Gyro sensor — Touch - sensitive controls SOUND Alert types Vibration, MP3 ringtones Loudspeaker Yes 3.5 mm jack Yes MEMORY Phonebook Practically unlimited entries and fields, Photocall Call records Practically unlimited Internal 8 GB storage, 512 GB RAM Card slot microSD, up to 32 GB DATA GPRS Yes EDGE Yes 3G HSDPA, 21 Mbps; HSUPA WLAN Wi - Fi 802.11 b / g / n, DLNA, Wi - Fi hotspot / Wi - Fi Calling Bluetooth Yes, v2.1 with A2DP Infrared port No USB Yes, microUSB v2.0 CAMERA Primary 8 MP, 3264 × 2448 pixels, autofocus, LED flash Features Geo - tagging, face and smile detection, touch focus, image stabilization Video Yes, 1080p@24fps, 720p@30fps Secondary Yes, 1.3 MP FEATURES OS Android OS, v2.2 (Froyo), upgradable to v2.3 CPU Dual - core 1 GHz ARM Cortex - A9 proccessor, ULP GeForce GPU, Tegra 2 chipset Messaging SMS (threaded view), MMS, Email, Push Email, IM Browser HTML Radio Stereo FM radio with RDS Games Yes + downloadable Colors Black GPS Yes, with A-GPS support Java No — T - Mobile TV — NVIDIA Tegra Zone — T - Mobile Video Chat — Social networking integration — HDMI port — Google Search, Maps, Gmail — Digital compass — YouTube, Google Talk — DivX / Xvid / MP4 / H. 264 / H.263 / WMV player — MP3 / WAV / WMA / eAAC + player — Document editor — Organizer — Adobe Flash 10.1 support — Voice memo / dial / commands — Predictive text input BATTERY Standard battery, Li - Ion 1500 mAh Stand - by Up to 400 h Talk time Up to 7 h Colors Black GPS Yes, with A-GPS support Java No — T - Mobile TV — NVIDIA Tegra Zone — T - Mobile Video Chat — Social networking integration — HDMI port — Google Search, Maps, Gmail — Digital compass — YouTube, Google Talk — DivX / Xvid / MP4 / H. 264 / H.263 / WMV player — MP3 / WAV / WMA / eAAC + player — Document editor — Organizer — Adobe Flash 10.1 support — Voice memo / dial / commands — Predictive text input BATTERY Standard battery, Li - Ion 1500 mAh Stand - by Up to 400 h Talk time Up to 7 h 40 min

The premise is pretty simple — colored blocks called popopo are falling from the sky, onto the playing field.

Refining a technique, developed by Jackson Pollock, of pouring pigment directly onto canvas laid on the floor, Ms. Frankenthaler, heavily influencing the colorists Morris Louis and Kenneth Noland, developed a method of painting best known as Color Field — although Clement Greenberg, the critic most identified with it, called it Post-Painterly Abstraction.

Some of the new styles and movements that appeared in the early 1960s as responses to abstract expressionism were called: Washington Color School, Hard - edge painting, Geometric abstraction, Minimalism, and Color Field.

Along with John Hoyland, Walter Darby Bannard, Larry Zox, Ronald Davis, Ronnie Landfield, John Seery, Pat Lipsky, Dan Christensen [29] and several other young painters a new movement that related to Color Field painting began to form; eventually called Lyrical Abstraction.

Sometime in 1940 Rothko makes his last figurative painting, then experiments with Surrealism, and eventually does away entirely with any figural suggestion in his paintings, abstracting them further and paring them down to indeterminate shapes floating in fields of color - Multiforms as they were called by others - which were greatly influenced by Milton Avery's style of painting.

Taking issue with Harold Rosenberg (another important champion of Abstract Expressionism), who wrote of the virtues of action painting in his article «American Action Painters» published in the December 1952 issue of ARTnews, [3] Greenberg observed another tendency toward all - over color or Color Field in the works of several of the so - called «first generation» Abstract Expressioncolor or Color Field in the works of several of the so - called «first generation» Abstract ExpressionColor Field in the works of several of the so - called «first generation» Abstract Expressionists.

With a career spanning over six decades, this film presents Mason as a shy yet innovative figure in American art, a pioneer in the field of lyrical abstraction, and a master of the so - called «poetry of color».

Pollock's energetic «action paintings», with their «busy» feel, are different, both technically and aesthetically, from the violent and grotesque Women series of Willem de Kooning's figurative paintings and the rectangles of color in Mark Rothko's Color Field paintings (which are not what would usually be called expressionist, and which Rothko denied were abstrcolor in Mark Rothko's Color Field paintings (which are not what would usually be called expressionist, and which Rothko denied were abstrColor Field paintings (which are not what would usually be called expressionist, and which Rothko denied were abstract).

Each artist in this exhibition demonstrates a knowledge of painting history from Apfelbaum's references to Robert Motherwell with appropriation of color fields and signifiers, to Sparks use of continually morphing organic shapes that call to the likes of Arshile Gorky.

Clyfford Still, Barnett Newman, Adolph Gottlieb and the serenely shimmering blocks of color in Mark Rothko's work (which is not what would usually be called expressionist and which Rothko denied was abstract), are classified as abstract expressionists, albeit from what Clement Greenberg termed the Color field direction of abstract expressiocolor in Mark Rothko's work (which is not what would usually be called expressionist and which Rothko denied was abstract), are classified as abstract expressionists, albeit from what Clement Greenberg termed the Color field direction of abstract expressioColor field direction of abstract expressionism.

The mid-century critic Clement Greenberg was a major proponent of color field painting, which he called post-painterly abstraction.

He then eliminated pictorial depth for a field of color in the 1950s, calling the works Magical Space Forms to recognize the importance of the flattened space.

Tobey is most notable for his creation of so - called «white writing» - an overlay of white or light - colored calligraphic symbols on an abstract field which is often itself composed of thousands of small and interwoven brush strokes.

To do so, the artist arranges blocks of color called «color fields» side by side to create effects that are independent of narrative or judgment.

Ray Parker was an influential art teacher and an important Color Field painter [1] and an instrumental figure in the movement coined by Clement Greenberg called Post-Painterly Abstraction.

This was kind of an evolution of Jackson Pollock's dripping and became known as Color Field painting — although Clement Greenberg, the critic most identified with it, called it Post-Painterly Abstraction.

Although the so - called color - field painters focused on the sublime and contemplative qualities of color (think of Rothko's rectangular floating forms) they had a lot more in common with the spontaneous gestures of the action - painters than had previously been realised.

The exhibition also seeks to obliterate the ease with which the Abstract Expressionists have been categorised into two main groups, the color - field painters such as Mark Rothko and Helen Frankenthalter and the so - called «action - painters» of Pollock and de Kooning fame.

His sophisticated layerings of varied materials call to mind the broad expanses of color field painting while creating a tangible experience of texture, movement and spatial depth.

Shaffer uses a shifting figure / ground relationship calling to mind the flow of energy in, out and through us, depicting women enveloped within fields of gestural DNA - like marks or packed with radiating color strokes like bursts of energy set against darker voids.

The larger of the two «painterly» works is Number 38S, an eight - foot - square field of wooden sticks, detritus from some explosion or collapse, scattered over 16 dirt - colored (or covered) wooden panels that combine into what The New York Times art critic Roberta Smith called «an endless catastrophe seen from above.»

Color fields and forms are negotiated intuitively, responsive to what I like to call a painterly logic that is unique to each painting.

The show opens with one of most incredible rooms of postwar painting I have seen in a New York gallery in recent years: two huge, pitch - perfect Clyfford Stills, Kenneth Noland and Morris Louis color fields and a breathtaking 18 - foot - long painting by Barnett Newman called Uriel (1955), an expanse of mint green separated from a slice of chocolate by the thinnest of white and black zips.

The exhibition is called «Color as Field: 1950 - 1975.»

His compositions include Braque - inspired, semi-representational scenes; abstract, allover patterns; color fields; hard - edged geometric shapes; and, recently, what he calls his «crackle paintings,» whose cracked and layered surfaces resemble tree bark or parched ground.

Our next stop was to meet Honor Fraser and view her stunning»60s color field painting show, called Openness and Clarity and curated by Haydn Dunbar, with stand - out paintings by Helen Frankenthaler, Morris Louis and a simply breathtaking one by Frank Stella called Ctesiphon I, from 1968.

Thomas is often associated with the color field painters of the so - called Washington Color School; Morris Louis and Kenneth Noland, the most prominent, were Thomas» contemporaries and, like her, were based in Washincolor field painters of the so - called Washington Color School; Morris Louis and Kenneth Noland, the most prominent, were Thomas» contemporaries and, like her, were based in WashinColor School; Morris Louis and Kenneth Noland, the most prominent, were Thomas» contemporaries and, like her, were based in Washington.

Greenberg saw Bush's post-Painters Eleven work as a clear manifestation of the shift from abstract expressionism to Color Field painting and Lyrical Abstraction, a shift he had called for in most of his critical writings of the period.

Stern's pure abstract forms call to mind the stained canvases of Morris Louis and Helen Frankenthaler, but her work embodies a unique elegance that differentiates it from that of her color field contemporaries.

Like bright signage in the commercial landscape, the prismatic lighting of the nightclub, or the boundless color field painting that we call ocean, Venus impels us to keep moving and looking.

Mr. Bannard (pronounced BAN - erd), whose keen critical intelligence was reflected in his many essays on art, spent more than half a century elaborating and revising the distillation of color and form that made him an important voice in the nascent Color Field movement, sometimes called postpainterly abstraccolor and form that made him an important voice in the nascent Color Field movement, sometimes called postpainterly abstracColor Field movement, sometimes called postpainterly abstraction.

Her pure abstract paintings call to mind the stained canvases of the Color Field artists, but her work embodies a unique elegance that differentiates it from that of her contemporaries.

Earl Powell, director of the National Gallery in Washington, D.C., who attended a patron reception last Friday, was quite taken by what he called «the authenticity» of the architecture, and by the inaugural exhibition, «Helen Frankenthaler and the Color Field Painters.»

What seems like an exquisite exercise in the hybridization of Clyfford Still's Color Field paintings and Lucio Fontana's Spatialism is in truth a metaphor of what Ralph Ellison called the «invisible condition of blackness.»

(in obituary published Oct. 7: Walter Darby Bannard; usually called by his middle name; b. Sept. 23, 1934, New Haven; d. Sunday [Oct. 2, 2016], Miami, aged 82; Color Field painter whose elegant, severe abstract paintings of the late 1950s and early»60s were the springboard for a lifetime's exploration of color, form, and the physicality of pColor Field painter whose elegant, severe abstract paintings of the late 1950s and early»60s were the springboard for a lifetime's exploration of color, form, and the physicality of pcolor, form, and the physicality of paint)

Her paintings evoke what she calls «color desire,» as the fluidity of the forms engage us in seeking color resolutions across the pictorial field, while drawing us to the different spaces that the colors occupy and the ways they attract and repel each other.

Olivier Debre was a French abstract and color field painter of the Post-War period, whose style was called fervent abstraction.

To my mind, Hirst's Spot Paintings are no different in their engagement with art history, as these pulsating canvases of color — ranging from dense fields of tiny dots to a few spare circles isolated against an expanse of white — call to mind Georges Seurat, Hans Hoffmann, Kenneth Noland, Frank Stella, Gerhard Richter, and many more.

Díaz points to a work called «The Color Field,» which consists of a very large canvas painted bright yellow behind a white shelf of green, orange and blue crepe paper flowers, the kind you might find in any Mexican market.