Sentences with phrase «called environmental art»

Boyce was part of a very particular generation of artists who studied at the Glasgow School of Art, taking what was then a new course called environmental art.

Not exact matches

This project was lead by the art teacher, Alison Flegal, who created the project as a way for students to voice their support for the Green Bank Telescope in response to 2016's Environmental Impact Statement (EIS) Call for Public Comments.

The environmental movement was new when Robert Hunter left art school, hired a boat called Greenpeace and sailed with friends to a U.S. atomic test in the Aleutians, turning it into a media spectacle.

This collaboration between Google Arts & Culture and the Natural History Museum in London brings a Jurassic beast to life and offers an environmental call to action at the end.

Art schools and art departments got a wake - up call about safety in 1999, when the Environmental Protection Agency launched an initiative requiring studio classrooms and labs in colleges and universities to meet industry standards for environmental health and safeArt schools and art departments got a wake - up call about safety in 1999, when the Environmental Protection Agency launched an initiative requiring studio classrooms and labs in colleges and universities to meet industry standards for environmental health and safeart departments got a wake - up call about safety in 1999, when the Environmental Protection Agency launched an initiative requiring studio classrooms and labs in colleges and universities to meet industry standards for environmental healtEnvironmental Protection Agency launched an initiative requiring studio classrooms and labs in colleges and universities to meet industry standards for environmental healtenvironmental health and safety.

In addition to the core Artist - in - Residence Program (open call or invitation), McColl Center offers an annual Environmental Artist - in - Residence Program (invitation only), a Carolinas HealthCare System Artist - in - Residence Program (spring season; open call), a residency for a UNC Charlotte art professor (fall season; invitation only), a Summer Affiliate Program for artists living within a 50 - mile radius of Charlotte (open call), and a new exhibition residency that transforms McColl Center's first - floor gallery into an open studio for artists to explore processes and projects (invitation or open call).

Crafting Resistance Opening Reception: January 26th, 2017 5 - 8 pm Exhibition continues through March 28th, 2017 Visual Arts Center — Gallery One (Liberal Arts Building) The Visual Arts Center gallery at Boise State University has organized the exhibition Crafting Resistance featuring the work of twenty artists from around the United States as well as Canada and Mexico whose work creates awareness of political issues, examines issues of racial and social justice, or calls for change in environmental issues and human and equal rights.

Bilpin International Ground for Creative Initiatives (AU), International Call for Applicants: BigCi Environmental Awards 2017 Deadline April 1st, 2017 Australian and International Artists from various fields — visual art, installation, multimedia, performance, literature, music, photography, film making, curating — are... Continue reading →

Recently, I had the opportunity to drive up to Dia: Beacon with an interesting pair of travelers: the man Art in America called «the most powerful and controversial environmental artist NY has ever known» the infamous master builder of New York's infrastructure, the late Robert Moses, and that ever elusive land artist, the late Robert Smithson.

This maze - like mirage is one entry in the 2010 Land Art Generator Initiative competition, which aims to combine clean energy generation and technology with the Land Art / Environmental Art movement, in the hopes of encouraging what they call «solution - based art practice» in creating «aesthetic power plants&raquArt Generator Initiative competition, which aims to combine clean energy generation and technology with the Land Art / Environmental Art movement, in the hopes of encouraging what they call «solution - based art practice» in creating «aesthetic power plants&raquArt / Environmental Art movement, in the hopes of encouraging what they call «solution - based art practice» in creating «aesthetic power plants&raquArt movement, in the hopes of encouraging what they call «solution - based art practice» in creating «aesthetic power plants&raquart practice» in creating «aesthetic power plants».

Like Richard Shilling's use of twigs and leaves to remind us of the simple beauty of nature or the guns Sonia Rentsch forms with flower buds, nuts and sticks to raise the issue of environmental degradation and violence, Yulia Brodskaya utilizes paper — perhaps the most basic art material available — and a technique called «quilling» that involves twisting and folding strips of paper in such a way that she forces the viewer to not only appreciate her finished work, but also reconsider how we look at the raw materials she's using.