Because a few monolithic, profit - focused companies are controlling the publishing industry, critics claim, we are seeing fewer and fewer fringe books and new authors — and even established authors who sell respectably but not spectacularly (the so -
called midlist) are having a tough time staying in print.
Companies like Libboo have recently launched a daily feature based on traffic generated
called The Midlist, designed specifically to highlight worthy books that are getting some traction, while not necessarily being top of the list bestsellers.
The second tool is a daily update feature
called The Midlist, which sends information to Libboo and InstaFreebie users on which books are generating the most discussion and traffic.
Not exact matches
One agent, who spoke on the condition of anonymity, said he certainly wouldn't
call Konrath's deal a game changer, but that it does say something interesting about the place of the
midlist author in legacy publishing: «It's not necessarily clear that big corporate publishing is well structured to help low
midlist authors with rapidly reducing print runs in an environment in which overall print sales are falling week by week.
I'm not talking about getting rich or even being able to quit my day job; I just mean having a decent supplementary income and a reasonably sized, loyal readership —
call it low - to - mid «
midlist» level.
I
call this the «indie
midlist» — they're not the indie rockstars, but they're selling a ton of books and making solid bank every month.
Instead, the suggestion was to look at what we might
call decent
midlist authors, where the sales are decent and steady (or increasing slightly).