Sentences with phrase «called traditional art»

-- a dramatic feminist call - to - arms that called traditional art historical practices into question and led to a major revision of the discipline.

Not exact matches

Before that, the former boxer and mixed martial arts fighter was spreading the gospel of pizza around the world, first with a traditional California chain he called Knockout Pizza, and then with a brand called New York Style Pizza, which he launched in China.

Consider state - of - the - art economic models that underlie traditional notions of supervision, the so - called «agency models.»

The program, officially called the Expatriate Youth Summer Formosa Study Tour to Taiwan is designed to expose young people with Taiwanese roots to the motherland through courses in Mandarin, sightseeing and traditional arts.

You can also depend on the various galleries like The Contemporary Austin - Jones Center, The People's Gallery and the SprATX to display not only traditional art pieces, but also host newer works and art - related events, celebrating the creativity of the people and travelers that some point called Austin home.

The kitchen is arranged with different objects pertaining to the traditional Sicilian manufacture such as the collection of copper utensils and the table representing the so called Sicilian poor art («arte poverai»).

Puri Gangga Resort is a charming luxury boutique resort in Ubud, a home of living cultures where you can experience the richness of Balinese cultures live naturally in the village of Sebatu.Puri Gangga Resort is located only 15 minutes drives from the hustle and bustle of Ubud, a home of art and culture and only 20 minutes drives from Kintamani Lake Batur, a world Geo Park site.Puri Gangga Resort is surrounded by the extensive of beautiful rice terrace view of Ceking Tegalalang Ubud, an ancient historically Hindu's temple called Gunung Kawi where specific ceremonies host regularly and people do purification, and exactly located at the uniqueness of traditional Balinese village called Sebatu Ubud.

... there was a game designer called American McGee who having lived a life of dramatic ups and downs, decided to present a unique take on a selection of traditional fairy tales as a Table Top Card Game, Illustrated Book, Coloring Book, and Collection of Art.

Ignoring the traditional «Please Do Not Touch» rule that we so often see in art galleries, their artwork — simply called Cloud — is immersive and encourages people to stand underneath it and pull various chains to power up the bulbs and light the night sky.

En blanco y negro» Mirada al Arte, Numero 5, February «Contemporary Imaginings: Howard & Judith Tullman Collection», Catalog, Mobile Museum of Art, Mobile, AL Genocchio, Benjamin, «The Place We Call Home», The New York Times, February 16 Gaynor, Elizabeth, «Memorable Vincent Wolf's Palette», Veranda, April «I Love the Burbs», Catalog, Katonah Museum of Art, Katonah, NY Kuspit, Donald, «Getting Real: The Fall Season in New York», Art New England, January Ord Manroe, Candace, «The Artful Life», Traditional Home, March Plemmons, Chesley,» Burbs or Bust», News - Times, Danbury, CT, February 3 RE:D Design, «Subversive Design Issue», Volume 23, Number 5

In the back gallery, individual objects that are more like the artist's usual work, and much closer to traditional paintings, are hung alongside her grandmother's needlepoint exercises, coyly implying that there is no difference between so - called high art and the cliched.

Working across large - scale woodcuts, gouache paintings, so called «typewriter drawings» and ceramic sculptures, their uniquely carnivalesque visual language combines influences from traditional folk art and abstract art from the early 20th century European avant - garde.

Far from a traditional residency program, JT Lab aspires to a higher calling: tapping into the artists» creative reservoirs to act not in service of their own art, but to the park itself.

The only artist to have come out of Brancusi's studio, Noguchi had unique insights into what Noguchi Museum Senior Curator Dakin Hart calls «that Modernist Eden of ambiguity — where traditional craft met the avant - garde, object became indistinguishable from base, and art was life.»

With Eric Beltz's series of graphite - drawn needlework, Beltz calls the concept of Americana and nostalgia into crisis, by recrafting traditional female work (often considered lowbrow), into male - made High Art (with a capital «A») for the gallery wall.

And the largest of them, the only one of traditional objects, called «Look Again: Contemporary Perspectives on African Art,» is drawn almost entirely from the holdings of yet another august local institution, the University of Pennsylvania Museum of Archaeology and Anthropology, better known as the Penn Museum.

I might call the impulse instead a dissolution of painting or sculpture — of any traditional art object — into the theater of a viewer's environment.

Miéville's «weird fiction» may well be a more appropriate term for her practice than any traditional notion of Artes Plásticas (the so - called plastic arts)-- although a prominent trait of her work of the last five years has involved forming clay.

A French painter and sculptor known for his visionary approach to aesthetics, Jean Dubuffet embraced the so - called «low art» and rejected traditional standards of beauty in favor of what he believed to be a more authentic and humanistic approach to image - making.

Founded in 1887 in Halifax, Nova Scotia, what has come to be called the Nova Scotia College of Art and Design University evolved, over its first century and more, from a conservative provincial art college focused on traditional landscape painting to one of the premier institutions in North America, well known for its promotion of conceptual art and the avant - garArt and Design University evolved, over its first century and more, from a conservative provincial art college focused on traditional landscape painting to one of the premier institutions in North America, well known for its promotion of conceptual art and the avant - garart college focused on traditional landscape painting to one of the premier institutions in North America, well known for its promotion of conceptual art and the avant - garart and the avant - garde.

Usvitsky in Major Museum Exhibition on Fiber Art Noysky Projects is pleased to announce the exhibition of Katya Usvitsky's sculptures in «Women's Work» — an international exhibition that calls for a reexamination of traditional gender stereotypes, curated by San Diego Art Institute's Executive Director Ginger Shulick Porcella.

Calling attention to the unassuming traditions associated with women, these prints celebrate women's creativity and traditional art forms, critique the institutions that limit and trivialize women's experiences, and promote a sense of identity, solidarity, and significance.

In 1955 Rachel Rosenthal moved to Los Angeles where she embarked on a new form of improvisational theater called Instant Theater, while Robert Rauschenberg took over the lease on her Greenwich Village apartment and employed traditional performance conventions to concepts already understood in his visual art practice.

It isn't aiming to complete with the cutting edger contemporary galleries of the city, but deals in what could be called a more «local» and traditional art.

Pop Art introduced recognizable imagery, drawn mainly from popular culture into art, severing the boundaries that had previously existed between traditional fine art and everyday life, and between so - called high art and low cultuArt introduced recognizable imagery, drawn mainly from popular culture into art, severing the boundaries that had previously existed between traditional fine art and everyday life, and between so - called high art and low cultuart, severing the boundaries that had previously existed between traditional fine art and everyday life, and between so - called high art and low cultuart and everyday life, and between so - called high art and low cultuart and low culture.

Artists Christy Matson and Sabrina Gschwandtner weave together traditional textile work with electronic components in a new exhibition at the Hyde Park Art Center called Bionic Threads.

To call these paintings decorative would be short - sighted, for in manipulating the size, shape, and colors of the traditional military fabric — a fabric designed not to be seen — he demonstrated an almost effortless ability to summon up an entire range of art historical references, from Chinese landscapes to Monet's Water Lilies....

Native Arts and Cultures Foundation Announces Artist Open Call and April 14 Presentation (VANCOUVER, Wash.)-- Artists residing in North Dakota, South Dakota, Minnesota or Wisconsin who are creating visual or traditional arts and are enrolled members of Native NationArts and Cultures Foundation Announces Artist Open Call and April 14 Presentation (VANCOUVER, Wash.)-- Artists residing in North Dakota, South Dakota, Minnesota or Wisconsin who are creating visual or traditional arts and are enrolled members of Native Nationarts and are enrolled members of Native Nations...

According to the open call, the purpose is to «encourage rigor and depth of concept, context and creativity over labels, hype and hierarchies» and the organizers are open to all media and performance - based art in addition to more traditional work.

Rising amid the Bushwick art scene is Armature Art Space, and artist - run non-profit arts venue that holds open calls and promotes artists working in traditional mediuart scene is Armature Art Space, and artist - run non-profit arts venue that holds open calls and promotes artists working in traditional mediuArt Space, and artist - run non-profit arts venue that holds open calls and promotes artists working in traditional mediums.

The artist calls into question traditional narratives of danger and the inevitability of death while he simultaneously hijacks the gallery by excluding art objects and audience.

American Folk Art Museum Dedicated to traditional folk art, it was initially called the Museum of Early American Folk Arts and focused on traditional arts & crafts of 18th - and 19th - century America, before changing its name in 1966 to the Museum of American Folk Art, and in 2001 to American Folk Art MuseArt Museum Dedicated to traditional folk art, it was initially called the Museum of Early American Folk Arts and focused on traditional arts & crafts of 18th - and 19th - century America, before changing its name in 1966 to the Museum of American Folk Art, and in 2001 to American Folk Art Museart, it was initially called the Museum of Early American Folk Arts and focused on traditional arts & crafts of 18th - and 19th - century America, before changing its name in 1966 to the Museum of American Folk Art, and in 2001 to American Folk Art MusArts and focused on traditional arts & crafts of 18th - and 19th - century America, before changing its name in 1966 to the Museum of American Folk Art, and in 2001 to American Folk Art Musarts & crafts of 18th - and 19th - century America, before changing its name in 1966 to the Museum of American Folk Art, and in 2001 to American Folk Art MuseArt, and in 2001 to American Folk Art MuseArt Museum.

His idealistic approach to aesthetics embraced so called» Low Art» and eschewed traditional standards of beauty in favor of what he believed to be a more authentic and humanistic approach to image making.

The Wichita Center for the Arts, located in Wichita, Kansas, announces their national call for artists for the Wichita National All Media Craft Exhibition 2011 Artists are encouraged to enter artwork in any traditional or non-traditional craft media.

The reuse of popular imagery, such as comic strips for collage material, playfully calls into question the traditional borders of high and low art.

Named after the patron saint of music, the installation features two single channel video projections with footage of the Baltimore Choral Arts Society singing three traditional Christmas carols with new lyrics written by Grigely to convey what he calls «lip misreading» — identical lip formations that produce dissimilar sounds.

The so - called «exit from the image» — the renunciation in the 1960s and 1970s of traditional forms of painting and sculpture — is to be seen in the material art of Franz Erhard Walther and Reiner Ruthenbeck.

Art often seeks the confrontation with traditional perspectives and ideas and thus opens up spaces that also call for greater tolerance, openness and reflection.

Raised in Matsumoto, Kusama trained at the Kyoto School of Arts and Crafts in a traditional Japanese painting style called nihonga.

The High Museum of Art, working with award - winning Second Story Interactive Studios, has developed a new Smartphone application called ArtClix, which brings together photo - recognition software and social media to create a new kind of museum app that moves beyond traditional audio tours.

«Kongo: Power and Majesty» at the Metropolitan Museum of Art (through Jan. 3) turned a corner on traditional approaches to African material by explicitly presenting so - called classical African sculpture as a response to the traumas of colonialism.

By contrast this year's shortlist is dominated by what might be called more traditional art forms, if the organisers at Tate could bring themselves to use such a term.

Borrowing a «display - case exhibit form» from traditional art institutions, Le Houezec and Villemont invited 13 artists and artist duos working on the «post-internet» realm — including Cory Arcangel, Renaud Jerez, Rachel de Joode, Marlie Mul, and Tilman Hornig — for an encased exhibition that is nonetheless «completely of the physical world» — or, as they call it: «a view of art in 2015 through a glass screen».

The result is art which often explicitly evokes the human form and calls into question the role of traditional art and what we expect of it.

The Dutch avant - garde began to call for new standards in their national art that would incorporate such trends and move beyond traditional landscape painting.

2 All these painters have been or can be classified as what Donald Kuspit calls the New Old Masters who, though working in Old Master techniques, are «neither traditional nor avant - garde, but a combination of the two,» carrying on the spirituality of the former and the critical consciousness of the latter.3 Both Cooper and Kuspit read in new wave history painting and New Old Master painting, respectively, a return to humanist and modern existentialist themes absent in most mainstream contemporary art.

His early sculptures, performances, and collages were produced in reaction to the Viennese actionist movement and its desire to call into question object - based art practices and viewers» traditional engagement with art.

Several works featured in the solo exhibition called on traditional folk art forms to narrate the complexities of underground drug cultures infused with violence and shiny objects paid for with obscene amounts of ill - gotten gain.

I use traditional therapy techniques as well as a cutting - edge technique called Accelerated Resolution Therapy (ART).