Sentences with phrase «calligraphic black»

Briefly: Kanter, though he does not fling paint like Pollock, uses calligraphic black and white marks against the white, non-negative void; Sloane continues his Herculean examination of the darkest, densest fields of early de Kooning; Paulson, darker still, studies the lines between the figure, the landscape, and oblivion (Thompson) like disappearing tracks in the sand.

Franz Kline (1910 - 1962) Famous for gestural action - painting & calligraphic black - and - white pictures.

Following a number of shows in recent years, Khan is now «in the studio playing with a lot of different aspects of the work»: his first white on white paintings, which will be exhibited at Sean Kelly Gallery, New York, in late 2015, and calligraphic black paintings inspired by his longstanding admiration of Cy Twombly.

Jirō bows to tradition, too, as with a calligraphic black painting broken by a white impasto circle.

Not exact matches

Hanae Mori calligraphic print gown in graphic black and white semi sheer georgette.

Nearby is a gorgeous late Jackson Pollock, Untitled, 1951 that is semi-figurative; a Franz Kline black and white calligraphic abstraction, Untitled from 1953; an architectural collage of rectangular shapes by Conrad Marca - Relli from 1965; and, from 1976, the Larry Rivers pop - historical Big B Signs Up, a lithograph of two hands clasping a quill pen created by Rivers to mark the U.S. Bicentennial and honor Benjamin Franklin's signing the Declaration of Independence.

Simultaneously there were surfacy, colorful abstractions, latter - decade paintings feature enamel paint — he was too poor for anything else — with black and white calligraphic forms.

Automatic writing was an important vehicle for action painters Franz Kline (in his black and white paintings), Jackson Pollock, Mark Tobey and Cy Twombly, who used gesture, surface, and line to create calligraphic, linear symbols and skeins that resemble language, and resonate as powerful manifestations from the collective unconscious.

Where an inky, consuming black expanse is the bass note of Stacked Black, an incandescent white expanse is at the center of Light Stir, surrounded by a rhythmic frame of calligraphic red, blue and green strokes that pursue one another around the edge with quiet elegblack expanse is the bass note of Stacked Black, an incandescent white expanse is at the center of Light Stir, surrounded by a rhythmic frame of calligraphic red, blue and green strokes that pursue one another around the edge with quiet elegBlack, an incandescent white expanse is at the center of Light Stir, surrounded by a rhythmic frame of calligraphic red, blue and green strokes that pursue one another around the edge with quiet elegance.

The boldest stroke is a calligraphic S in black, but even its opacity is illusory — the whites and reds behind the black can be read right through it.

This one, another oil, titled «Three Sopranos at the Beach,» marries highly energetic strokes and splashes of color on three separate but joined canvases with vibrant black calligraphic strokes that sing across all three.

Photographed in black and white, the female models» bodies and clothing have synergy with the graphic backdrops constructing the scenes: a curve of the waistline in the foreground of one woman merges into the calligraphic line of the background.

In Black Hole Universe Blom's lines were fuzzy and thick; here they are calligraphic, rhythmic, and full of movement like that of an Asian tiger painting.

In Trace, first exhibited at Ullens Center for Contemporary Art in Beijing, Liu appropriates a Chinese calligraphic stroke, the «wulouhen» — stains caused by leaking roofs — and reproduces it repeatedly in gleaming black trails of porcelain.

His intuitive approach to art - making is epitomized in the expressive black forms on white surfaces mentioned above, almost calligraphic in nature and akin to this Asian practice in their emphasis on gesture, both are forms of writing that transmit sense visually.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

With its thin, delicate tracery of black threading throughout the strokes of whites and filaments of shifting color forms, Number 15 is a fitting culmination of Tomlin's career.By inclination a superb colorist, Tomlin reduced his palette from 1945 to 1947, and focused first on the painterly mark, adapting a calligraphic technique within a vaguely Cubist structure of horizontals and verticals.

One could mistake it for part of a group show, including a calligraphic drawing, a digital sea, and shades of black on black.

In Onibaba I and Onibaba II images of brightly colored Noh masks emerge from a network of bold, black calligraphic lines derived from Japanese perforated screens and lanterns.

Brice Marden's calligraphic lines and even Frank Stella's black paintings, can be said to approach Pollock through these late works.»

His recent work has included a 12 - by -100-foot mural and an installation of paintings at Mass MoCA in 2006, whose calligraphic passages demonstrate his amazing use of black.

Rostarr has built a extensive oeuvre of abstract polymorphic paintings, totemic iconographic characters and mostly black and white calligraphic drawings.

Always trying to escape the limitations of medium, form and style, the artist's creations are quite unique pieces of mostly black and white calligraphic drawings and abstract sculptures.

El - Salahi, the Sudanese artist now based in Oxford, UK, renowned as «the father of African Modernism» — a key member of the 1960s Khartoum School in which calligraphic motion and Arabic language was broken down to give birth to new forms — is here showing black - and - white ink and paper works: the idea of the show is to delve into the genre of the «artist's book», picking up complexities of language and hybridity along the way.

Yoshihara himself, after emerging from an earlier phase of making stiff, quasi-surrealist tableaux, went on to create austere, calligraphic circles set against solid black or colored backgrounds, paintings that remain among the most enigmatic and elegant images in all of modern art.

(Adolph Gottlieb, «Selected Writings,» The Adolph & Esther Gottlieb Foundation, Inc., online) Pulsating with extreme elemental vibrancy, the duo of red and orange bursts in the present work float just above a deeply black calligraphic script.

Nothing is overtly Kline - like in the pale blue and green washes of «Letter From Franz Kline,» except for a delicately brushed black that might be read as a calligraphic whisper.

Abstract Expressionist Franz Kline is known for his large black - and - white paintings that treat the medium of oil with a calligraphic freedom, influenced by his acquaintance with Willem de Kooning.

I also thought of Hans Hofmann as I admired the mobility of Jaffe's red and gold rectangles and the calligraphic confidence of gridded black lines in the work on paper Untitled # 35, and even of Gerhard Richter's scraping across color on the right side of Untitled # 13.

When he was painting them he never isolated the blue works as a single series — the Stable exhibition was the first time that he highlighted them — but rather always produced them alongside other paintings; whether the various types of works involving calligraphic, gestural, or blocked marks in the 1940s, or the red and black paintings he was also making in the early 1950s.

In the eleven paintings that were in this show, all equal in size and in identical thin black frames, densely expressionist or allusively calligraphic brushstrokes bunch or stutter across shimmering color fields.

Dzubas did not create his next major series until 1960, when he began working on large canvases in a black and white calligraphic style.

Other important contributors to action painting include: Mark Tobey noted for his White Writing style of calligraphic gesturalism; Franz Kline, an artist whose works include colour field compositions as well as vigorous gestural work, sometimes compared to gigantically enlarged fragments of Chinese calligraphy); Robert Motherwell (in his series entitled Elegy to the Spanish Republic, and his powerful black and white paintings); Cy Twombly (in his gestural works based on calligraphic, linear symbols) and Adolph Gottlieb (noted for his abstract surrealist series including Pictographs, Imaginary Landscapes and Bursts).

With delicately balanced compositions featuring sweeps of black against a light ground, Kline contributed to the development of a gestural, calligraphic style of Abstract Expressionism.

Later, by breaking his mosaic structure he reintroduced the calligraphic networks of serpentine blue, mauve and black veins: Lunes sans l'autre (1967).

In more recent paintings, these ludicrous yet gnomic images might be thrust into passages of expressive brushwork, layered and dense, or caught in black calligraphic drawing inspired by Dürer's Apocalypse woodcuts, to produce dramatic and emotive compositions.

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