The calligraphic red letter E refers to Elisabeth, queen of Greece, the patroness of the regiment of Freyburg's cousin, sculptor Arnold Rönnebeck.
The calligraphic red letter E refers to Elisabeth, queen of Greece, the patroness of Rönnebeck's regiment.
Where an inky, consuming black expanse is the bass note of Stacked Black, an incandescent white expanse is at the center of Light Stir, surrounded by a rhythmic frame of
calligraphic red, blue and green strokes that pursue one another around the edge with quiet elegance.
Not exact matches
This bold work with its deep
red calligraphic marks aided by a confident approach shows one side of Jinchi's studies of the visual and text and its content.
The boldest stroke is a
calligraphic S in black, but even its opacity is illusory — the whites and
reds behind the black can be read right through it.
Vertical, gestural composition in ink and acrylic paint with large areas of turquoise and ochre and spontaneous
calligraphic lines of
red, indigo and bright yellow.
Enter relative unknowns such as Judith Godwin and Deborah Remington, whose Epic (1959) and Eleusian (1951), respectively, take a less strident approach to the broad,
calligraphic strokes so favored by Kline by supporting them with wedges of plum, dusky gold, or tomato
red.
Done during the»60s, this selection shows Lukin moving quickly and confidently, from rectangles which protrude along a seam, to rectangles to which another rectangle is attached, to a loopy pink
calligraphic form abutting a corner and hugging a wall, to what looks like a big blue tongue with
red sides hanging down from the vertical rectangle to which it once belonged, to what looks like an odd model for a table in a upscale diner, but which is clearly non-functional.
Red,
Red,
Red is exuberant in its embrace of the sexier end of the colour spectrum: a
calligraphic dance enacted by a troupe of bold swipes of tumescent colour, all on a ground of flesh - coloured wood set in a frame of gold.
On display will be an example of Yayoi Kusama's iconic Infinity Net paintings — seriality as a form of self - obliteration and self - definition — and a painting by the late US artist Mildred Thompson, who often found inspiration in scientific theories and universal systems, and whose buzzing palette of yellows and
reds and
calligraphic brushstrokes evoke the invisible forces of magnetic energy.
With a palette of muted
reds, blues, greens, and grays, these
calligraphic canvases are inspired by Chinese stone carvings dating back to AD 800.
(Adolph Gottlieb, «Selected Writings,» The Adolph & Esther Gottlieb Foundation, Inc., online) Pulsating with extreme elemental vibrancy, the duo of
red and orange bursts in the present work float just above a deeply black
calligraphic script.
Thin and wide strokes,
calligraphic elements,
red accents reminiscing the Japanese flag intertwine in the pictorial exercises of Kenji Nakayama, entitled in a manner of Kandinsky - Études, currently on view at Fourth Wall Project in Boston.
I also thought of Hans Hofmann as I admired the mobility of Jaffe's
red and gold rectangles and the
calligraphic confidence of gridded black lines in the work on paper Untitled # 35, and even of Gerhard Richter's scraping across color on the right side of Untitled # 13.
When he was painting them he never isolated the blue works as a single series — the Stable exhibition was the first time that he highlighted them — but rather always produced them alongside other paintings; whether the various types of works involving
calligraphic, gestural, or blocked marks in the 1940s, or the
red and black paintings he was also making in the early 1950s.
Thin and wide strokes,
calligraphic elements,
red accents reminiscing the Japanese flag intertwine in the pictorial exercises of Kenji Nakayama, entitled in a manner of Kandinsky — Études.
An almost
calligraphic, blown - up
red - on - white coral motif at the Global Views home décor website translates equally effectively to ceramic chargers as it does to dramatic area rugs in hand - tufted wool.