Sentences with phrase «calling as an art director»

Is the obviously smitten man photographing all of this her serial killer who missed his calling as an art director?

Not exact matches

John L. Sullivan, played by Joel McCrea, is a successful Hollywood comedy director — but he wants to create serious art, in the form of a movie called O Brother, Where Art Thou, and as research, he leaves all his money behind and, disguised as a hobo, goes out to live among «real people.&raqart, in the form of a movie called O Brother, Where Art Thou, and as research, he leaves all his money behind and, disguised as a hobo, goes out to live among «real people.&raqArt Thou, and as research, he leaves all his money behind and, disguised as a hobo, goes out to live among «real people.»

If director Paul Andrew Williams tries too hard to apply a familiar sense of dry humour to the proceedings (landing closer to last year's eye - roller Severance than to anything Edgar Wright has ever done), he finds his calling in the fine art of overcompensation: throw enough severed body parts around and scream «fucking cunt» to the rafters as many times as possible and perhaps everyone will forget that you don't have much to say at all.

While most directors may not borrow as much from other movies as Quentin Tarantino, a video series called Film Meets Art compares movies like There Will Be Blood, Melancholia, Lost in Translation, Empire of the Sun, Inherent Vice and and even Django Unchained to the pieces of art that inspired some of their gorgeous shoArt compares movies like There Will Be Blood, Melancholia, Lost in Translation, Empire of the Sun, Inherent Vice and and even Django Unchained to the pieces of art that inspired some of their gorgeous shoart that inspired some of their gorgeous shots.

As reported by Rolling Stone, the six directors released the statement last night, calling for «this award to stand as a symbol of the unity between nations and the freedom of the arts.&raquAs reported by Rolling Stone, the six directors released the statement last night, calling for «this award to stand as a symbol of the unity between nations and the freedom of the arts.&raquas a symbol of the unity between nations and the freedom of the arts.»

Art in the Parks has been highlighted as an element of the National Park Service Director's Call to Action, a strategic vision for the agency that encourages national parks to illuminate the meaning of parks to new audiences through dance, music, visual arts, writing, and social media.

Taking place at HMV in Oxford Street in London, the shindig will see producer Yoshinori Kitase and art director Isamu Kamikokuryo turn up as special guests with a ten minute photo - call to take place for fans.

Massimi liano Gioni, 41, artistic director of the New Museum, as well as the director of the Trussardi Foundation, calls it «one of the most powerful urban interventions in the history of land art.»

DSAP director Patricia Maloney selected today's installment for our Best of 2015 series: «Ashley Stull Meyers doesn't shy away from calling out an exhibition with as grand a title as The Great Debate About Art for what it leaves unexamined.

On Level 2, «Between Object and Architecture» looks at the way post-1960s artists employed geometric shapes and ordinary building materials like bricks or cubes, and includes artists from Latin America and China as well as Europe, emphasizing the museum's commitment to what Frances Morris, the director of the Tate Modern, called «a more global story of art.»

Albert Greenberg taught art direction and design at Cooper Union, Parsons, Pratt, Manhattanville, and Finch colleges, served as Chair of Graphic Design at Parsons in the 1980's, and led a two - year series called «Design Talk» at Cooper Union where he interviewed the great art directors of the time.

Biggs's videos were presented by Cristin Tierney Gallery as part of the Art Basel Miami Beach Film program, called Our Hidden Futures and curated by David Gryn, who's also the director of Daata Editions and London's Artprojx.

We can confidently call the biennial a flagship project of the National Centre for Contemporary Arts as part of ROSIZO, since development and comprehensive support of the regional artistic community, and engaging a wide audience in the cultural context are among priority areas of our work», — Sergey Perov, Director general of the ROSIZO State Museum and Exhibition Center.

The movie is also notable for art director Christian Bérard's stylish costumes and sets, which call to mind scenes from the Dutch painter Johannes Vermeer and French illustrator Gustave Doré, as well as the enchanting soundtrack by composer George Auric.