Sentences with phrase «calls upon the viewer»

Constantly seeking new territories for expression, the Goldsmiths University alumnus weaves fictional and real - life narratives together in order to shed new light on personal and collective identities, whilst calling upon the viewer as an active participant.

Le Va calls upon the viewer to piece together the unseen action, what he refers to as a Sherlock - Holmes aesthetic.

Not exact matches

The critic Jonathan Romney once discussed a phenomenon he called the «Kaurismäki effect»: encountering just one film by the director invariably leaves a viewer puzzled by his style and sensibility, but, upon seeing two or three, things gratifyingly begin to click and fall into place.

The viewer is called upon to make some moral judgements as more facts are revealed.

ADA / Accessible Guestroom Features: • Wheelchair accessible route in room • Patio or balcony accessible for Veranda and Estate Rooms • Telephone with visual call alert • Visual alarm • Communication kits with strobe lights & TTY phones available upon request • Ground floor rooms available for Veranda King Room and Estate Suite room types • Power outlets within 4» of telephone • At least (1) power outlet with a clear space in Front & 15» from Ground • Table and / or desk height accessible with knee space of 27» (width) and 34 ″ (height) • Telephone with volume control • Light alerts in hearing impaired rooms • Twist knob light / lamp control • Lowered individual guestroom thermostat control • Guestroom drapery controls with a 36» clear path within reach • Guestroom drapery wands are 12» longer in wheelchair accessible rooms • Closet bars and / or shelving lowered in wheelchair accessible rooms • Multi-level door viewers • Doorbell

The so - called expansion of course is into sculptural and installation - type manifestations of painting, where the space of the viewer is often encroached upon by physical elements in the artwork.

His careful use of simple media is intended to call attention to their manipulation, display, and materiality, as well as their effects upon the viewer's perceptual awareness.

When faced with something so familiar in an unfamiliar context, the viewer is forced to call upon unaccustomed skills for approaching art.

By manipulating the spaces between each individual card, Donovan adds almost a third dimension to her pieces, and the works subtly shift with what she calls a «filmic quality» upon the movement (and perception) of viewers.

Fischl understands the way to instantly entertain his viewers by calling upon generalized characters and settings with provocative themes.

The viewer is called upon to identify the objects and the relationships between them through the empty spaces and accompanying description panels.

All of the elements take on a fractured but cohesive personality and the viewer is called upon to imagine the connections and fill in the gaps.

Through a series of familiar texts, ephemera, images and sound removed from their original context, the viewer is called upon to revise familiar connotations and memories of the recent past and to consider a new and updated dialogue.

Simply stated, Raffael's new work is a celebration and appreciation of life, and an invitation to each viewer to gaze upon intimate works, and become lost in all that nature and painting have to offer, what Raffael likes to call «beyond appearances.»