The old Transbay Terminal is soon to be replaced, and the old monstrosity makes
cameos in films like «Basic Instinct,» «Getting Even With Dad» and «Chu Chu and the
Not exact matches
Handsomely mounted by Creed director Ryan Coogler and starring an enviable slate of black actors that makes
cameoing comics godhead Stan Lee almost seem lost, the
film is provocative and satisfying
in ways that are long overdue,
like its ornate, culturally dense production design and the deeper subtexts of honor, compassion and destiny.
During this recent interview to discuss the TV version of Zombieland, co-creators and executive producers Rhett Reese and Paul Wernick talked about the journey from TV series to movie and now back to TV pilot, what it's been
like to work with Amazon, what motivated the decision to have the same characters from the movie on the TV show, how they envision it as a road show, how much gore they can have, what Kirk Ward (who was originally cast as Tallahassee before being replaced by Woody Harrelson) brings to this version of the character, what led them to the 30 - minute format, whether they could have any surprise
cameos (Bill Murray made a very memorable one
in the
film), what will determine whether the pilot is successful enough to go to series, and when they might know if they're picked up.
During this time he would also show up
in small
cameo roles
in films like «Shakes the Clown» and «To Wong Foo Thanks for Everything, Julie Newmar.»
Woody Harrelson barely makes an appearance and still seems
like the most underutilized star
in the franchise (although Stanley Tucci gets nothing more than a
cameo appearance), while Donald Sutherland is the
film's greatest benefit, hitting that perfect note of high drama and total commitment to the character — they were lucky to cast him
in the role.
@Paul: Given that they each probably only appear for roughly 15 minutes total
in the overall
film, it's not as if they're being paid for a full movie, more
like for
cameo roles.
In addition, the jokes that land at the feet of poor Amanda Seyfried while chucklesome just feel
like easy pickings, as does one of the
film's big
cameos and a surprisingly dull Saturday Night Live sequence, arguably the
film's low points.
Even Kevin Corrigan — who's been having a great year with roles
in films like Results and Wild Canaries — shows up at one point,
in what amounts to a glorified
cameo.
Per the
film's trailer, it appears this time returning auteur Adam McKay will be fearlessly tackling the period's race politics with a similarly incisive eye to that he previously brought to bear on gender perception
in the 1970s, and with a laundry list of Hollywood power players lining up for
cameo roles
like this is goddamn Altman or something, suffice to say that it's going to be an effort to stay classy till Christmas, but we're going to have to try.
Along the way, we hear numerous references to events
in the previous
films, much of it filtered through fleeting
cameo appearances by former MVPs
like Joan Allen, David Strathairn and Albert Finney.
She has also most recently appeared
in cameo roles for mainstream
films like «Scary Movie» and «Starsky and Hutch» and is still heading the modern cabaret review
in Los Angeles known as «The Pussycat Dolls.»
They were also hoping to populate the
film with
cameos like the Bill Murray one
in the original
film.
Regardless though, the
film should still be commended for building on the humor first seen
in Thor, adding brains to the Thunder God's brawn through hilarious scenes
like the Chris Evans
cameo and that London Underground scene.
He's more
like his Australian Cowboy
cameo in this
film than he is an Italian Western
Film Maker.
Like Stan Lee, Audi automobiles have made
cameos in many of Marvel Studios»
films, so on the eve of the U.S. release of Avengers: Age of Ultron, the automaker hired Kevin Smith to direct (and
cameo of course) in a satirical short film / commercial about the Stan Lee School of Cameo Ac
cameo of course)
in a satirical short
film / commercial about the Stan Lee School of
Cameo Ac
Cameo Acting.
There are quite a few
cameo appearances from many stars, but none of them really cracks as sharp as warranted given their time and talent, and Brooks casting of Andie McDowell, who I have
liked in other
films, doesn't quite feel right here.
It's
like a screwball Hitchcock
film reworked for the freewheeling eighties indie culture (including
cameo appearances by John Waters, John Sayles and The Feelies as the high school reunion band), and as their baggage tumbles out along the way, her past catches up
in the form a creepily charming bad - boy ex.
The family connection to Landis goes back some years - Costa - Gavras has
cameos in Landis» Spies
Like Us and The Stupids, as well as
in Burke and Hare - but Alexandre has been less prolific than his father, although his 1998 short
film Killer of Little Fishes won an award at Brest and was nominated for a Cesar.
The
film stars Carey Mulligan with Helena Bonham - Carter and Romola Garai
in the supporting cast (but it sounds
like Streep's got a glorified
cameo) Dissolve a graphic designer looks at Her
The
cameos come thick and fast (Vogue ice queen Anna Wintour has a speaking part; actress - singer Ariana Grande appears
in an orgy scene) and they mostly add to the
film's story rather than making it feel
like a string of SNL sketches.
Director Miguel Arteta, aiming for the easy laughs, overloads the
film with them, missing more substantial opportunities, although he does get a few
in like a high as a kite on cough syrup Emily coming out to perform on opening night or a
cameo from Dick Van Dyke where he persists
in doing a reading to a group of children, disastrous typo and all.
Sure, characters
like Hawkeye or Black Widow could have
cameos in other
films, but big, marquee characters being part of another's movies seems unlikely.
In the course of the film, Corddry gets blasted in the penis with a shotgun, Craig Robinson gets shot in the face with semen, Adam Scott is anally raped on national television (by Robinson, no less), Clark Duke is driven to attempted suicide by his father's stupidity, and Chevy Chase is yanked in for a perfunctory cameo so insulting that it makes his appearance in Caddyshack II (1988) seem like his appearance in Caddyshack 1 (1988
In the course of the
film, Corddry gets blasted
in the penis with a shotgun, Craig Robinson gets shot in the face with semen, Adam Scott is anally raped on national television (by Robinson, no less), Clark Duke is driven to attempted suicide by his father's stupidity, and Chevy Chase is yanked in for a perfunctory cameo so insulting that it makes his appearance in Caddyshack II (1988) seem like his appearance in Caddyshack 1 (1988
in the penis with a shotgun, Craig Robinson gets shot
in the face with semen, Adam Scott is anally raped on national television (by Robinson, no less), Clark Duke is driven to attempted suicide by his father's stupidity, and Chevy Chase is yanked in for a perfunctory cameo so insulting that it makes his appearance in Caddyshack II (1988) seem like his appearance in Caddyshack 1 (1988
in the face with semen, Adam Scott is anally raped on national television (by Robinson, no less), Clark Duke is driven to attempted suicide by his father's stupidity, and Chevy Chase is yanked
in for a perfunctory cameo so insulting that it makes his appearance in Caddyshack II (1988) seem like his appearance in Caddyshack 1 (1988
in for a perfunctory
cameo so insulting that it makes his appearance
in Caddyshack II (1988) seem like his appearance in Caddyshack 1 (1988
in Caddyshack II (1988) seem
like his appearance
in Caddyshack 1 (1988
in Caddyshack 1 (1988).
And so it goes as Jimmy hustles for gigs, waits
in vain for a
cameo by Wilson Pickett, and,
like the rest of the
film, runs out of steam and purpose long before the final credits provide sweet relief.
Existing
in a timeless not - quite - reality that tips its hat to»80s classics
like «Stand By Me» and «The Goonies» while blending it with an up - to - the - minute sense of humor that betrays Vogt - Roberts» links with the current comedy scene (big - name stand - ups
like Kumail Nanjiani and Hannibal Burress have
cameos), it's certainly the funniest
film we've seen
in 2013 so far, minute by minute.
As this is set over a decade
in time, the characters
in the
film (
like a Brad Pitt
cameo) appear and disappear at will.
Its sole bonus feature is a 11 - minute making - of featurette which interweaves footage from the set and
film itself with interview chats with Bateman, Kunis, Judge and producer John Altschuler, and Judge mocks his acting
cameo in the movie and shares that his inspiration for Kunis» character was «a sociopath whom everyone happens to
like.»
There are
cameos aplenty, from Coen regulars
like Frances McDormand —
in one of the
film's funniest bits — to newcomers
like Jonah Hill and Alison Pill.
Some of the
cameos were fantastic, and a great way to bring
in all our favourites of Anderson's usual players, although a lot of the
cameos felt
like nothing more than small ploys for audience once the
film was over.
An extra enjoyable element comes from the discreet self - reference
in the screenwriting: the protagonist has phone conversations with a certain Baciu and a certain Rădulescu; Baciu has a
cameo waiting
in queue; a couple of
likes on the dead girl's Facebook page come from actors credited
in the
film, and so on.
Since X-Men
in 2000, Stan Lee has made
cameo appearances
in just about every Marvel
film, including non-MCU ones,
like Big Hero 6.
«I don't know if anyone even knows this yet, but Samm Levine, and it's looking
like Martin Starr, will also be
in the
film,» he told Vulture after also revealing that he will make a
cameo in the movie.
However, for those who
liked the
cameo appearances and detective storyline from the first
film, there's less to identity with
in this sequel save for the personality of the main character, whose famous catchphrases and one - dimensional delivery become redundant very quickly.
He's slated for that
cameo in this year's Thor: Ragnarok and it looks
like he'll be a player
in 2018's Avengers: Infinity War and almost certainly again
in the untitled 2019 Avengers
film.