Sentences with phrase «cameos in this film as»

But how crazy would it be for Warner Bros. to deliver the ultimate crazy fan service moment and have Arrow's Stephen Amell make a last minute cameo in the film as the seventh member?

There are great cameos in this film as well.

Lee had a cameo in that film as an uninvited guest at Reed and Sue's weeding.

Scorsese even makes a cameo in the film as a gentlemen enjoying the company of a lady of the night.

There are a lot of great cameos in this film as well.

Not exact matches

But it's good to know that I'm not alone in my horror: Director Luke Gilford has skewered the extreme ends of «wellness» in his new short film Connected, starring Pam Anderson as Jackie, a lonely spinning instructor who wants to feel more, well, connected — so she joins a wellness cult and gets wifi shot into her brain so that Jane Fonda (no, really, she does a voiceover cameo) can tell her how «limitless» she is all the time.

The inclusion of an absurd yet thoroughly captivating celebrity cameo, which essentially stands as a high point within the entire series, perpetuates Night at the Museum: Secret of the Tomb's better - than - expected third - act atmosphere, although, unfortunately, director Shawn Levy ensures that the film concludes with a whimper by offering up an excessively sappy final stretch that just goes on and on - with this underwhelming climax confirming the movie's place as an almost passable concluding entry in a seriously forgettable trilogy.

The film is at it's best when it indulges in it's little digressions and oddities (Vaughn tearing a car apart with his bare hands, Fred Melamed's cameo as a snooty prison guard, Don Johnson's monologues, etc.) Some of the brutality is a bit much, but it's thankfully brief.

After making a cameo as herself in The Muppets in 2011, Silverman went a different direction by taking on a dramatic role in Take This Waltz, a film following a married couple whose relationship begins to crumble when one half of the pair forms an emotional bond with a neighbor.

We also get appearances from James Earl Jones (who gets to be atypical and silly), as well as a stand out, but all too brief cameo from Samuel L. Jackson (in his second ever film role) as a bum who tries to hold up a fast food joint.

It's an indication of how much this film needed a bright break in all the grim oppressiveness that when Mary - Louise Parker shows up in a giddy cameo as a foul - mouthed boozer, the audience suddenly lit up with laughter.

The film is very much of its time, trying desperately for «cult» credibility as it is by casting Lemmy, Iggy Pop and that bloke from Fields Of The Nephilim in cameo roles; it also sports a soundtrack by Goth - punk rockers The Ministry and contains the inevitable fractal imagery and pretentions towards artiness that were peculiar to post 80s popular culture.

And though Reiner appeared to retire from directing following That Old Feeling, he still maintained a notable presence in film and television with roles in Steven Soderbergh's Ocean's Eleven and it's two sequels, House M.D., Hot in Cleveland, and Parks and Rec.Carl Reiner is the father of directors Rob Reiner and Lucas Reiner; his wife Estelle has enjoyed a latter - day career as a night club singer and as a cameo performer in her son Rob's films (she's the lady who says, «I'll have what she's having!»

Happily, he has been extremely well - served in such films as Three Amigos (1986), Innerspace (1989), and the 1992 remake of Father of the Bride, in which he had an unbearably funny cameo as epicene wedding planner Franck Eggelhoffer.

In The Wolverine, Hugh Jackman makes his sixth feature film appearance as Logan / Wolverine (counting the cameo in X-Men: First Class), but it won't be his last; X-Men: Days of Future Past is due out next summeIn The Wolverine, Hugh Jackman makes his sixth feature film appearance as Logan / Wolverine (counting the cameo in X-Men: First Class), but it won't be his last; X-Men: Days of Future Past is due out next summein X-Men: First Class), but it won't be his last; X-Men: Days of Future Past is due out next summer.

First - time director Fisher Stevens has a flair for dialogue comedy, the film operates nicely off the element of surprise, and the large cast is solid — especially Marisa Tomei, who in an extended cameo as a merry dominatrix rarely has been more convincing.

The movie is studded with cameos by media pundits (the McLaughlin Group, etc.) and U.S. Senators, and I only wish these bits were as witty in execution as they are in theory; their main purpose seems to be to let us know the film is hip enough to make inside references.

Later this year, he will star as the lead in the horror film TRUTH OR DARE, and make a cameo appearance in WORLD WITHOUT END, the sequel to PILLARS OF THE EARTH.

After playing an extended cameo role as Davy Jones» sweetheart in The Monkees» film vehicle Head (68), Funicello cut down on her professional appearances, preferring to spend time with her family.

These two cameos kinda took me out of the film as they don't really fit in if you ask me.

And in the «oh - by - the - way» category, Bruce Dern turns in two cameos as the caretaker at the beginning and end of the film.

Based on the Marvel comic by Stan Lee (who makes a cameo as he does in all the films based on his work), it picks up the story of those cosmic - rayed superheroes dealing with the end of the world and a fifth attempt at a wedding.

Marketed on the shoulders of big names that are little more than extended cameos in the film (Jonah Hill feels more featured in the trailer than the actual film, if you can believe it), there are bit players given as much room to play as the stars.

... Ryan Reynolds took to Twitter yesterday to announce that filming on February's Deadpool movie is complete, as well as thanking fans for their help in dragging the project out of development hell, while he also teased a possible cameo appearance by Hugh Jackman's Wolverine, stating that: «God, I hope so.

During this recent interview to discuss the TV version of Zombieland, co-creators and executive producers Rhett Reese and Paul Wernick talked about the journey from TV series to movie and now back to TV pilot, what it's been like to work with Amazon, what motivated the decision to have the same characters from the movie on the TV show, how they envision it as a road show, how much gore they can have, what Kirk Ward (who was originally cast as Tallahassee before being replaced by Woody Harrelson) brings to this version of the character, what led them to the 30 - minute format, whether they could have any surprise cameos (Bill Murray made a very memorable one in the film), what will determine whether the pilot is successful enough to go to series, and when they might know if they're picked up.

The Aviator is a well made film, and one of the year's best, with enough great moments to make the three hours not seem so long, although some trimming down of certain characters and scenes could still be done (Jude Law's cameo as Errol Flynn seems to be just an excuse to get him in the movie for a few minutes).

sung by Mick Jones as himself in a cameo that makes a strange sort of sense within the films context of cloning; a minor character with a freckle fetish who regards Anne of Green Gables as an erotic classic; and one of the most achingly powerful evocations of longing that I have ever seen.

To celebrate its 40th anniversary, Star Wars is offering fans the chance to win a cameo in the upcoming Han Solo standalone film, a visit to Skywalker Ranch and a trip to the premiere of The Last Jedi as part of its latest «Force for Change» fundraising initiative.

The film will mark the Brazilian supermodel's first big screen speaking role, having appeared in a brief cameo in Casino Royale, as well as episodes of Gossip Girl and Entourage.

It sees the pair attempt to remake the teenager's favourite film, True Lies, which Arnold starred in a decade earlier alongside Schwarzenegger and Jamie Lee Curtis, both of whom appear here in cameo as themselves.

But by bringing in a host of cameo performances, all with silly foreign accents (Ashley Judd as a photographer sporting a Russian accent as if she's from Kentucky and the Australian actor Geoffrey Rush as Trotsky, who is never able to overcome sounding more Australian than Russian), it took away from the film's energy and left it stuck in the usual banality reserved for such Hollywood biopics.

@Paul: Given that they each probably only appear for roughly 15 minutes total in the overall film, it's not as if they're being paid for a full movie, more like for cameo roles.

And in a nod to Ramin Bahrani's Goodbye Solo, don't miss a cameo from that film's breakout star, who appears as an Uber driver in Good Time.

There is an enjoyable cameo from John Goodman as film company boss Frank King — a baseball bat - wielding but honest hustler in Hollywood for the «money and the pussy» — but these characters are ciphers.

In addition, the jokes that land at the feet of poor Amanda Seyfried while chucklesome just feel like easy pickings, as does one of the film's big cameos and a surprisingly dull Saturday Night Live sequence, arguably the film's low points.

With Claude Rains as Doctor Doom and Peter Lorre as Mephisto (two villains who team up to destroy the Earth), as well as various uncredited sequel - teasing cameos dropped into the climactic battle in the film's final moments — Errol Flynn as Hawkeye; Joseph Cotton as Starfox; Henry Fonda as Hercules — the film earned its nickname «The Biggest Film of All Time!»

An Apatow alum whose only appearance in recent years was a self - parodying cameo in «Knocked Up,» Franco owns the role — from the long, unkempt hair to the multi-colored pajama pants — and in doing so, will likely go down as one of the more memorable stoners in film.

In the kind of film that usually relies on the performances of its pop - in cameos — and there is quite a handful, including Anthony Anderson, Ethan Embry, Neil Patrick Harris, Luis Guzman, Ryan Reynolds and Fred Willard — Cho and Penn keep control of the wheel the whole way through, never missing a beat on their unadulterated wit as they continue to push the moral envelope in their search for a late - night snacIn the kind of film that usually relies on the performances of its pop - in cameos — and there is quite a handful, including Anthony Anderson, Ethan Embry, Neil Patrick Harris, Luis Guzman, Ryan Reynolds and Fred Willard — Cho and Penn keep control of the wheel the whole way through, never missing a beat on their unadulterated wit as they continue to push the moral envelope in their search for a late - night snacin cameos — and there is quite a handful, including Anthony Anderson, Ethan Embry, Neil Patrick Harris, Luis Guzman, Ryan Reynolds and Fred Willard — Cho and Penn keep control of the wheel the whole way through, never missing a beat on their unadulterated wit as they continue to push the moral envelope in their search for a late - night snacin their search for a late - night snack.

She has also most recently appeared in cameo roles for mainstream films like «Scary Movie» and «Starsky and Hutch» and is still heading the modern cabaret review in Los Angeles known as «The Pussycat Dolls.»

He sees her settled with a new partner (Brady Corbet, who seems to be on a mission to cameo in as many foreign language films as is humanly possible) and heavily pregnant.

A surprise late - film cameo from a member of the usual gang (hint: not Ben Stiller, but the other one) livens things up a little, but it also raises a troubling question: Vaughn, Wilson, and their pals have emerged in the past few years as the most reliable big - budget comic collective since the first batch of Saturday Night Live vets started making movies in the late»70s and early»80s.

Supporting players get a brief time to shine, but sadly Shirley Henderson «s role as Gail is largely redundant, and Kelly MacDonald, who pops up as Diane in a very fleeting, extended cameo, are the only parts of the film which feel forced and unnecessary.

Except for a well - staged scene depicting the attack on the marchers on the Edmund Pettus Bridge, the best scenes in «Selma» are the small - scale ones: Oprah Winfrey (also one of the film's producers) as an bedraggled activist denied the opportunity to vote; a scene where King's wife, Coretta (Carmen Ejogo), confronts him about his philandering; a cameo involving the father (portrayed by that marvelous actor Henry G. Sanders) of a murdered man in Selma.

The esteemed 85 - year - old judge from the United States» Supreme Court is only one of many, many cameos in the film — but surely, hers stands out as the most shocking and... strange

Taking place some time after the events of Cheaper by the Dozen (director of that stillbirth, Shawn Levy, makes a cameo in this one, what with all the time on his hands waiting for Sony to discreetly dump his long - completed Pink Panther in theatres next spring), the film reacquaints us with dangerously irresponsible breeder couple Tom (Steve Martin) and Kate (Bonnie Hunt) Baker (as in «Baker's dozen,» get it?

The project also attracted the bemused attention of other film buffs such as J.J.Abrams, Judd Apatow and Bryan Cranston, all of whom turn up in cameos.

In a cameo that encapsulates the film's facile mix of swagger and kitsch, New York «Naked Cowgirl» street performer Sandy Kane appears as a resident who insists on sunbathing topless.

Ever since Alfred Hitchcock popularized the director cameo, audiences expect to see certain filmmakers pop up in small roles within their own films; from Quentin Tarantino to Spike Lee to M. Night Shyamalan, the faces of the directors are as expected as their distinct visual styles.

With a cast including Milla Jovovich, Jerry Stiller, David Duchovny, Jon Voight, and Vince Vaughn, there were also waves of cameos in the first film such as Donald Trump, Victoria Beckham, David Bowie, and Billy Zane.

Few have had as varied and rich a career as Jacques Perrin, whose resume includes appearing in and co-producing the classic political thriller Z for Costa - Gavras, making an extended cameo in the French potboiler THE BROTHERHOOD OF THE WOLF, and making fascinating films in homage to the natural world.