Sentences with phrase «camera action sequences»

They both have extensive backgrounds as stunt coordinators and the movie is packed with impressively choreographed in - camera action sequences.

Not exact matches

The action sequences, especially the climactic one, are choreographed with flair, with a few Matrix influences to be found (slow motion, a camera circling the action).

The Wachowskis and cinematographer Bill Pope take advantage of currently available technical trickery to create visually distinct levels of reality while setting high - speed cameras in motion to make the action sequences particularly dynamic and fluid.

The few scenes that do rely on their limited acting ability aren't pretty to watch, but they're rock stars when it comes to the action sequences, which are peppered with some cool POV camera work that is the closest most people will ever get to the real thing.

The action sequences chunk along with a shaky camera and a shaky camera does not translate into thrilling scenes.

I love how IMAX obliged shots that were «lovingly held» to maximize the effort of rigging up the cameras and get the most out of their 3 - minute magazines, lending the applicable action sequences a delightful old - school tempo.

There are a few moments here and there in fight sequences where the camera shakes a bit but it's much more toned down allowing you to see all the action happening.

A short promotional feature proudly advertises that the fourth installment in the Transformers franchise utilizes the new IMAX 3D Digital Camera for many of the action sequences, which comprise more than half of the 165 - minute running time.

Civil War was also partly filmed with IMAX cameras and the movie in general tends to feel big, visually - speaking, in - between its action sequences and many establishing shots of locations around the globe (as well as the massive title font that's used to identify each individual change in location)- making IMAX the preferable viewing format for Civil War.

The much lauded action sequences were actually poorly designed and executed made even worse by handheld cameras.

Ritchie utilizes his standard stylized action sequences, which come with slow - mo camera work and slick editing.

Accordingly to early reports, TDKR features 100 minutes of action sequences and much of the movie was shot using IMAX cameras.

At the film's recent press day in Los Angeles, Waugh and stunt coordinator Lance Gilbert talked about their longtime friendship and professional relationship, what it was like growing up together on the sets of «Smokey and the Bandit,» «Vanishing Point,» «The Blues Brothers» and «Bullitt,» why Waugh considers Gilbert one of the best stunt coordinators in the world, the challenges they faced pulling off practical stunts and capturing amazing action sequences realistically in - camera without CGI enhancement, and the entertaining Easter eggs they included as a homage to the classic car - culture movies of another era.

Soderbergh shot the major dance sequences in long takes, using only a few camera setups, just as he did the fight scenes of his recent action movie Haywire.

The movie's early action sequences — in particular one that's set on a runaway train — are witty and inventive, with Verbinski toying neatly with camera placement and spatial geometry.

There are some high - powered action sequences, but the camera moves and edits are so quick that these scenes are difficult to appreciate.

Directors Joe and Anthony Russo plan to use the special cameras for certain action sequences in the upcoming Captain America: Civil War, but Infinity War will mark the first time an entire feature film has been shot on the cameras, not just for Marvel, but anywhere.

Wright heaps on the action with drunken bar room brawls and chase sequences all done with his frenetic directing style that features sharp editing and swift camera movement that's flows organically with each moment.

Even when we are in the middle of an action sequence, the camera is always more focused on the characters than the guns.

Before the cameras started to roll on Black Panther, cast members flew out to Atlanta to prepare for the movie's awe - inspiring action sequences.

Clichés in «Safe House»: skilled C.I.A. agent gone rogue, naïve rookie agent with superb talents, bureaucratic director, gruff and mysterious senior officer, unnecessary blonde girlfriend, shaky camera, fight sequences with quick cuts, an obligatory car chase, poor character development, a double cross, a triple cross, an action - thriller without thrills, boredom.

Adler and his cinematographer Gregory Middleton chose to film much of the sequences using full - body shots, the camera moving with the dancers, giving us a chance to see the dancers in action, moving through space.

The action sequences are choreographed like wacky cartoons, as the camera swoops through the complicated mayhem with acrobatic skill.

Still, there are more than enough laughs and clever surprises in this broad and sometimes violent farce to warrant a recommendation, thanks to a solidly funny script by Mark Perez, some pretty neat camera moves and choreographed action / comedic sequences from directors John Francis Daley and Jonathan Goldstein — and a likable and talented ensemble cast, led by two of my favorites.

The duo brilliantly choreographs the film's action sequences, and focus on the actors rather than the camera work.

It's a feature - length action sequence shot entirely from the first - person camera eye of its mute cyborg hero.

These tricks include an Enterprise lift that goes nowhere, a five - year - old in a costume used to make a cave set look bigger than it actually is and (our favourite) how the camera is shaken to create that jittery effect during action sequences such as the skydiving jump.

His camera follows the action from one Avenger to the next, showing this battle sequence in all of its glory.

The opening action sequence is full of SCS (Shaky Camera Syndrome).

Have fun trying to follow the hyperkinetic, ultraviolent action sequences where the camera tilts, cuts, wheels and deals more than the campy 60's Batman show.

There are also some really great production featurettes, like the four - part production diary, «Pre-Fight Preparations,» a behind - the - scenes look at Russell Crowe's physical transformation into Braddock («Personal Journey»), and a cool featurette on the multi-angle filming of the movie's boxing sequences («Lights, Camera, Action»).

The result of which is a highly stylized picture with more swooping camera effects than you can shake a stick at, well - filmed action sequences, and some of the worst dialogue ever written in a screenplay with perhaps the dumbest excuse for an action movie plot.

Director Gary Fleder (Kiss the Girls, Runaway Jury) keeps the momentum going, though his action sequences are the usual blizzard of quick shots and whiplash camera moves that define 21st century «action» movies.

The choppily edited actions sequences — onslaughts of bright colors and enough «shaky - camera» to make Jason Bourne nauseous — are hard to endure.

From the opening credits sequence, the soundtrack of «Birdman» comes from a single drum set, and the beat underscores the highs and lows of the action, in perfect rhythm with director Alejandro Gonzalez Inarritu's vivacious camera work.

The IMAX / ARRI 2D digital cameras being used for the films will be employed by the Russo brothers for certain action sequences in their upcoming Captain America: Civil War, so they should be well - versed in the technology by the time Infinity War rolls around.

Greengrass» vomit - inducing camera work aside, he has a gift for framing action sequences in a holy - shit - they - did - not - just - do - that kind of way, and the final car chase (come on, you knew there would be one) has moments so visceral that the points of impact will bruise your skin, which is a nice contrast from, say, the painfully obvious CGI car sequence of «Live Free or Die Hard.»

Instead everything is told through the environment and camera angles in most action sequences.

The game, which bears all the filmic hallmarks of the developer's earlier work — including jump cuts, camera swirls and slow - motion action sequence — will even ship with its own tie - in TV show.

With rapid camera movements in action sequences, such as the marketplace portion of the opening chase scene in Skyfall, some objects like extras in the crowd would momentarily flicker out of view.