Sentences with phrase «camera as the director»

Don also is Executive Producer of the series, and has even stepped behind the camera as director.

Stoppard notched another «first» when he agreed to step behind the camera as director in order to secure financing for the 1990 film adaptation of his own Rosencrantz and Guildenstern Are Dead.

Jordan Peele's first foray behind the camera as a director is funny, thrilling and often frightening.

She has, however, been busy behind the camera as a director.

I had a chance to chat with Garcia recently, about the film, the various inspirations for his character, his penchant for song, and his long - gestating next project behind the camera as a director.

Before stepping behind the camera as a director, Shelton had written numerous films and served as a second unit director.

Not exact matches

That can work in the Red's favor if a director wants an edgy, harsher look, as appears to have been the case for Soderbergh's recent anxiety - soaked Side Effects or Robert Zemeckis's hard - hitting Flight — both filmed with Red cameras.

Director Niki Caro keeps the camera pointed away from both Jewish and Christian faith, besides a brief scene of two Rabbis praying as they face certain death on the business end of a Nazi flamethrower.

The technical side of the show is also coordinated by students, who take on roles as camera operators, floor manager, technical director, vision mixing, and sound.

Simon Davies, director of PI and a visiting law fellow at the University of Essex, says the two organisations know of at least 40 companies that are selling equipment such as computers and closed - circuit TV cameras to governments that use it to suppress democracy.

Donatelli, CAMERA director James Sethian and Zwart developed their M - TIP framework by developing a mathematical generalization of a class of algorithms known as iterative phasing techniques, which are used for determining structure in a simpler problem, known as phase retrieval.

«This camera has the potential to greatly enhance our understanding of very fast biological interactions and chemical processes that will allow us to build better models of complex, dynamical systems such as cellular respiration, or to help doctors better deliver and monitor light - based therapies,» says Richard Conroy, Ph.D., program director for Optical Imaging at NIBIB.

At this new exhibition, you are invited to step into Cameron's role as director and film scenes in 3 - D with a camera just like the ones used in the making of the movie.

At some, the sky illuminates the object, the image being collected in much the same way as an optical camera,» explains John Salkeld, QinetiQ's director of optronics.

Additional coverage for subscribers: VIDEO: LAUNCH OF MARS ORBITER SHORT LONGER VERSION VIDEO: LIFTOFF AS SEEN FROM SHUTTLE VAB ROOF PLAY VIDEO: PLAYALINDA BEACH TRACKING CAMERA PLAY VIDEO: TRACKING CAMERA POSITIONED SOUTH OF PAD PLAY VIDEO: STATIC TEST ROAD VIEWING MOUND PLAY VIDEO: LAUNCH COMPLEX»S EAST CAMERA PLAY VIDEO: LAUNCH COMPLEX»S SOUTH CAMERA PLAY VIDEO: VERTICAL INTEGRATION FACILITY ROOF - CAM PLAY VIDEO: POST-FLIGHT INTERVIEW NASA LAUNCH DIRECTOR PLAY VIDEO: POST-LAUNCH NEWS CONFERENCE DIAL - UP BROADBAND VIDEO: THURSDAY»S LAUNCH ATTEMPT IS SCRUBBED PLAY VIDEO: ROCKET IS ROLLED TO PAD WEDNESDAY NIGHT PLAY VIDEO: ATLAS 5 ROCKET PRE-LAUNCH PREPS PLAY VIDEO: MARS RECONNAISSANCE ORBITER PRE-LAUNCH PREPS PLAY VIDEO: NARRATED ATLAS 5 LAUNCH ANIMATION PLAY VIDEO: SCIENCE PREVIEW BRIEFING DIAL - UP BROADBAND 1 & 2 VIDEO: PRE-LAUNCH NEWS CONFERENCE DIAL - UP BROADBAND 1 & 2 SUBSCRIBE NOW The Atlas launch team can now focus on the next mission on their manifest — the early morning launch next January 11 of the New Horizons probe to embark on a decade - long journey to fly past Pluto and its moon Charon.

Above is where Archie, Sebastian and myself — the three «judges» sat facing the contestants, and below, opposite us, the 5 Fashion One TV Correspondent finalists sat as we critiqued the challenges they participated in (all the while the cameras would roll, booms would hang over-head and the director would prompt)

After studying telecommunications at Indiana University, Emily began her career as a camera director for an ABC affiliate where she quickly learned that TV news was not where she wanted to be.

There are also some nice camera angles employed from director Marion Gering, as well as a dramatic scene on the water that looked scarily realistic.

From pre-production to final cut, Jarecki follows the existential - minded director through the entire process of making a movie as Toback opens up to the camera to discuss a variety of deeply personal matters and explore just how they have manifested themselves in such films as Love and Money, The Big Bang, and Black and White.

While this isn't his debut as a director, it is probably his most well - known effort behind the camera.

Indeed, this is the 51 - year - old Crowe's first time as a movie director, but he's hardly a novice actor stepping behind the camera for some sort of vanity project.

After studying Mandarin in post-Mao China, Jordan got into the film business as a camera assistant working with directors like...

In the first segment, Maddin's camera drifts dreamlike through crowded trains as a floating kielbasa hangs from the ceiling and the director / narrator ponders just why the city boasts the most sleepwalkers per capita of any major international city.

The violence in Fargeat's picture harkens back to the height of New French Extremity, as she stabs, shoots, and bludgeons these hurtful swine, and the director's camera takes an undeniable amount of pleasure in each of their splattery demises.

Debut director Yanne Demange does a remarkable job of ramping up the tension in the early scenes as his camera jostles with protestors summonsed by their wives and mothers» ritual banging of dustbin lids on the pavements.

Working behind the camera as cowriter and director here is Ryan Coogler, who successfully instills the established MCU superhero movie template with a personal touch and directorial sensibility on Black Panther, much like he did on the Rocky spinoff / revival Creed three years ago.

Unlike Chaplin and Keaton, they were not themselves great auteur directors, or worked with any; the same could be said of Laurel and Hardy and the Marx Brothers, but their respective phenomena overrided the impact of any decision - making body behind the camera, as a hurricane is to a weatherman.

Occasionally wandering to the other side of the cameras, Vint has functioned as writer, producer and director, often under the auspices of another «good ole boy» actor - turned - producer, Max Baer.

Clint Eastwood wisely chose a strong, simple thriller for his first film as a director (1971), and the project is remarkable in its self - effacing dedication to getting the craft right — to laying out the story, building the rhythm, putting the camera in the right place, and establishing small characters with a degree of conviction.

The 1963 Haunting is still remembered fondly (mostly by critics) for its atmosphere and the performances of its two female leads, but, low - key as director Wise might have been, he, too, was not above a certain amount of excess, relying on distorting camera lenses and the cranking up of volume on music and special effects.

However, the director may be self - aware enough to recognize his limitations in front of the camera and his appearance, distracting as it is, could be designed to be cheesy.

The Garden State actor - turned - director stepped behind the camera for the upcoming remake of the 1979 crime comedy, and he is still in awe at landing three «legends» to star as retirees who scheme to rob a bank.

Good spirits: Director of the film Guillermo del Toro had a hilarious moment ahead of accepting the shiny new prize as he double checked the card and smiled into the camera after he had confirmed the win for himself

On the sunny backyard patio of an upscale home, a camera is rolling as Pineapple Express director, David Gordon Green, casually pitches one - liners to Danny McBride.

Director of the film Guillermo del Toro had a hilarious moment ahead of accepting the shiny new prize as he double checked the card and smiled into the camera after he had confirmed the win for himself.

He nurtured his dream project, «Pollock,» through its funding, before taking up the reins as director and grabbing another Oscar nod in front of the camera.

Dancer - turned - director Anne Fletcher chats about how her movement background helps her behind the camera and on the page, as well as what she loved about working with Reese Witherspoon and Sofía Vergara.

Evans admitted the hardest scene to shoot as a director was an epic prison riot in the mud, as it would splash on the camera lens and ruin good takes.

Moreover, in what's arguably a more brazen case of cinematic larceny, director Daniel Espinosa, best - known for the 2012 thriller Safe House, swipes his anti-gravity stylistics from Alfonso Cuarón, opening the film with a single, very long, VFX - heavy take that sends the camera around in gentle swoops from character to floating character as the space station itself tumbles slowly around its axis.

«Immortals» (Nov. 11) stars Henry Cavill as a warrior leading a group against titans, with «The Cell» director Tarsem Singh behind the camera.

Brian De Palma (Mission Impossible, The Untouchables) is a cinematic master, who knows how to dazzle with virtuoso camera movement and split - screen magic, and for that he is seen as one of the most talented directors around.

The Killing Of A Sacred Deer doesn't have as sharp an allegorical edge as his best work — it's no Dogtooth in that respect — but it does find the director honing his command of unnerving atmosphere to a razor point, enhanced by a camera that glides menacingly down hospital corridors and gazes from above with the severity of a merciless god.

After writing sci - fi favorites such as Sunshine and 28 Days Later, Alex Garland is behind the camera this time as the director of Ex Machina.

Since «George Washington» (2000) opens with a teenage girl's dreamy, wise - beyond - her - years narration as the camera floats in slow - motion through waving fields of grass and glides along railroad tracks, you probably don't need to be told that first - time feature director David Gordon Green, then just twenty five and fresh out of film school, was a big Terrence Malick fan.

Clare Stewart, director of the BFI London Film Festival, said: «Featuring extraordinary performances from the British talent in front of the camera and vividly directed by Morten Tyldum, The Imitation Game does cinematic justice to Alan Turing's vision, determination and personal story as well as his enduring impact on British history and contemporary life.»

Watching Lou Bloom get the perfect shot on his handheld camera using knowledge of what works almost serves as a meta - ish take on directing, since we are watching first time director Dan Gilroy use much of what Bloom is harping on here.

As long - time fans of Alfonso Cuarón, it's truly thrilling to see the «Children Of Men» director granted the kind of absolute freedom he has here, both in terms of budget and for his camera, Emmanuel Lubezki «s extraordinary cinematography floating untethered, giving what feels like the closest simulation of actually being in space that you could ask for.

Wicki enjoyed great success with The Bridge that he never really experienced again as a director, despite working on and off behind the camera for the rest of his life.

When all hell breaks loose, incoming director Matt Reeves (Cloverfield, Let Me In) and his crew make it dark, hellish and disorientating — there's one magnificently show - offy panorama of night - time mayhem, as Koba seizes control of a rotating tank turret, and the camera follows it through multiple 360 - degree turns, taking in all kinds of sound and fury.

The director, Francis Lawrence seems to have a much steadier hand behind the camera, and the action in Catching Fire is much easier to follow, and as a result, more exciting to watch.