Sentences with phrase «camera cut outs»
What's the deal with that hideous camera cut outs?
http://bgr.com/
They show camera cut outs, which suggest the Plus model will again receive a dual camera, but horizontally, not vertically aligned, with the regular iPhone 7s sticking with a single camera lens.
There are already multiple phones on the way this year expected to arrive with a camera cut out, with many more surely on the way.
Not exact matches
Notley also kicked off the week by letting cameras into the NDP caucus meeting, where she teed off on the «UCP's job killing, climate - denying, gay - outing, school - cutting, health - privatizing, backward - looking, hope - destroying, divisive agenda.»
Out of the box, the cut out for the P20 Pro 20 - MP front - facing camera is pretty obvioOut of the box, the cut out for the P20 Pro 20 - MP front - facing camera is pretty obvioout for the P20 Pro 20 - MP front - facing camera is pretty obvious.
It has cut prices on popular cameras and rolled out a new, cheaper device to entice new consumers.
It's like the camera feed went out and the director decided to cut to a still picture of a scouting report.
She'd be mean to me on camera, in character, and the moment they yelled cut, she's back to being this mom who is so lovely and able to switch in and out.
Regardless, it's yet another fascinating example of the interweb's ability to cut out the communications middleman, in this case Speaker Pelosi, whose office controls the cameras in the House.
She added: «Many of the benefits of using fully trained police officers on the roads can not be counted as easily as speeding drivers caught on cameras, but we hope that finally politicians will recognise and address the damage that is being caused by cutting police officers out of the equation.»
He cut off his waist - length ponytail so he would not stand out in the crowds, bought a small camera and placed it in a bag of Panda licorice with a lens - size hole cut in the side.
«If it cuts a fuel line, that's bad; if it gets in the main computer and strikes a circuit board, that's not good; it's not good if it knocks out a camera.
Because the camera is only receiving light for 1 millisecond instead of 20 milliseconds, it cuts out 95 per cent of the light it would normally receive from the headlights.
Post Faves: DIY Sequin Maxi Skirt, DIY Scalloped Bikini, DIY Sequin Elbow Patch, DIY Cut Out Denim Shirt, DIY Transparent Clutch, DIY Chain Camera Strap, DIY Scarf Print Shorts.
Print out your photo & use your craft knife or scissors to cut out the camera photo.
I have to say while shooting these photos they cut down so much UV glare and sunlight I couldn't even make myself out on my camera's pop up live lens to make sure I was in my shots!
► A gorilla grows quickly to about 20 feet, roaring into the camera and beating his chest until sanctuary staff place him in a cage; he becomes angry and breaks out, smashing walls, doors, windows and equipment, jumps over a building and into the street, smashing an SUV with his fists, and a man points a tranquilizer rifle but does not shoot; police cars cut the animal off as a helicopter with armed men flies by and they shoot the gorilla with large tranquilizer darts (the gorilla collapses, unconscious).
The scene in which defines her amazing performance is one in which she pours out pure emotion whilst sharing a mud bath with her father — one in which the camera stays with her for what seems like three to four minutes, without cutting or moving, and her delivering a multi-page monologue.
Cherish had more camera set - ups than The Matrix Reloaded, says Taylor, and Tunney is both thankful and irritated that a masturbation sequence was cut out.
Without TV - style cutting, the scene also tosses out TV - style commentary; the whole thing unfolds with great immediacy, aided by sound design that simulates the camera's position in the ring, rather than an evenly mixed macro perspective.
In practice, that meant players used their fingers to cut out Sandpit's ground, with Vita's camera showing a real world video feed below it.
It's always a pleasure to rediscover the particular order of richness that can grow out of someone «just making a movie» and investing the most functional movements of camera, cutting, and scenario with quiet suggestibility.
Well, he really found it in 2012 during the «21 Jump Street» reboot, where the cardboard cut - out with matinee idol good looks suddenly came alive in front of the camera with an inspired and lovable comic performance.
It's all set to the beat of Jim Steinman rock anthem belted out by Ellen Aim and the Attackers and supercharged by jagged wipes, driving cuts, and a restless camera that sweeps along with the swirl of constant movement.
You know they are weaving in and out of traffic, there are near misses, and flying bullets; but there are only quick glimpses of that on the screen in the midst of the unsteady camera work and split - second jump cuts.
We understand them both clearly as Gerwig's camera cuts evenly between the two, but it's the capper of this scene which culminates in a shocking, split - second maneuver, that made me laugh out loud and appreciate Gerwig's blunt honesty, and her dark and daring sense of humor.
It's a cruel act, and a funny visual gag, until the lawyer peers out his window and the camera cuts to his cat's splattered body below.
He keeps the camera tight, putting out long takes (well shot by DP Jim Shelton) and cutting only when it's for maximum effect.
The footage starts out with each of them talking to the camera, but then cuts in with POV footage of them on the mission until things go awry and the transmission ends.
The camera backs slowly away from Barbara Jean, then reverse - cuts, disclosing the small assembly in the chapel: Barnett, waiting for it all to be over; an earnest young girl nodding and moving her lips in accompaniment to that voice; a group of mostly aged friends and relatives of other hospital inmates; and two men, Mr. Green (Keenan Wynn) and Pfc. Kelly (Scott Glenn), keeping what will turn out to be deathwatches over the crucial women in their respective lives.
The constant obtuse camera angles, the ceaseless moving frame, quick cuts, and the high - contrast and washed out look
The films opens with the bear running at the camera before we cut to a man jolting awake; we see the fiery ursine figure again later from above, running through the forest, before cutting to a line of firefighters moving through a burnt - out section of woods.
Using freeze frames, slow motion, jump cuts, exotic camera movement, staccato step - printing and more to make a triad murder ring out with visual (and aural) poetry.
The opening section alone evokes this seeming contradiction: Hu's constant camera motions, cutting judiciously to closer and closer views of the central fort, tease out so much of the haunted textures that define roughly two - thirds of the film, but crucially never come close to spelling out the layout of the structure.
The visual style on display is as distinct as anything you'll see out of Hollywood, no matter the budget, and the camera moves with a starkness that will make you wish more filmmakers would abandon the quick cut.
The camera pans down into the lobby of the theatre where a large, life - size cut - out picture of George M. Cohan (James Cagney) stands on the floor.
The climactic sequence is a thing of utter beauty, as the camera takes us around half a block: up, down, across, around ambulance and fire truck, never cutting, and with every actor on their mark, which for some is multiple marks in different locations, doling out savory, pitch - perfect resolution while Mark Mothersbaugh's suitably versatile score swells with children's choir accompaniment.
While Deadpool is bemoaning this fact, and pointing out how cheap it makes the movie look, the camera cuts to reveal that most of the X-Men — including James McAvoy as Professor X, Evan Peters as Quicksilver, Nicholas Hoult as Beast, and Tye Sheridan as Cyclops — are in a room behind Deadpool.
No more searching for the camera at the bottom of the draw, no more post it notes stuck all over my desk, no more cutting, sticking and writing out the EYFS (Early Years Foundation Stage) for hours on end!
Behind the rhetoric of «transparency» and «inclusion,» CPS under the administrators appointed by Rahm Emanuel's Board of Education are going out of their way to deny the public access to key information and to make sure that reporters — especially those with cameras and video cameras — are denied access to the growing mass movement across the city that is demanding no cuts this school year.
Navigation... Reverse Camera... Heated Leather... 3rd Row... Running Boards... Park Assist... Tow... Bluetooth... 18 inch Alloys... cuts out the Dealer only Auto Auctions by offering Lease Returns and Trades direct to the public for 30 days.
Impala Premier Sedan... Reverse Camera... Heated Leather... Blind Spot... Rear Cross Traffic Alert... Apple Play... 19 inch Alloys... cuts out the Dealer only Auto Auctions by offering Lease Returns and Trades direct to the public for 30 days.
The overall shape is very different from Buick's current crossover lineup with a pronounced front end, deep cuts in the bumper, cameras mounted where the side - view mirrors would be, flared - out rear fenders, and a sharply raked rear end.
Tahoe LT Texas Edition... Reverse Camera... Leather... Captain Chairs... 3rd Row... Tint... Park Assist... Running Boards... Tow... Bluetooth... 20 inch Alloys... cuts out the Dealer only Auto Auctions by offering Lease Returns and Trades direct to the public for 30 days.
F150 stx... Reverse Camera... Power Driver Seat... Park Assist... Tow... Bedliner... Running Boards... Sync... 20 inch Alloys... cuts out the Dealer only Auto Auctions by offering Lease Returns and Trades direct to the public for 30 days.
F150 Lariat... 5.0 l v8... Navigation... Reverse Camera... Sony... Heated & A / C Leather... Running Boards... Park Assist... Tow... Sync... 20 inch Alloys... cuts out the Dealer only Auto Auctions by offering Lease Returns and Trades direct to the public for 30 days.
F150 xlt... Navigation... Reverse Camera... Moonroof... Heated & A / C Leather... Cruise... Bedliner... Running Boards... Park Assist... Sync... Soft BedCover... Tow... 18 inch Alloys... cuts out the Dealer only Auto Auctions by offering Lease Returns and Trades direct to the public for 30 days.
* LEASE COMPANY REDUCTION * Explorer XLT... Navigation... Reverse Camera... Heated Leather... Tint... 3rd Row... Cruise... 18 inch Alloys... cuts out the Dealer only Auto Auctions by offering Lease Returns and Trades direct to the public for 30 days.
F150 Platinum 4X4... Navigation... Reverse Camera... Moonroof... Heated & A / C Leather... Rear Heated Seats... Sony... Cruise... Bedliner... Running Boards... Park Assist... Sync... Tow... 20 inch Alloys... cuts out the Dealer only Auto Auctions by offering Lease Returns and Trades direct to the public for 30 days.
Finally, I want to point out the both the front and rear fascias have a few holes cut into them, which could point to the next - gen 1 series featuring advanced camera and radar sensors.