Sentences with phrase «camera eyes as»

Not exact matches

Recent years have seen the rise of firms such as Sportvision, which sell data - collecting cameras that track movements on the field imperceptible to the human eye, such as the precise path and velocity of a baseball pitch.

Every time I hear it, I get an image of an inlecdibry old and creepy man, eyes glinting as he rocks in a chair, staring directly at the camera as the scene pulls back to reveal him sitting inside the house from the Black Sabbath album cover.

Conway Morris proposes that there is an orientation towards the evolution of certain structures, such as the «camera eye», resulting in a greater likelihood of such structures being developed in unrelated branches of the evolutionary tree.

The camera crew panned on Andre Ethier in the dugout for quite a bit during Forsythe's at - bat, as he was putting in eye drops and standing, and then there was no one deck for the Dodgers.

As several players joined the melee, Dembele, as seen above, was caught on camera pushing his finger into the eye of CostAs several players joined the melee, Dembele, as seen above, was caught on camera pushing his finger into the eye of Costas seen above, was caught on camera pushing his finger into the eye of Costa.

Sixvideo cameras whirred as he planted a kiss on the lips of his wife, Connie.More than 50 sets of eyes watched as he lifted himself into the cockpit.

Just as the iris aperture in our eye opens up in low light to let more light in and narrows in bright light to let less in — camera apertures work the same way.

The Foscam FBM3502 is another addition to Foscam's growing repertoire of high quality network cameras, which has been introduced in the market as a baby monitoring device although it can be used for keeping an eye on your pets and your home / office in general.

A 3 - D camera was placed in the middle of the robotic assembly as the robots» all - seeing eye.

Like Mars Express 10 years ago, MAVEN has an ultraviolet camera, so it is not seeing the same thing as human eyes.

It is natural to think of the brain as a computer and an eye as a simple camera connected to it.

Like picture frames or camera lenses, the frames will draw visitors» eyes to aspects of the vista, such as an island in the Mississippi that's the site of an early 19th century Native American village, or an oil refinery on the horizon.

The prosthesis proposed by John Pezaris, an assistant in neuroscience at Massachusetts General Hospital (MGH) in Boston — at least as it's envisioned at this early stage — would be worn like a pair of eyeglasses, with digital cameras over a person's eyes that connect to an array of electrodes implanted in the brain.

it is easy to think of eyes as biological cameras — and in some ways, they are.

Finally, the camera hovers over a neighborhood, and my friend's eyes light up with wonder as he recognizes streets and the parks, all captured with the precision of satellite photography.

Two fighters, one day removed from attempting to beat the memories from each other, stand impossibly close, raise their clenched fists and fix their gaze on the other's eyes as cameras click away.

The genome could also help uncover the genetic basis for other octopus innovations, such as their elaborate prehensile arms with suckers used to sense chemicals in the water as well as feel and grasp; their ability to regenerate their limbs; a propulsion system that allows them to jet around underwater; camera - like eyes that are more like humans than other invertebrates; and the fact that they have three hearts to keep blood pumping across their gills.

«Why do you see the same traits, such as the camera - lens eye or wings, in animals that are so different and have no common ancestor with that trait?»

Even though cameras can capture more data about a scene than the human eye, roboticists are at a loss as to how to stitch all that information together to build a cohesive picture of the world.

This kind of «sensory conflict» may occur when our bodies detect motion that our eyes can not see (such as during plane, ocean or car travel), or when our eyes perceive motion that our bodies can not detect (such as during an IMAX film, when the camera swoops at high speed over the edge of steep cliffs and deep into gorges and valleys while our bodies remain sitting still).

A tray of mazes under the watchful eye of a camera enables researchers to study scores of individual flies simultaneously as each walks the maze over and over.

If the flash is on the same axis as the visual axis of the camera, the reflection of the light off the blood vessels in the person's retina will give an eerie, satanic «red eye» look.

In addition to everyday electronics, Brückner would like to see these used in medicine, or on the gripper hands of robots as a secondary eye, providing a view as the hand closes in on an object and blocks the main camera.

The creature, seen in this artist's impression, was a distant cousin of arthropods, with eyes on stalks and a circular mouth containing interlocking plates that might be best described as a camera shutter of doom.

We think of our eyes as video cameras that make a flawless recording of the world around us, but this demonstration shows how little information we actually take in at a glance.

Canadian Institute for Advanced Research senior fellows Brian Leander and Patrick Keeling supervised lead author Greg Gavelis at the University of British Columbia and, in collaboration with senior fellow Curtis Suttle, showed that this eye - like structure contains a collection of sub-cellular organelles that look very much like the lens, cornea, iris and retina of multicellular eyes that can detect objects — known as camera eyes — that are found in humans and other larger animals.

These ancient fish may have been among the earliest animals to evolve more complex, camera - like eyes as opposed to the strictly photosensitive vision possessed by more primitive species.

To get around the lack of eye contact caused by looking at the image on your monitor rather than into the camera, position the webcam as close to eye level as possible.

«When I was little, I was bullied so bad that I wanted to kill myself,» she tells the camera, as more tears well up in her eyes.

The energy coming from infrared waves are not visible to the human eye, but there are cameras that are able to see these waves, known as infrared cameras.

To go along with the collection, Rousteing even designed his own Snapchat filter — something he refers to as «the world's first digital accessory» — that makes user's faces sparkle with flawless skin, bright doe eyes, glossy lips and camera - ready lighting, all under a subtle neon glow.

Jordenö casts her subjects — gay black and brown teens who find freedom in dance and drag — in warm reds and oranges, giving each individual their moment by fixing on their faces as they make direct eye contact with her camera.

This brown - eyed moppet with a camera around her neck is hot on the trail of her best friend, «M,» who has been abducted by the dastardly Fat the Cat that longs to create what he describes as a «Dog - Free - World.»

LIVING HISTORY is history itself, unfiltered, unexplained, raw, many times confusing, exuberant, and devastating as it unfolded in front of the eyes of the film and TV cameras.

The icy stare she delivers as her dismantled frame falls to the ground is as puzzling and secretive as that of the late artist and writer Theresa Hak - Kyung Cha in her 1975 film Mouth to Mouth, in which Cha appears, disappears, and reappears before our eyes, sometimes with her back to us, sometimes facing the camera and looking ahead.

VIOLENCE / GORE 6 - In three scenes, one man shoots another man between the eyes below the frame; we see the gun aimed at the forehead and the camera pans upward to hide the victim as we hear a loud shot each time and after each shot, the camera cuts to a long shot of each victim, lying on one side with the head hidden behind the body and no blood flow is seen.

The shot lingers, gives us time, for our eyes to wander around the frame as the camera is not focused on any one thing.

The flimsy storyline ultimately exists as a springboard for a myriad of eye - rollingly quirky interludes, as screenwriters Herzog and Herbert Golder eschew anything even resembling normalcy and authenticity and instead offer up one aggressively off - the - wall sequence after another (ie two men stop in mid-conversation and stare directly into the camera, while a tuxedoed Verne Troyer lurks in the background).

We get a mace - eye - view as the camera takes on the role of a weapon as it spins around and around, and the chase becomes so intense that at one point after a motorcycle crash, the camera just collides straight into the debris.

With the well - honed eyes of her camera lenses, Bombach tackles the incredible story of Nadia Murad, a 23 - year - old Yazidi woman who was kept as a sex slave for ISIS when she was just 19.

Constanzo also employs other horror tactics, most obviously the hovering camera — using a fish eye lens high above the characters to simultaneously make Mina look even more waif - like and also act as an evil eye of sorts looking down at the increasingly complicated scenario playing out.

Directed with a ferocious eye for detail, every nook and cranny of Don't Breathe is touched by Fede Alvarez's sick equivalent of love as he weaves his camera through Norman Nordstrom's deadly mouse trap of a house.

In the opening scene on a train, he views Lucy as parts of a body through the eyes of a stranger's camera.

Perhaps to compensate for its facile plot, the camera often lingers on close - up shots of the three leads as they each process their feelings, fresh trauma quietly unloading in their eyes as they serenely try to accept what has transpired.

Thanks to Johnson's poetic if sometimes cryptic art of collage, one minute we're seeing a Bosnian shepherd at work as he occasionally throws the camera a skeptical side - eye; the next, we're hearing the off - camera Johnson as she chats with a Nigerian midwife or crosses a busy street with the philosopher Jacques Derrida.

The camera shows us a real time, unblinking look at the world through his eyes, as he lazes around his apartment overlooking the neon lights of Tokyo, before taking a hit of a powerful hallucinogenic drug and heading to a nightclub to meet his friend.

The movie opens with an eye - catching, dreamy image, as the camera cranes down from fireflies against sky to a woman standing on a rocky shore, a boat floating in the water.

Buzzing along towards impending disappointment, the camera eyes static horizon shots, with endless stretches of bleak farmland serving as visual commentary of the washed up wasteland that industry America has become.

In the meantime, many eyes will be focused on the box office numbers of Wonder Woman as validation that big tentpole movies and really just live - action movies in general do not have to be the sole domain of men on either side of the camera.

If Roxane Gay suggested that 12 Years A Slave exists to see slaves horrifically beaten before the camera's unflinching eye — and for no other purpose — then Creed deals with the same themes as every sports movie: overcoming the odds.