Sentences with phrase «camera glides»

Imagine a fast food commercial, where the camera glides slowly across a steaming hot bacon cheeseburger.

In this short film, we are shown around the luxurious interior as the camera glides through the cabin.

Östlund creates a sense of isolation and foreboding as the camera glides across the snow covered landscape.

Davies» camera glides through the Dickinson household, while Cynthia Nixon, Jennifer Ehle, and the rest of the dazzling ensemble dive into Davies» treasure chest of a screenplay in search of gold.

Anderson fashions one of his subtlest, most astonishing set pieces out of Reynolds's measuring of Alma for a dress: The camera glides along the measuring tape, enjoying her body less than his ability to seize control of the moment by embracing his art.

In shot after shot, Lanthimos's camera glides behind Steven like it's silently stalking him, an angel of death ready to tap on his shoulder.

Davies» camera glides along the platform as everyone, from Russell Beale's high court judge to poverty - stricken nippers, shares in a chorus of traditional ballad «Cockles & Mussels.»

As the camera glides through a rain - drenched, rubbish - strewn back alley in the opening sequence of The Long Day Closes, aural snippets from a variety of sources (the triumphant horns of 2...

Instead of cutting between characters using various camera angles, here the camera glides to them, taking on a life of its own.

The camera glides through the orchestra showing what a group effort the compositions are but it ultimately focuses on two main faces: the sweaty, panicked one of Andrew and the steady, unflinching one of Fletcher.

The fanfare segues into Nat King Cole singing «Stardust» as the camera glides down the alley at a graceful stroll.

Tensions build and dissipate like tides while his camera glides through a mesmerizing weekend of debauchery.

The final shot is the film's altarpiece: a weightless camera glides around the Toller and Mary in their rapturous embrace, as the emphatic sounds of the choir singing «Leaning on the Everlasting Arms» reverberate.

Robert Richardson's camera glides across the various flattened landscapes with purpose, and plunks down to provide widely scaled, conspicuously painterly compositions (and for once, the background action in a Tarantino film feels lively and detailed).

In a shot that quickly will become a shining example of what Haynes does well throughout the series, he quickly establishes the financial stability of the Pierce family by casually letting the camera glide over a wall with framed photos, certificates and blueprints that informs us that Bert is at the helm of a prosperous real estate firm.

At least some of The Secret Service's outrageousness has carried over: Poppy Land, with its murderous android hairdresser and letter - jacket - clad goons; a grotesque Bond - style opening that pits Eggsy against Charlie (Edward Holcroft), a failed Kingsman recruit who sports a killer cybernetic arm, inside of a veering, bulletproof London minicab; the camera gliding through a pair of red panties mid-third-base to a gush of John Barry-esque brass.

Not exact matches

While Lionel Messi — wearing a sparkling purple number with matching bow tie that made him look like a compere on a cruise liner — shuffled down the line of cameras trying to explain the remark that he did not know where he would be playing next season, Henry glided.

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The gliding train acts as a consistent parallel axis for Robert Yeoman's fluid camera, which follows Peter, Francis, and Jack through the cramped corridors as the brother's occasionally interact with a beautiful stewardess (Amara Kahn) and the stoic conductor (Waris Ahulwalia).

The camera sinuously glides through Sampha's life, connecting people and spaces with moments of cinematic surrealism, like the troupe of still dancers that haunt an abandoned swimming pool in Freetown, Sierra Leone.

The Killing Of A Sacred Deer doesn't have as sharp an allegorical edge as his best work — it's no Dogtooth in that respect — but it does find the director honing his command of unnerving atmosphere to a razor point, enhanced by a camera that glides menacingly down hospital corridors and gazes from above with the severity of a merciless god.

Unfortunately, that wholesome messaging doesn't leave much room for what Brewer does best — namely, music - backed scenes that, through lurid lighting, slick camera whips and glides, and the sounds of breathing and grunting mixed just above the music, put the viewer inside a body in total abandon to a song.

Since «George Washington» (2000) opens with a teenage girl's dreamy, wise - beyond - her - years narration as the camera floats in slow - motion through waving fields of grass and glides along railroad tracks, you probably don't need to be told that first - time feature director David Gordon Green, then just twenty five and fresh out of film school, was a big Terrence Malick fan.

And if someone can speak volumes in a glance or a gesture without saying a word — or if cinematographer Roger Deakins can suggest menace and moral ambiguity by letting the camera slowly creep - glide into a performer's personal space (what Villeneuve calls the visual equivalent of «putting pressure on your characters»)-- he'd much rather do that.

There's no cynicism here, merely a bemused irony with a dash of melancholy and sadness, and the delirious elegance of his gliding camera gives it all a delicate beauty.

All of Iñárritu's dark satire of Hollywood looks like one epic, masterful tracking shot as the camera swoops and glides backstage, onstage, and outside the theatre to Times Square and the surrounding streets.

With its gliding camera and precise framing, «Thoroughbreds» is certainly visually distinctive.

In both «types» of movies, Assayas displays the same gaze: the camera always glides over people, never letting you believe that you can get «inside» them, what they think, what they feel; and, whether big (the kidnapping of the OPEC delegates in Carlos) or small (the decision of which heirloom to give to a deceased mother's old retainer in Summer Hours), «events» are shot in the same way, as an accretion of minute, yet complex decisions; of out - of - sync bodies competing for leg room in a claustrophobic space.

On the surface, this 1965 mystery is no more than a smartly done, intelligently written thriller but Preminger's fierce cinematic intelligence guides a fluid camera that effortlessly tracks, glides, and reframes characters as they shift through scenes, shifting our perspective along the way.

Perhaps intended as loving homage, «The Better Angels» instead borders deeply on self - serious parody, virtually utilizing a checklist of every stylistic trope Edwards» cinematic maharishi uses — hushed ponderous voice - over about the nature of life; that gliding camera; dancing wide - angle shots; jump cuts; dancing in fields; a spiritual connection to nature — and one by one employing them all without a trace of ironic self - awareness.

The movie presents as stylistically modest but makes expert use of its mobile camera, tracking and gliding down schoolhouse corridors and over running rivers in a way that amplifies the vitality of the Turtle Island people and of education as a dynamic process.

Ranging from gliding camera movements and symmetrical shot constructions to slow motion and rich sound design, Jenkins deploys a wide range of techniques with refreshing confidence and enthusiasm.

Nolan and cinematographer Hoyte van Hoytema («Interstellar») shot the film using 65 mm and IMAX cameras, and while the big scenes of spectacle are unquestionably sweeping and impressive, it's the smaller moments that stayed with me more, whether it's those cascading leaflets in the opening scene, the terrifying majesty of a fighter plane gliding with its engines off, or a harrowing sequence involving a downed plane that will doubtless be used by English teachers to illustrate what poet Stevie Smith meant when she wrote «Not Waving but Drowning.»

Desplechin (Kings And Queen, A Christmas Tale) employs sudden iris shots; unusual dissolves; and a searching, gliding camera.

The sinuous gliding movements of his camera work - up a palpable sense of unease.

The camera follows Riggan and the other characters, speeding around corners, gliding down hallways, circling the principals — all without apparent edits.

Without uttering a word, she glides past the press, but the camera slows as Katharine finds herself surrounded by a small group of women in this crowd, all staring at her with admiration.

Welles is of course Ruiz's avowed master, and a good deal of Time Regained seems to proceed like an extension of Bourgeois» stylistic comparison, with not only camera movements but the gliding displacements of objects and characters re-creating some of the complex, winding journeys of Proust's sentences.

The viewer glides through the city somberly, while the camera happens upon the wall of a sleek, stylish, building — all glossy, shiny windows, and New York City metropolitan.

Nice couple of years for cinematographer Emanuel Lubezki: Oscar last year for «Gravity» (after five previous nominations), then Spirit nom for his gliding, seamless camera work in «Birdman» this year.

In Terrence Malick's seventh film a gliding camera once again accompanies a tormented hero on his search for meaning.

The erotic fascination underlying all this is constantly visible in the way that Piñeiro and DP Fernando Lockett film faces, often in long gliding takes that move seamlessly from wide shot to close - up — see the radio studio scenes in The Princess of France and the extended scene in Viola in which the camera hunkers down between three characters talking in a car at very close quarters.

We see him gliding down from a multitude of angles below and then the abundance of camera operators on the field.

Baker glides his camera across the sun - smeared vista of Hollywood at Christmas time, turning the grime and dust into something sparkly and wondrous.

Gary Ross borrowed from the Paul Greengrass school of direction when filming the original — lots of shakycam and quick - cutting — but Chasing Fire director Francis Lawrence takes a different approach, allowing his camera to glide smoothly around the action so that the viewer can take it all in, and while the violence still feels overly - sanitized, at least it's comprehensible.

The camera in Halo glides like a TV show nun, while the camera inGears of War looks like it was set atop an angry camel.

His camera swoops and glides up staircases, through hallways, and around corners like an omniscient phantom, almost always keeping a respectful distance from its subjects which it regards almost exclusively in 2 or 3 + shots.

«Birth» (2004) Savides» unparalleled mastery of the camera is evident from the very first frames of Jonathan Glazer's «Birth,» as we wordlessly glide behind a man jogging through a deserted, snow - covered Central Park.

Both Bigazzi and Lubezki place great emphasis on the visual composition of each scene, capturing an immense degree of detail through the movement of their ever - gliding cameras.

Director Alejandro González Iñárritu stages the entire film like it's one shot — gliding his camera around the stage, the theater and even the streets of New York to show the rehearsals of this play and the work that goes into the production.