Sentences with phrase «camera moves into it»

The camera lingers on the faces of Hall and Reilly as they stare at the shackled john, his bloody pillow and Paltrow huddled in a corner - the ugliness of it unseen until the camera moves into the room.

Not exact matches

As the company widens its market, it's increasingly possible that the larger digital imaging companies will move into the space and risk turning awesome little point - of - view cameras into a commodity.

The corporate juggernaut that started out with books and soon moved into music, video, cloud computing and Kindle e-readers is hosting a launch event Wednesday in Seattle, and media reports indicate the product will be an Amazon phone — perhaps one with multiple cameras that can produce 3 - D photos.

In a cardboard box divided into two halves labeled «Study» and «Netflix,» the media giant let loose a guinea pig named Professor Fuzzlepants, with a camera affixed overhead to capture its every move.

«But if you can get an alert the pedestrian is there and see with sensors and cameras that a pedestrian may be moving into the path of the vehicle and have the vehicle take corrective action, we could really reduce the statistics significantly.»

The ladder laden, camera burdened photographer moved his curly crop of silver hair into pole position next to the door huge oak door which protected one of Christianities holiest places.

Few things are worse for cameras than dry sand getting into the moving parts.

Our babies are being born into a high tech environment, where often, people's every move is immediately captured on camera, and almost simultaneously shared with the entire world.

Young Moroccan scribe Abdellah Taia moves into the director's seat with the screen version of his autobiographical novel» Salvation Army,» losing much of the texture in translation from pen to camera.

The Post suggests that the FBI actually moved into Huntley's Queens house; ate her food; slept in her bedrooms; and wired her meeting back room with mics., cameras et.

The first line is captured, then the orbit of the spacecraft moves the camera relative to the surface, and then the next line is captured, and so on, as thousands of lines are compiled into a full image.

So the team hopes that the robot and its camera can be deployed elsewhere to help us peer into the lives of marine animals — to better see how they move, what they're eating, and who they're swimming around with.

Good thing we've moved past film cameras and into the world of digital!

But of all the remarkable things they can do, few are as galvanizing as when they simply stop moving and stare into the equally motionless camera, as though daring us to look deeper.

I, TONYA is actually a whole lot of fun with Gillespie turning this into a sprawling slice of pop - culture flashback, fusing the story with wall - to - wall songs from the era, and a constantly moving camera.

I was waiting for something - a person to pop into screen, the camera to move or a change of scenery.

Never in a million years would I have guessed that the same filmmaker might turn around and make something like Tangerine, his punk - as - fuck portrait of a much seedier L.A.. It's not just a total creative 180, but kind of the opposite of a sell - out move: Trading a formulaic story for an unpredictable one and a slick Indiewood aesthetic for a gorgeous, radical lo - fi approach, Baker trains his iPhone camera on the kind of characters — black and transgender prostitutes, immigrant cabbies — that the movies rarely acknowledge, let alone put into starring roles.

Answer: The table is moved into position below the frame a second after the camera has passed.

I am so sick of clever camera techniques that prevent the audience from seeing whether or not it's a stuntman doing the move, or the actual actor, and had PotC fallen prey to this evil, I probably would have chucked the movie into the don't - bother - watching - it - twice pile.

The camera moves in on her from behind, causing the distant silhouette of the Statue of Liberty to sweep across the horizon from right to left, then swings around her into a breathtaking close - up profile.

Adapting a short - story collection by James Franco, Coppola preserves the episodic structure of the book, allowing her camera to move among the characters with a breezy sense of freedom: April (Emma Roberts), the intelligent yet vulnerable good - girl lured into an affair with her charismatic but creepy soccer coach, Mr. B. (played by Franco); Teddy (Jack Kilmer) who's in trouble with the law and in love with April; Fred (Nat Wolffe), Teddy's cocky, bad - influence sidekick; and Emily (Zoe Levin), the profoundly sad school slut who freely dispenses blow jobs in place of genuine connection.

Now, she's moved behind the camera for her delicious feature debut, Lady Bird, the story of an outspoken teen (Saoirse Ronan) awkwardly (and often amusingly) transitioning into adulthood.

Actor Brady Corbet moves behind the camera for this bold, baroque exploration into the roots of political evil.

It's your usual assortment of production anecdotes, but Wynorski is pretty good at screen - specific observation, cluing us in on which shots required the most work behind the scenes — like the tracking shot through the furniture store that forced stagehands to move furniture into place and stay out of frame as the camera rolled backwards through the set.

In that film, the camera starts on a bus and moves into the street.

«The Tribe» Another first - timer to watch, writer - director Miroslav Slaboshpitsky takes us into a hellish school for the deaf where a new generation of gangsters and desperate criminals are being molded — and with no subtitles or spoken dialogue, it's up to the actor's faces and Slaboshpitsky's pitiless, rarely moving camera to communicate the horrors that are unfolding.

We Live in Public (Unrated) 15 minutes of fame documentary revisiting the rise and fall of dotcom pioneer Josh Harris who with his girlfriend broadcast their every move over the internet 24/7 for half a year until he suffered a nervous breakdown and collapsed into mental illness after she dumped him and moved out of the surveillance camera - flooded apartment.

Long, incredibly difficult camera moves, along with a lush Dolby Surround sound mix and musical score, are woven into the plentiful, but well crafted dialogue.

Coming into any sequel blindly can make that experience tough to sit through without getting too confused or losing interest; fortunately because this is a feel - good movie and the ensemble cast has strong chemistry — it wouldn't surprise me one bit if half the time Terrence Howard isn't even in character while cameras are rolling — the story actually moves along at a comfortable pace, enough to make certain loose ends easy to ignore (again, if you're coming in without seeing the original).

Highly stylized, the masterful direction immediately jumps out; the camera is perpetually moving, with long and involving shots that roam around the actors, thrusting you right into the middle of the powerful, visceral drama.

An eye looks up into the sky and the camera fades into a slowly moving aerial shot from above the tenements of Berlin.

Cameraperson is both a moving glimpse into one filmmaker's personal journey and a thoughtful examination of what it means to train a camera on the world.

One protégé after another quotes the head man's practical advice about speed, angles, movement; in a particularly ingratiating moment, Demme is talking into the camera, recalls Corman's adjuration to keep things moving, and (spontaneously?)

That's why the attempt made by Candy (Maggie Gyllenhaal) to leave prostitution and move into pornography is the most compelling through line of the piece: From in front of and eventually behind the camera, Candy can use her awareness of the male gaze to make a product of herself and the other women on - screen.

Todd McCarthy, The Hollywood Reporter: «Favreau and cinematographer Bill Pope vigorously keep the camera moving at all but the quietest moments, and the visual effects team led by Robert Legato and Adam Valdez has both created sumptuous settings that look as lifelike as any CGI ever presented in a studio feature and integrated both humans and animal characters into them in seamless ways.»

Chilean - born Ruiz is a director whose love of storytelling and narrative play is often more engaging than the films themselves but with Mysteries of Lisbon, an epic based on a classic Portuguese novel (one yet untranslated into English), his engagement with the characters and their defining stories guides his direction, and his graceful camerawork and unerring eye for images both classical (like paintings in a cinematic frame) and fluid (his camera moves with purpose and grace) are in the service of the trajectories of the characters.

Katniss tries to shake off the propaganda team documenting her every move so that she can go into the Capitol by herself to assassinate Snow, but Coin wants Katniss on camera, even if that means pretending like Katniss» rogue decisions were actually Coin's ideas all along.

Volvo says that the hybrid setup works to City Safety's advantage: the radar allows the car's central control unit to detect moving pedestrians and passengers early on, while the people in question come into focus on the camera and the system's video processor begins to track them.

For example, parallel parking outside of school, the camera not only helps you see backwards, but also has moving guides that help you into tight spaces.

With 755 horsepower the 2019 Chevrolet Corvette zr1 is the most powerful Corvette ever it's also the most technologically advanced behind me are the rolling s's at Road Atlanta and we're here to see if we can reach to the supercar levels of performance afforded by this thing's massive power big tires and the tall wing on the back after that we'll take to the streets to see if a car this powerful can behave itself in public this is a monster of a car I've had some brief track opportunities moving this morning to get used to the pace of this machine which is phenomenal we're gonna warm up as we get out to the road Atlanta and sort of build up to the pace that this car can operate at now initially when you hop in this car you have this shrine to the engine right above you you see the line of the hood it kind of dominates the center of the view you can see over it it doesn't affect visibility but it's immediately obvious and that kind of speaks to what makes this car special it's a monster of an engine listen to that [Music] that is tremendous tremendous acceleration and incredible power but what I finding so far my brief time here at the Atlanta is that everything else in the car is rut has risen to match hurt me while I lay into it on the back straight look you know 150 mile - an - hour indicated we're going to ease up a little bit on it because I need to focus on talking rather than driving but like I was saying the attributes of the rest of the car the steering the braking capability the grip every system of this car is riding to the same level of the power and I think that's what makes it really impressive initially this is undoubtedly a mega mega fast car but it's one that doesn't terrify you with its performance potential there's a level of electronic sophistication that is unparalleled at this price point but it's hard not to get you know totally slipped away by the power of this engine so that's why I keep coming back to it this car has an electronically controlled limited slip differential it has shocks filled with magnetically responsive fluid that can react faster to inputs and everything this car has a super sophisticated stability control system that teaches you how to drive it quick but also makes you go faster we haven't even gotten into exploring it yet because the limits of this car are so high that frankly it takes a while to grow into it but [Music] I think what's impressive about this car is despite how fast it is it is approachable you can buy this car to track dates with it and grow with it as a driver and as an owner I think that's a really special [Music] because you will never be more talented than this car is fast ever unless you are a racing driver casually grazing under 50 miles an hour on this straight okay I'm just going to enjoy driving this now [Music][Applause][Music] this particular Corvette zr1 comes with the cars track performance package a lot of those changes happen underneath the sheet metal but one of the big differences that is immediately obvious is this giant carbon fiber wing now the way this thing is mounted is actually into the structure of the vehicle and it makes you know loading the rear hatch a bit more difficult but we're assuming that's okay if you're looking for the track performance this thing delivers also giving you that performance are these Michelin Pilot Sport cup tires which are basically track oriented tires that you can drive on the street but as we wake our way to the front of the thing what really matters is what's under the hood that's right there's actually a hole in the hood of this thing and that's because this engine is so tall it's tall because it has a larger supercharger and a bunch of added cooling on it to help it you know keep at the right temperature the supercharger is way larger than the one on the zo six and it has a more cooling capacity and the downside is it's taller so it pops literally through the hood the cool thing is from the top you can actually see this shake when you're looking at it from you know a camera from the top of the vehicle this all makes for 755 horsepower making this the most powerful Corvette ever now what's important about that is this not just the power but likewise everything in the car has to be built to accommodate and be able to drive to the level of speed this thing can develop that's why you had the massive cooling so I had the aerodynamics and that's why I had the electronic sophistication inside [Applause] we had a lot of time to take this car on the track yesterday and I've had the night to think about things Matt today two crews on the road and see how this extreme performance machine deals with the sort of more civil minded stuff of street driving the track impressions remain this thing is unquestionably one of the most capable cars you can get from a dealer these days a lot of that's besides the point now because we're on the street we have speed limits they have the ever - present threat of law enforcement around every corner so the question is what does this car feel like in public when you slow this car down it feels like a more powerful Corvette you don't get much tram lining from these big wheels though we as the front end doesn't want to follow grooves in the pavement it is louder it is a little firmer but it's certainly livable on a day to day basis that's surprising for a vehicle of this capability normally these track oriented cars are so hardcore that you wouldn't want to drive them to the racetrack but let's face it you spend more time driving to the track than you do on the track and the fact that this thing works well in both disciplines is really impressive I can also dial everything back and cruise and not feel like I'm getting punished for driving a hardcore track machine that's a that's a really nice accomplishment that's something that you won't find in cars that are this fast and costs maybe double this much the engine in this car dominates the entire experience you can't miss the engine and the whole friend this car is sort of a shrine to it the way it pops out of the hood the way it's covered with coolers around the sides it is the experience of this car and that does make driving this thing special and also the fact that it doesn't look half bad either in fact I think it has some of the coolest looking wheels currently available on a new car this car as we mentioned this car has the track package the track package on this car gives you what they call competition bucket seats which are a little wide for my tastes but I'm you know not the widest person in the world this automatic transmission works well I mean there's so much torque again out of this engine that it can be very smooth and almost imperceptible its clunky on occasion I think I'd might opt for the manual although Chevy tells me about 80 % of its customers will go for the automatic I don't think they're gonna be disappointed and that's gonna be the faster transmission drag strip on the street - and on the racetrack man it was a little bit more satisfying to my taste though we've talked about the exhaust I have it set in the track setting let's quiet it down a little bit so you can hear the difference now I've set that separately from everything else so let's put it stealth what happened to the engine sound that's pretty that's pretty amazing man stealth is really stealth and then go back to track Wow actually a really big difference that's that's pretty great the Corvette has always been a strong value proposition and nowhere is that more evident than this zr1 giving you a nearly unbeatable track performance per dollar now the nice thing is on the road this doesn't feel like a ragged edge track machine either you could genuinely drive it every day the compromises are few and that's what makes this car so special if you like what you see keep it tuned right here and be sure to visit Edmunds.com [Music]

By utilizing radar and cameras located on the E-Class, the system can detect if the lane that the driver wants to move into is unoccupied, and can then gradually change lanes for them.

When the driver moves the transmission shift handle into reverse, the center color LCD display will show what the camera lens can detect within its field of vision behind the vehicle.

By using a forward - facing camera and millimeter - wave radar to monitor vehicles moving into or out of the lane, Radar Cruise Control helps maintain smooth acceleration and deceleration while driving.

For instance it was really nice to see that Chevrolet incorporated a back up camera into the navigation screen, and it was even better when we saw that the lines were moving with the steering wheel.

The cameras in the garage help to make sure that the vehicle successfully avoids all obstacles while moving into the parking spot.

In addition to all the features of Around View Monitor this version of the feature includes Moving Object Detection which can warn you about moving objects that come into view of the cameras with audio and visual aMoving Object Detection which can warn you about moving objects that come into view of the cameras with audio and visual amoving objects that come into view of the cameras with audio and visual alerts.

There's a new camera application that allows you to review your existing photos easily, even as you are taking a new one, without having to change into a review mode: just look at any previous photo by swiping with your finger the right, moving the active camera view out of the way.

When moving the slate into landscape mode, you'll notice this sidebar changes to a media - centric layout that offers shortcuts to downloaded movies or videos, clips in your camera roll and photos you've taken.

As well as shocking literally nobody with the announcement of the Galaxy Note II, Samsung also revealed an odd move into the Android - powered camera world.

Therefore, many veterinarians proceed to endoscopy, in which a camera is introduced into the trachea to view the motion, or fluoroscopy, which are moving x-rays.