Sentences with phrase «camera negative»

The film itself has been recently given a spectacular 4K restoration from the original camera negative for this Blu - ray.
Special Features 4K Scan Of The Original Camera Negative With Standard Definition Inserts Slay Bells Ring: The Story Of Silent Night, Deadly Night — Featuring Interviews With Writer Michael Hickey, Co-Executive Producers Scott J. Schneid And Dennis Whitehead, Editor / Second Unit Director Michael Spence, Composer Perry Botkin, And Actor Robert Brian Wilson Oh Deer!
After a number of archival film elements were scanned at 4K resolution at Warner Bros.» in - house Motion Picture Imaging lab in Burbank, the original camera negative of the film came to light, providing the basis for the majority of the restoration — that is, until the negative's inferior final reel necessitated dipping into another archive altogether.
The restoration was produced from the original camera negative at Sony Colorworks in Culver City California.
Walt Disney Studios Home Entertainment promises 1941's «Dumbo» has been restored to the color settings most likely approved by Walt Disney himself, using prints held by the Library of Congress (nitrate camera negative) and the film Academy (dye - transfer Technicolor).
The film has been transferred and restored in 2K High Definition from the original 35 mm camera negative for its Blu - Ray debut.
This edition comes from a new 2K digital transfer from the original camera negative supervised by Gilliam and it is a great improvement over all previous American disc releases.
Brand new 4K restorations of both the Theatrical Cut and the Director's Cut from the original camera negatives produced by Arrow Films exclusively for this release, supervised and approved by director Richard Kelly and cinematographer Steven Poster
THE BLU - RAY DISC The picture's Blu - ray transfer, letterboxed to 2.35:1 and compressed using the AVC codec, is excellent, bringing out the period colours and defining facial expressions while maintaining the look of a fairly fine - grained print taken from the Super35 camera negative.
The film has been digitally restored for Blu - ray and DVD from the original 35 mm Techniscope camera negative.
THE BLU - RAY DISC There isn't a ton of detail in the Super16mm camera negative, but Criterion's Blu - ray transfer of Rosetta, sourced from a 35 mm blow - up IP scanned at 2K and graded under the supervision of DP Alain Marcoen, seems to preserve every softly undulating granule.
BLUE SUNSHINE FilmCentrix, Region A The long - missing camera negative of this one - of - a-kind thriller turned up, in remarkably good condition, last year in a Seattle garage.
Jean Renoir's 1937 «Grand Illusion,» one of the most admired — and one of the most feared — films ever made, returns to theatrical screens in a fine digital restoration taken from the original camera negative just in time to celebrate its 75th anniversary.
In one of this disc's extras, Haneke mentions how the digital intermediate (DI) process allowed him to get unusually sharp monochrome images, and mastering the Blu - ray directly from DI elements allows technicians to keep all but the finest grain from the original camera negative at bay.
With a video bitrate running at a posh 31 Mbps, the Criterion transfer is sourced from the original camera negative with colour - timing supervised by Haneke himself.
makes its Blu - ray premiere in a stunning Special Edition, with a crisp HD transfer remastered from the original 35 mm camera negative.
Timed to the 50th anniversary of the film's original theatrical release, the new print was struck from the original camera negative of the earliest screening version of a film that later underwent panicky last - minute edits.
THE BLU - RAY DISC Criterion brings To Be or Not to Be to Blu - ray in an outstanding 1.37:1, 1080p transfer struck from a new 2k scan of the nitrate camera negative.
The Friedrich Wilhelm Murnau Foundation (which previously spearheaded the astounding restoration of the definitive Metropolis) undertook the comprehensive digital restoration of this landmark using for the first time ever the original camera negative as the primary source (previous releases were taken from archival prints), with additional footage from the best of the existing archival prints.
THE BLU - RAY DISC Scream Factory went back to the original camera negative for their Blu - ray edition of Sleepaway Camp, with documentary footage of the 2K scanning process to prove it.
Features both Blu - ray and DVD editions of the films, newly remastered from a 2K restoration from original camera negatives and featuring both Italian and English language soundtracks with optional English subtitles.
The picture transfer is generally excellent, though there are minor instances of what appear to be vertical scratches on the camera negative.
Also, Kino Lorber Studio Classics has set Edward Ludwig's Javaro (1954) for release on Blu - ray / Blu - ray 3D and DVD, mastered from a 4K scan of the original camera negative and a 2K scan of the IP, with 3D restored by the 3D Film Archive.
Klowns is presented in 1080p high definition with a widescreen aspect ratio of 1.85:1 and a new English 5.1 DTS - HD MA (Master Audio) lossless track born of a new 4K scan of the original camera negative.
Synapse Films is proud to present BASKET CASE 2 in a beautiful high - definition transfer from the original 35 mm camera negative.
«For the first time since the original release, this 70 mm print was struck from new printing elements made from the original camera negative.
Criterion's BD release, sourced from the original camera negative, puts the lie to all of those earlier versions with its richly - textured shadows, searing whites, and twinkling 35 mm film grain.
Exclusive new digital restoration from the original 35 mm camera negative, with uncompressed monaural soundtrack on the Blu - ray edition
Source elements (camera negative and a 35 mm print) were scanned at 4K and a digital restoration took place at 2K; the film is windowboxed to 1.72:1 for some reason, contrary to the box's claim of 1.66:1.
Colour and contrast are both exemplary, though, and I should note that the keepcase claims this transfer came from the camera negative.
We even looked into reviving the sound - on - film cameras Robert Drew and associates were using, like, the Auricon, which scribbled the location audio directly onto the camera negative with a pulsing, shuttered light.
A The Twilight Zone: Season 1 Available on Blu - ray Rather than cycling through the HD masters from when the DVD set came out back in 2004, they decided to produce brand new 1080p film transfers using the original camera negatives and magnetic soundtracks for this official HD release of the first season of the ground - breaking television television show.
That meant we could not only present the film all from 35 mm, but from a 2ndgeneration nitrate made off the camera negative in 1941.
These episodes have been released on Blu - ray with all - new scans from the camera negatives.
(As «cigarette burns» are present at reel changes, this was apparently not sourced from the camera negative.)
THE BLU - RAY DISC You'd think a flick like Death Spa would be fated to languish forever in video obscurity, but MPI Media Group label Gorgon Video has rescued it from the scrap heap and given it a robust second life on Blu - ray, reportedly re-scanning the camera negative at 2K for this disc.
Criterion's liner notes indicate its new master was sourced from the 35 mm camera negative, so this is probably as good as it gets, barring a more aggressive go with digital restoration tools.
The Criterion edition is mastered from a new high - definition scan of the original camera negative.
The picture quality is superior to previous releases, as Martin Scorsese supervised a 4k scan of the original camera negative.
The 1.37:1 images come straight from the original camera negative.
Cover copy alleges that this 2.35:1, 1080p presentation was sourced from the original camera negative, and I'm inclined to believe it: grain has that ultra-fine, answer - print quality and textures — and textiles (dig the occasionally loud»70s attire)-- really pop.
Never before on home video in the US, the film debuts on Blu - ray and DVD in a special edition from Criterion mastered from a new 4K master from the original 35 mm camera negative.
Blood and Black Lace (Arrow / MVD, Blu - ray + DVD), Mario Bava's 1964 landmark, is my pick for the birth of the giallo, and the mix of poetic, haunting beauty with Grand Guignol gore and a bent of sexual perversity is beautifully serves in this astounding 2K restoration from the original camera negative.
Previously on DVD from Sony, it makes its Criterion debut on a 2K digital transfer from a new 35 mm fine - grain print struck from the original camera negative.
Criterion presents the US home video debut of the film in a new 2K digital restoration mastered from the original camera negative.
a b c d e f g h i j k l m n o p q r s t u v w x y z