It's the eighth time the honor has been bestowed in Biennial history, and the lucky winner is Zoe Leonard, for her giant
camera obscura installation.
Not exact matches
The first piece to fall into place for me was Zoe Leonard's «
camera obscura»
installation on the fourth floor.
The exhibition presents works by thirty - five artists created between 1860 and today: from a walk - in
camera obscura in which the lights of Salzburg's old town are transmuted into a projected image to Hito Steyerl's
installation How Not to Be Seen (2013).
Available Light, a new book on Zoe Leonard, highlights two of her recent bodies of work: a series of
installations employing the
camera obscura — the most recent of which is on view in the 2014 Biennial — as well as photographs of the sun realized as gelatin - silver prints.
In addition to ongoing publishing and writing projects, since 1990 he has maintained an artistic practice employing the
camera obscura as a means to develop site - specific
installations, most recently at Wave Hill (Bronx, New York) and Evergreen House (Johns Hopkins University).
Her work was an
installation of a large
camera obscura in a shipping container; this started Brundrit experimenting with large pinhole photographs.
Towards the end of the 1980s, Morley returned to his early repertoire of ships and planes, now in large - scale
installations and painted from models observed through a
camera obscura.