On a sort of parallel track we've also talked to people about finding the «crying Indian» for global warming — the «crying Indian» being a TV advertisement about littering where a Native American dressed in native garb was standing by the side of a highway with cars speeding by and a bag of garbage gets tossed out, lands at his feet, and
the camera pans up to show this tear coming down his cheek.
The camera pans up to a bonfire smoldering in the dark of night as an ominous and familiar score rises.
As
the camera pans up we get a glimpse of just how secluded the house is — it's hidden amongst a forest of lush green trees and no neighbours for miles.
My favorite scenes: When her ballgown undergoes transformation, when the prince professes his love for his father and
the camera pans up so that we see the crown above the bed, the chandeliers being raised as attendees enter the ballroom, the coach turns back into a pumpkin.
A shirtless man (we see his bare chest, abdomen and back) approaches his wife in the kitchen: she is wearing a knee - length robe and she spoons ice cream onto her chest twice, licking it off, then spoons some onto his chest and rubs it down to his groin,
the camera pans up and the man pushes down her head (indicating oral sex below the frame) and he gasps; he pulls off her robe to reveal a slip, sits her on a table and spoons ice cream on her inner thigh, licks it off and begins to lick the genital area (it's concealed by her slip and the camera cuts to her gasping face) and he leans her back on a table and thrusts (we see his back and bare buttocks moving) as the scene ends.
«The VTech Safe & Sound ® Pan & Tilt Full Color Video Baby Monitor
camera pans up to 270 degrees side - to - side and tilts as many as 124 degrees up and down.
I know this monitor would be amazing and I love that
its camera pans up to 270 degrees side - to - side and tilts as many as 120 degrees up and down
[Image changes to show an employee working on a computer then
the camera pans up to show the employee at his desk]
[Image changes to show an employee operating the touch screen on a machine and then the image changes to show a machine with lots of tubes and
the camera pans up the machine to the top]
Not exact matches
Designed for
up to six participants in small to midsize meeting rooms and workgroups, C3 Teamroom MP features Yamaha's PJP 300V with triple 120 degree
pan cameras, and a built - in array of 16 microphones and 14 loudspeakers for automated track - the - talker audio and
camera adjustments.
[Image shows Jennifer Klare demonstrating the feed path on the left - hand side of the PFO100 module and the
camera zooms in and
pans up the PFO100 module]
The match day
camera pans to the Bayern technical area and you see Ancelotti standing
up, giving instructions and then it
pans to the Arsenal technical area and who is there?
Didn't it just sum the night
up when the
camera panned over to Wenger picking his nose in the dugout while Klopp clapped his players on from the touchline.
The reason is that it has a remote control that lets you tilt,
pan and zoom the
camera, so if you set it
up properly, you can use the single
camera to watch both of your twins.
This is Angelcare's largest screen yet, this large 3.5» portable LCD colour screen with stand makes monitoring your sleeping baby even easier.You can enjoy a quality video transmission and adjustable
camera angle with the ability to
pan and zoom so you can see your baby close
up or from far away, ensuring your baby is sleeping safely.
Like the original
camera, you can
pan, tilt, and zoom extra
cameras once you set them
up.
The
camera's
pan features can
pan up to 355 degrees and tilt 90 degrees.
The
camera can
pan up to 360degrees, tilt
up to 60 degrees, and the
camera has a 2x digital zoom capability.
The
pan and tilt feature of the
camera works very smoothly and there is no risk of waking
up your baby, while you try to rotate the
camera's angle.
This
camera offers HD remote live streaming,
up to 360 - degrees
pan, 110 - degree tilt and digital zoom
up to 5 times all via phone, tablet, PC or mac applications.
Simple to set
up and easy to navigate, the Project Nursery Wi - Fi baby monitor includes a
camera with
pan, tilt, and zoom capabilities, making it the perfect way to keep in touch.
He doesn't even show
up in the credits sequence, except as pictures pinned to a wall, and yet the guys like the slow
camera pan around his office, because all photos and clippings and maps are, no doubt, «a really cool way to introduce Dirk.»
The
camera then
pans up, where a pizza is shown front and center with the words «The Official Leak» written above.
Then there's the city of Vienna itself, split
up into four sections, with people living in beautiful baroque apartments, the
camera pans and we see half of it in ruins.
The
camera does take on the point - of - view of someone at some point, then jumps back to an objective place, then plays that trick Evil Dead II plays with perspective in the scene where Ash wakes
up in a clearing and looks around in a
panning 360 - degree take, only for the audience to discover that the
camera eye is both character and commentator, more physical in its way than a first - person point - of - view could ever be.
Each time you load
up a racing track, the
camera pans around the course to give you a preview of the environment and layout.
Though this is in black and white, somewhat surprisingly, it is full of inventive camerawork: aerial photography, close -
ups,
pans, zooms, and other
camera tricks.
The
camera generally remains static, with only the occasional, delicate
pan to break
up its long takes and shot / reverse shot patterns.
The
camera (hand - held, but not shakycam style)
pans to the left as a truck pulls
up.
He knows exactly how to use a slowly
panning camera to elongate the sexual tension of a scene, and how to use a lingering closeup — a pair of swim trunks hung
up to dry, or a soft - boiled egg being cracked open — to heighten the material's emotional temperature.
Scott utilizes every trick in the book for trying to cover
up a bad days work: atrocious filters, quick cuts, shaky
camera work, and unnecessary
panning.
I especially like the trick where the
camera slowly
pans in a circle and the people on screen move around behind it and show
up in unexpected places.
In some scenes, information pills the
camera looked
up at the apes rising over their human counterparts while in others, see the
camera panned over the humans who were overshadowing their simian rivals.
Connectivity Wireless 802.11 a, b, g, n; 2.4 GHz / 5 GHz Near Field Communication (NFC) and Android Beam Standalone GPS + GLONASS, Assisted GPS, eCompass, E911 positioning Bluetooth HSP 1.2, HFP 1.6, SPP 1.1, DUN 1.1, A2DP 1.2, AVRCP 1.3 tg / 1.4 ct, OPP 1.2, Identify VCard 3.0, FTP 1.1, BPP 1.2, PBAP 1.0, GAVDP 1.2, AVDTP 1.2, AVCTP 1.3, HID 1.0,
PAN 1.0 (
PAN-NAP and
PAN-U) Hardware Dual - core 1.5 GHz processor 4.7 - inch Super AMOLED HD Display, 720p (1280 x 720) USB 2.0 HS 3.5 mm headphone jack Memory 32 GB onboard memory (26 GB End User) Supports
up to 32 GB microSD 1 GB RAM
Camera 8 MP rear - facing camera with LED Flash and Panoramic Mode, HDR High Dynamic Range HD 1080p video capture 1.3 MP front - facing camera with 720p HD video Multimedia Video Capture Formats Supported: MPEG4, H. 264 Video Playback Formats Supported: MPEG4, H. 263, H. 264, VC - 1, VP8, Real Video Audio Playback Formats Supported: AMR - NB, AMR - WB, AAC, AAC +, eAAC +, MP3, PCM, WMA (v2, v7, v8, v9, v10, L1 - L3), FLAC, MIDI, QCELP, EVRC, OGG / Vorbis, Real Audio Audio Encode Formats Supported: AMR - NB, AMR - WB, AAC (MPEG4 AAC - LC), QCELP
Camera 8 MP rear - facing
camera with LED Flash and Panoramic Mode, HDR High Dynamic Range HD 1080p video capture 1.3 MP front - facing camera with 720p HD video Multimedia Video Capture Formats Supported: MPEG4, H. 264 Video Playback Formats Supported: MPEG4, H. 263, H. 264, VC - 1, VP8, Real Video Audio Playback Formats Supported: AMR - NB, AMR - WB, AAC, AAC +, eAAC +, MP3, PCM, WMA (v2, v7, v8, v9, v10, L1 - L3), FLAC, MIDI, QCELP, EVRC, OGG / Vorbis, Real Audio Audio Encode Formats Supported: AMR - NB, AMR - WB, AAC (MPEG4 AAC - LC), QCELP
camera with LED Flash and Panoramic Mode, HDR High Dynamic Range HD 1080p video capture 1.3 MP front - facing
camera with 720p HD video Multimedia Video Capture Formats Supported: MPEG4, H. 264 Video Playback Formats Supported: MPEG4, H. 263, H. 264, VC - 1, VP8, Real Video Audio Playback Formats Supported: AMR - NB, AMR - WB, AAC, AAC +, eAAC +, MP3, PCM, WMA (v2, v7, v8, v9, v10, L1 - L3), FLAC, MIDI, QCELP, EVRC, OGG / Vorbis, Real Audio Audio Encode Formats Supported: AMR - NB, AMR - WB, AAC (MPEG4 AAC - LC), QCELP
camera with 720p HD video Multimedia Video Capture Formats Supported: MPEG4, H. 264 Video Playback Formats Supported: MPEG4, H. 263, H. 264, VC - 1, VP8, Real Video Audio Playback Formats Supported: AMR - NB, AMR - WB, AAC, AAC +, eAAC +, MP3, PCM, WMA (v2, v7, v8, v9, v10, L1 - L3), FLAC, MIDI, QCELP, EVRC, OGG / Vorbis, Real Audio Audio Encode Formats Supported: AMR - NB, AMR - WB, AAC (MPEG4 AAC - LC), QCELP, EVRC
Inclusion: Pick
up and return to your hotel by Air Conditioned Car Experiences local guides (English speaking) Entrance Fee to Karangasem Area Drinking water Walking Stick All government tax WHAT TO BRING: Hiking shoes,
Camera, comfortable
pan.
The controls are well mapped having translated appropriately from the Vita to the DualShock 4 controller with the control scheme consisting of pressing triangle to produce the contents of your inventory; pressing square to examine an inventory item, a character or part of the surrounding environment; pressing X to start or continue a conversation with a nearby character, select an item, use an item or walk; pressing O to cancel the selection or usage of an item; changing the direction of the left analogue stick to move the cursor; changing the direction of the right analogue stick to
pan the
camera to the left or right; pressing left, right,
up or down on the d - pad or alternatively changing the direction of the left analogue stick to navigate through the inventory items; pressing the share button takes you to the share feature menu; and pressing the options button to display the pause menu including immediate access to the main menu, hints, character gallery and saving.
There is only a single
camera angle which is placed behind the hydro jet from a third - person perspective, although it is well positioned it can not be adjusted for any players who wish to move it further forwards or backwards, while it can not be
panned around the hydro jet, although the ability to look behind the hydro jet has been added resulting in players now being able to check if an opposing rider is catching
up with greater momentum through a straight to overtake on the inside or outside.
The controls are appropriately mapped to the DualShock 4 controller with the control scheme consisting of pressing X to jump or double tapping X quickly to double jump; pressing O to build LEGO objects or interact with an object or holding O to perform a Spinjitzu attack; pressing triangle to switch from controlling one character to a nearby character or holding triangle to enter the character wheel; pressing square to perform an attack or holding square to perform a ranged attack; pressing R1 or L1 to cycle through to the next or previous character; pressing L2 or R2 to perform a dodge roll; changing the direction of the left analogue stick or alternatively pressing
up, down, left or right on the d - pad to move your selected character; changing the direction of the right analogue stick to
pan the
camera or pressing R3 to centre the
camera; pressing the share button takes you to the share feature menu; and pressing the options button to display the pause menu.
To control the Photo mode
camera, use the Left and Right Thumb Sticks to navigate around the scene, and use the R2 and L2 buttons to
pan up or down.
When several of them combine — like when I'm climbing a colossus, miss a jump even though I felt like I hit the buttons right, then the
camera pans away so I can't see my character, then the colossus shakes and I hold R1 for a good while, then my grip gives
up and I fall to the ground unconscious for 6 seconds, and just as I get
up the horse runs in my way as I try to move and the colossus smacks me with lightning bullets and I lay unconscious for another 6 seconds, and then, finally, I get to start over climbing it again, I wonder why people love this game so much.
The photo mode uses both analog sticks to navigate around a scene, with R2 and L2
panning up and down, and square returning the
camera's perspective to its original position.
The
camera occasionally
pans close -
up on breasts as they are jiggling.
Skill animations can't be interrupted unless you've managed to attach an effect that allows it which means the flaky telegraphing from the bosses and the fact that your
camera often can't
pan out fast enough to even see them will mean you end
up absorbing a lot of cheap shots.
Having to use the Right Stick to hold your hands
up before a jump will cause the
camera to also
pan up and in some scenarios makes it so you can't see the floor to time your jump.
The stages might
pan the
camera back to give all four players a wider view of the playing field, but they remain identical in single - player mode sans the extra power -
ups, leaving them as primed as ever for only one Mario to master them and reach the flag.
From the Uncharted-esque opening sequence that takes place atop a snow - capped mountain to the sunlit tombs that follow, the attention to detail has you
panning the
camera to soak
up the surroundings as often as you're actually - you know - raiding tombs and stuff.
I'd be more confident talking to them about
camera pans or good framing, even if they have no plans on making a film or taking
up professional photography.
While I almost had a flawless experience, I did have a few times where textures popped in after the scene had loaded and a few
camera pans that ended
up with my view outside of the map.
In Ore Express the
camera is slowly
panning and you need to collect ore strewn throughout the level while keeping
up with the
camera.
These beautifully composed images accomplish another inversion in the form of their perspective: while the builders of these hulking edifices designed them to be admired by viewers looking
up from the ground, the artist presents them as a view from on high — or at least from the helicopter
cameras he witnessed as they
panned the buildings during a commercial break from the Tour de France.