As
the camera pulls back, we see that he's missing hi legs, imbuing the wistful ditty with bathos and rather gothic camp.
As
the camera pulls back, a private chamber gives way to an ornate chandelier and tiered seating, at once intimacy and theater.
You're drawn in by cracked mortar and cats reclining on walls, before
the camera pulls back to reveal gently twinkling seas, lazy clouds, and cities filled with tumbling, enticing buildings — it's a world that comes alive through scale and detail.
That seems a fair price to pay when
the camera pulls back over a cliff edge and shows you the majesty of the sprawling landscape yet to be explored.
Once combat and exploration ensue the focus on the character models is less apparent as
the camera pulls back.
As
the camera pulls back to encompass not only Lena and her colleagues but also the roaming fauna and flora of Area X, the extent of their genetic entanglement is revealed.
With the cameras hugging so close to Ethan Hawke's face and various parts of various cars, there are too few instances where
the camera pulls back to give us a tight sense of space.
The opening scene stretches her lithe, seemingly lifeless body across a love seat, blood pooling on the cushions and floor, until
the camera pulls back and back and further back to reveal another camera, snapping pictures.
If you end a match with a super, you might trigger a super cool cutscene where
the camera pulls back to show the energy blast in all its glory (I'm not sure how there's any planet left for these people to fight on, given how out of control these energy blasts get).
Likewise, we are permitted to get used to, while still wondering about, the sewn letters ticking off Wednesday, Thursday, etc. as the days of rehearsal and preliminaries to the big Miss California judging pass by; about the time we've taken the device for granted,
the camera pulls back from «Sunday» to reveal it's stitched onto the panties of a contestant who's been very outspoken in her preference for «tits»n' ass» competition and who wears a special set of lingerie for each day of the week.
As
the camera pulls back, we take in the rich, longstanding patterns that make up this small but integral part of the landscape and the film begins from there to establish a world that is now alien to most: America in the...
One dazzling sequence in this new movie shows time moving rapidly forward as
the camera pulls back from Alexander's lab, to the city skyline, to outer space.
There is a brilliant moment when a landscape detail looks like a painted canvas, but
the camera pulls back to reveal it is the real thing.
The camera pulls back to reveal a sprawling ocean, filled with food, and more boats approaching.
As
the camera pulls back the camera's point of view is revealed to come through a peep hole, and none other than an overly curious and oftentimes creepy Norman is on the other side of it.
The camera pulls back for the very next scene, in which the young woman, Éliane (Éliane Préfontaine), sits alone in a backyard in a baby - blue princess costume.
Even before
the camera pulls back to reveal that this fetishised scene is in fact part of an elaborately staged photo shoot, there is something curiously specious about it.
Gordon - Levitt is a sprightly performer with a balletic grace, but he is required to narrate an undue share of his lines directly to the audience, starting at the beginning, where
the camera pulls back to reveal him perched atop the Statue of Liberty, no less.
The movie establishes this in one of its most famous turns: following the animated short «Somethin's Cookin», a director calls cut, and
the camera pulls back to reveal a flesh - and - blood movie set.
The camera pulls back and we see a well - dressed man looking at the scene, with no discernible emotion on his face.
This is where the cliché extravaganza really begins... the old couple with a farm house that help him out, and the ascending aerial
camera pull back as he looks to the sky screaming with rage, to the very slow motion walk away as an explosion ignites behind him that he indeed caused.
Entering an iconic green pipe,
the camera pulled back and I was switched to a 2D mode perspective.
Taking the phrase, «So full, I could burst» literally,
the camera pulled back and focused on the man's engorged stomach as he exploded in a spray of undigested food, internal viscera, and what can only be described as slop.
Entering an iconic green pipe,
the camera pulled back and I was switched to a 2D mode perspective.
Here is Faye Dunaway shot in black and white, holding a weighty Nikon to her eye, and adjusting the focus ring; here she is again, this time in color,
the camera pulled back and uncertainty clouding her stare.
Not exact matches
But as suddenly as he had exited Doerr rushed
back in, hastily
pulling a brand - new digital
camera out of its box.
Back in New York, Amed's black SUV — stuffed with his PR rep and the
camera crew —
pulls up to the Stern School.
Every time I hear it, I get an image of an inlecdibry old and creepy man, eyes glinting as he rocks in a chair, staring directly at the
camera as the scene
pulls back to reveal him sitting inside the house from the Black Sabbath album cover.
(
Pull the
camera back for wide - angle shot): This very desire... to be a part of a success story... is the problem!
The only catch is that you have to bring the
camera back to the store to have the video
pulled off the device and provided to you on a DVD (the retailer of course refurbishes the
camera and sells it to another customer), bringing the total cost per use to around $ 45.
Love to see the
camera's
pull back and there is Laz standing in front of two or three local beat reporters, 1 - 2 hangers on, and someone passing by eating a hot dog.
When you
pull the
camera back, it's also a contest between institutional forces,» Lipton wrote as he checked off groups his union battled, such as real estate developers and a statewide business lobby.
They, too, are
pulling the
camera right
back and asking what humanity's impact will be on the planet — in the context of stratigraphic time.
Pull back your hair with a black embellished hair clip and smile for the
camera with sheer grace.
A shirtless man (we see his bare chest, abdomen and
back) approaches his wife in the kitchen: she is wearing a knee - length robe and she spoons ice cream onto her chest twice, licking it off, then spoons some onto his chest and rubs it down to his groin, the
camera pans up and the man pushes down her head (indicating oral sex below the frame) and he gasps; he
pulls off her robe to reveal a slip, sits her on a table and spoons ice cream on her inner thigh, licks it off and begins to lick the genital area (it's concealed by her slip and the
camera cuts to her gasping face) and he leans her
back on a table and thrusts (we see his
back and bare buttocks moving) as the scene ends.
► A woman calls a female student and a man who had raped her to the front of a class (the man's face is covered with several bandages) where the first woman orders them to have sex and the younger woman disrobes: we see her bare breasts and nipples, part of one hip, and her legs as she spreads them while leaning
back against a desk while the man stands between her legs, he drops his pants (his shirttail covers his crotch but reveals partially bare thighs), spits on his fingers and rubs his groin under his shirt; the
camera cuts to the second woman's face as she says, «A shame,» (implying there was no erection) and the man
pulls up his trousers and leaves the room (we see one of the woman's breasts and her bare
back as the
camera cuts to the man leaving).
Clearly not wanting to just repeat his successes, Katz
pulled the
camera back to capture scenes both mundane and exciting, often conveying the feeling that these nefarious behaviors could be going on in your neighbor's living room when they close their shades.
To account for the enhanced mobility and 360 degree aiming, the sequel
pulls the
camera back quite a bit.
The graphics look fine if you're focused on the character and the course, but
pull back from the benevolently myopic
camera angle and you'll see startlingly sparse backdrops that wouldn't look out of place in the PS2 era.
As Sibyl Harris welcomes the audience, the
camera slowly
pulls back, showing the palatial room, the women chattering, knitting, hungrily waiting for the clothes to appear.
When Frédéric breaks down crying over his mother's death, the
camera peers at him from the other side of his car window before
pulling back up the road, as if retreating to a polite distance.
With the following films, the
pulled the
camera back and they were much more coherent than Greengrass» Bourne films.
The
camera in Mambo is in constant motion, floating
back and forth, up and down as it traces the remembered life of a depressed young woman, but it never moves in or out: it can't get any closer to her, and can't
pull away.
After a wild night, the
camera looks down on Bryan as he wakes,
pulls back to reveal a naked teenage girl sleeping beside him, then
pulls back again to reveal a naked teenage boy on the other side.
Other times, they feel like affected flourishes and the
camera would do well to
pull back just a little and observe how James» environment is relating to him.
Opening with a tight close - up on a snow - covered crucified stone Jesus, the credits roll as Morricone's main theme slowly builds, the
camera painstakingly
pulls back, revealing more of the statue as the music builds to its crescendo.
For most of the scene we're looking at the
back of Danny's head, but then the
camera pulls around to let us drink in the beautiful, assured stillness of this young man's face.
Finally, I turned off the
camera, stopped the experiments, and
pulled everyone to the
back of the room to watch, on a 3» by 3» screen, the disaster that had just unfolded in front of my eyes.
He
pulls the car around and it didn't have the screen,
back up
camera, the radio was a lot cheaper, etc..
It has heated and AC seats, sunroof, power folding mirrors, power sliding
back glass, Sirius XM radio, tow package, backup
camera, powered leather seats, newer tires with approximately 2000 miles on them, a step that
pulls out in the tailgate, remote start, keyless entry with keypad, and navigation.