Great dialogue, superb «Scope
camerawork from Roger Deakins, and a genuinely wondrous deus ex machina are among the delights.
The signature Dean Cundey
camerawork from Halloween and The Fog is there, as is the manic and magnetic performance by Carpenter favorite Donald Pleasence, in his second of three collaborations with the director.
Sicario — Timely and hard - hitting, Sicario fires on all cylinders; steady direction (Denis Villanueve), great performances from a strong ensemble (Emily Blunt, Benicio del Toro, and Josh Brolin are aces), impeccable
camerawork from a vet (Roger Deakins), and a pulsating, skin curdling score that ratchets up the tension (Jóhann Jóhannsson).
Slow, strong and steady is how this film progresses, and everything — from the character development to the editing, right down to the gorgeous
camerawork from Wally Pfister, the man behind the bulk of Christopher Nolan's films — just works incredibly well together.
Featuring incredible
camerawork from Academy Award nominee Rachel Morrison (Mudbound) and gorgeous costumes designed by the great Ruth E. Carter (Selma), the visual aesthetics of all that Coogler has envisioned is of an imaginatively creative scale unlike anything I had anticipated.
Not exact matches
But as well as being brilliant to see, the footage
from the Malaysian GP briefing also ended up being unintentionally hilarious as the
camerawork made it look like something straight out of a sitcom.
It's subsequently not surprising to note that the inherently fascinating premise effectively compensates for the relentlessly unappealing visuals, with Berg's reliance on shaky
camerawork and rapid - fire editing testing one's patience virtually
from the minute go and ultimately lending certain sequences an all - but - unintelligible sort of vibe.
It's immediately clear that Berg's penchant for incoherent, relentlessly shaky
camerawork is in full effect here, with the filmmaker's aggressively unpleasant visual sensibilities holding the viewer at arms length right
from the get - go - although, unlike most of Berg's previous endeavors, Patriots Day at least benefits
from an interesting storyline that generally compensates for its inept cinematography.
The
camerawork is also notable, particularly when it off - centers the characters, leaving extensive amounts of the screen empty,
from which something can shift into the frame, all of a sudden.
This was filmed on the Isle of Man, with documentary - style
camerawork plus input
from military advisor Chris Byrne.
Such unforgettable specifics — which range
from Jo's half - shut right eye to an opening - night run - in with sketchy cops — bring this crazy milieu to life, while the restless handheld
camerawork and giddy jump - cut style give things the renegade twist van Groeningen is looking for.
The
camerawork is rich and the direction squeezes every nuance
from the actors.
With few exceptions, the movie has a dingy palette that's familiar
from lower - budget, digitally shot movies, and its trembling
camerawork is best described as functional.
Oliva and Korean animation house MOI excel at two things: the drifting, melancholic
camerawork adapted
from high - end anime; and action.
From its opening scene slowly falling down Violet's closet in a continuous panning shot that makes her hat boxes and skin - tight dresses seem more like a modern city than a wardrobe, Bound quickly proves itself as a tightly constructed (and unexpectedly funny) lesbian noir with incredible
camerawork, solid acting by the entire cast and tight pacing that'll keep you feeling empathizing with Violet, Corky and Caesar as their high - stakes game take several reversals of fortune.
Yet Dargis goes on to say that something must have gotten lost in the translation
from noble idea to low - budget reality: «the entire [opening] scene,
from the
camerawork to the stilted, stop - and - go dialogue, can be read as a Brechtian enterprise, but mostly it feels like Mr. Schrader isn't in control of his material.»
I just saw it and I have to say I agree with the reviewer, but I think 90 % of the problems come
from the bad
camerawork.
There are endless things to enjoy,
from Robby Müller's crisp
camerawork to a superb set of performances,
from witty movie parodies to a tremendous punk soundtrack.
Trying comparing its
camerawork to some of the greatest stuff like «Barry Lyndon,» any Malick film, «Jesse James»
from last year, Nykvist's work on «Persona,» «Cries and Whispers»....
Paramount's last VistaVision release, One - Eyed Jacks is an under - appreciated western with gorgeous
camerawork by Charles Lang and terrific performances
from Brando and Karl Malden, centered around a thrilling revenge story with almost romantic notions and some Billy the Kid resonance.
It wouldn't be a Robert Zemeckis movie, though, without some degree of ostentation in his
camerawork, and those moments all feel like major distractions, hindrances preventing audiences
from connecting with the regrettably thin characters on hand.
And Ramin Bahrani, the director of «Man Push Cart,» citing Bresson's minimalist approach to storytelling,
from his stripped - down acting style to his elegantly spare
camerawork and reliance upon visuals over dialog.
Though «The Hateful Eight» is filled with the same self - indulgent tendencies that fans have come to expect
from the director's movies, this Agatha Christie - styled whodunit is a lot of fun thanks to a smartly crafted script, some outstanding
camerawork that benefits
from the 65 mm film format, and riotous performances
from the ensemble cast.
If you are looking for depth or something away
from the mainstream then maybe this is not for you... fine performances, lovely
camerawork.
Denis Villeneuve's last film, 2013's «Prisoners,» had everything: Gripping story; beautiful
camerawork; and a great performance
from Jake Gyllenhaal alongside Hugh Jackson.
Between them they drafted a (n oft - betrayed) manifesto dedicated to «rescuing» motion pictures
from artifice by forbidding special lighting and props brought in
from off - site, by advocating handheld
camerawork, and by urging an avoidance of recognizable genre definitions.
I've always stayed back
from doing too much inflective
camerawork in my earlier films.
Though «The Hateful Eight» is filled with the same self - indulgent tendencies that fans have come to expect
from the director's movies, this Agatha Christie - styled whodunit is a lot of fun thanks to a smartly crafted script, some outstanding
camerawork that benefits
from the 65 mm film format, and riotous performances
from the cast.
The film boasts an incredible script (by Clouzot and Jerome Geronimi,
from Georges Arnaud's novel), amazing
camerawork and razor - sharp editing.
Singer has also distanced himself
from the stylistic curlicues (restless
camerawork, showy editing) that define his own previous work, bringing X-Men's characters and concept basic — that America is a never - ending cycle of oppression — to the fore.
The reasonably - coherent and sensible action scenes interspersed throughout the film are replaced by a full - scale battle, a swirl of mud - brown and grey with the kind of shoddy
camerawork and random editing we've come to take as normal
from 21st century Hollywood.
Cinematographer Edward Lachman's (Carol, Far
From Heaven)
camerawork is some of the finest of the veteran's long career.
EVERYTHING is wrong,
from the low - level plot, to the copycat «Monty Python» / «Pink Panther» - esque lead character, the embarrassing supporting performances, humorless stunts and gags, and clumsy
camerawork and editing.
Casting rakish rising star Jean - Paul Belmondo as a hoodlum on the run
from the law and American ingenue Jean Seberg as the sly, pixieish girlfriend who ultimately betrays him, Godard was riffing on the American gangster picture, but with its revelatory handheld
camerawork and frenetic jump cuts, Breathless is clearly more than homage: it launched a New Wave, rewrote the rules of cinema, and along the way became the definition of cool.
Most affecting of all is the presence of the dead, who we feel through Oppenheimer's evocative
camerawork, which subtly suggests the deceased are watching Adi's every move
from behind the trees.
Drawing
from Franco's loosely connected short stories about his posh Northern California hometown, Palo Alto renders moneyed angst and ennui in vogueish hues: woozy
camerawork, fractured dialogue, lo - fi indie - pop, perilous drug use, and long takes of kohl - eyed, clear - skinned faces brooding, sulking, and puking into bushes.
Beautifully shot by Anthony Dod Mantle (127 Hours, Slumdog Millionaire), The Eagle benefits
from fantastic use of shadows and light, lush landscapes, misty atmosphere, and fluid
camerawork, as befitting a cinematic epic battle tale.
-- about how the various collaborators brought everything together,
from production design and
camerawork to sound and VFX.
Excellent performances and positively inspired
camerawork ensure that you care what happens, and are basically terrified
from the opening sequence.
Explosions cause the
camerawork to become appropriately handheld and edgy, shifting
from the unflashy framing and mostly static shots of the rest of the film.
But that doesn't deter Wright
from flexing his muscles, this time thanks to the
camerawork of one of the best in the business, Bruno Delbonnel (he of Inside Llewyn Davis fame).
Oftentimes, with dance movies, the
camerawork and editing choices cut away
from the full body, showing us different parts and gestures, trying to generate a sense of excitement and movement through the editing.
Lanthimos («The Lobster») starts off with an in - surgery shot of a beating, open heart — glistening with fat, it seems like a moving animal — and things go reeling
from there: the uniform, intentional flat - affect performances (particularly Martin, who's both numbingly intense and not - quite - present); the high - angle
camerawork, in which the characters sometimes seem to be at the bottom of a too - brightly - lit fishbowl; the slow movement away
from familiar settings and emotions.
Featuring stunning single - take
camerawork, a cryptically beautiful winter setting, and a grueling, intense performance
from Leonardo DiCaprio, The Revenant often crosses over
from «just a movie» to a fully engulfing experience that grabs you by the throat.
The hard shimmer of Thomas Townend's
camerawork, the sudden convulsions of Joe Bini's editing and the juddering intensity of Jonny Greenwood's score (another gift
from the Oscar - nominated composer of «Phantom Thread») conspire to produce their own strange, angular poetry.
While the subject matter of his subsequent films has varied
from comic book heroes to crop circle aliens, Shyamalan seems to be adhering to a formula, one which never fails to include a dark ponderous tone, a Pennsylvania setting, slow self - aware
camerawork, a bit part played by the director himself, and importance assigned to colors and sounds.
From the opening shot, the audience is entranced by the grungy yet elegant setting, and the terrific
camerawork.
Apart
from the brushed metal production design and pin - sharp
camerawork, this offers only moderate excitement.
The film's cinematography really makes it stand out in its bold
camerawork,
from an escape in a wheelchair the focuses solely on the face of the victim without much idea of what's pursuing them to a shot that pans 540 degrees and ends with a slow zoom.
The very naturalistic and intimate style of filmmaking that we were pursuing, in terms of both lighting and
camerawork, is something we carried
from Afternoon Delight into Transparent.