Sentences with phrase «camp value»

There's so much camp value that it's not even funny.
A film that features so much late - 1980s camp value is enjoyable on quite another level, perhaps not intended at the time of its release.
The probably unintended camp value of the 1978 film is not recreated here, even if some dry, dark humor inevitably creeps in to keep the upsetting design from overbearing.
The only way you could enjoy Camel Spiders is ironically, but it has just too much self - awareness to be unintentionally funny and not enough to appreciate for camp value.
Given the impossibility of his assignment, Michael Chiklis doesn't do half badly as Belushi — he «s clearly a better actor, though not necessarily a better comic, than the original — but otherwise Wired can claim only camp value.
«Maniac Cop» is a lousy action film that squanders Campbell's innate camp value.
Knowing film buffs may relate the film's plot to the infamous classic All About Eve, but more modern filmgoers will see this more as a mix of Clueless and Single White Female The film has a very high camp value, all intentional, and the humor works well on the occasional scenes where there's some inspiration.
The earlygoing has a little camp value (as does the sort of surprise resurrection that ends the shipwreck), but once we get to the television - screen dystopia (The Man Who Fell to Earth) of the science lab where Daryl was born, things go straight to «I'm all out of ideas.
The zombie series began as a blatant homage to Dawn of the Dead, and that afforded it a certain camp value that made mowing down countless undead feel right at home.
The performances from Liev Schreiber and Julia Stiles help a bit to elevate the material, and Mia Farrow's appearance as the demented nanny Mrs. Baylock adds an interesting if bizarre camp value.
Think «Cleopatra,» only with less camp value.
Quips can repeat often, and there are some some almost painfully doofy lines delivered through some cutscenes that go beyond camp value and into sheer lameness.
There's a certain amount of camp value to this over-the-top thriller, which might as well be called Rambo Goes to High School.
Resisting the temptation to capitalise on the camp value of these characters, Channing Tatum and his producing - writing partner Reid Carolin create a startlingly loose and thoughtful follow - up to their 2012 hit.
Some camp value may be inevitable, given the origins of this comic book series, which was introduced in 1961 shortly before Spider - Man, Hulk, the X-Men, Thor, and Iron Man.
, which at least supplies a touch of camp value to a film too pricey to be overflowing with it.
Petty demonstrates a strong sense of perspective, acknowledging that he's essentially a hired gun on this production and making note of the camp value of giant bugs hungry for human flesh.
It is meant to offer mindless thrills and camp value, but it offers none of the former and little of the latter.
He's apparently the only one who sensed the ludicrousness of this project and tried to put some camp value into it.
In - jokes, camp value, and some very nice casting turns what could easily have been.
Dinoshark is less entertaining than Sharktopus, stopping at the «so bad» and thoughtlessly leaving out the «it's good» part of the camp value mantra.
Resisting the temptation to capitalise on the camp value of these characters, Channing Tatum and...
Yes some of the supporting performances aren't very good, but that's where the camp value comes in.
Aside from bare legs and PG - rated sex scenes, the film's one primary asset is camp value, which it delivers in spades.
Will that camp value and the allure of 1080p be enough to attract interest in this pricy, basic Blu - ray?
There is no way to appreciate this scrappy production for anything but camp value.
I believe that 13 Ghosts could have been made forty - some years ago by Roger Corman, with a hell of a cheaper budget, Vincent Price in the role of the power - hungry uncle, and ended up having a certain cult / camp value (much as all movies like that do).
But the installment itself, divorced from the camp value of individual scenes, is a mercenary ripoff, assembling the bare minimum of elements thought to be necessary for a Rocky sequel, then adding a robot and old footage to run out the clock.
Director Gore Verbinski handles them all with dizzying pace, and the script by Ted Elliott and Terry Rossio (back from the original) balances the camp value without going overboard.
Presenting that bad movie feel early on and never shaking it, this joyless teen comedy fantasy perhaps will possess some camp value down the line.
However, they survive on DVD, so check them out, if purely for the camp value.
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