Sentences with phrase «candidates in art history»

Led by PhD candidates in art history, the talks bring an intensive focus to individual works.

Join Whitney Teaching Fellows, PhD candidates in art history, on engaging tours that highlight works in the exhibition Human Interest: Portraits from the Whitney's Collection on Floor Six.

Join Whitney Teaching Fellows, PhD candidates in art history, on engaging tours that highlight works in the exhibition Frank Stella: A Retrospective.

Join Whitney Teaching Fellows, PhD candidates in art history, on engaging tours that highlight works in the exhibition Stuart Davis: In Full Swing.

Join Whitney Teaching Fellows, PhD candidates in art history, on engaging tours that highlight works in the exhibition Human Interest: Portraits from the Whitney's Collection on Floor Seven.

She was External Examiner for the curatorial course at Goldsmith's College, London, and has supervised PhD candidates in the Art History departments of Columbia University and Oxford University.

Join Whitney Teaching Fellows, PhD candidates in art history, on engaging tours that highlight works in the exhibition Fast Forward: Painting from the 1980s.

Whitney Teaching Fellows, PhD candidates in art history, lead engaging tours of current exhibitions for new moms and dads when the Museum is closed to the public.

Join Whitney Teaching Fellows, PhD candidates in art history, on engaging tours that highlight works in the exhibitions Stuart Davis: In Full Swing and Danny Lyon: Message to the Future.

in arts in education from Harvard and is a doctoral candidate in art history at Columbia, focusing on African - American art.

Instructor: Meredith Mowder, a Joan Tisch Teaching Fellow at the Whitney Museum since 2013, is currently a PhD candidate in art history at The Graduate Center, CUNY, where she is writing her dissertation on performance art's migration into the sphere of entertainment in New York City during the 1980s.

Rose G. Salseda, a Ph.D. candidate in art history at the University of Texas at Austin, authored a study that enumerates the dearth of Latino art scholarship presented at the annual College Art Association conference.

She is currently a Ph.D candidate in art history at Columbia University, where her research focuses on African American art, the history of photography, and the intersections between race, history, and culture.

She holds degrees from Yale and Harvard and is a Ph.D candidate in art history at Columbia University.

Instructor: Paula Burleigh is a Joan Tisch Teaching Fellow at the Whitney and a PhD candidate in Art History at the CUNY Graduate Center, where she is writing her dissertation about the use of archaic forms in a range of utopian projects in Western Europe during the 1960s.

Jennie Goldstein, a Joan Tisch Teaching Fellow at the Whitney Museum since 2011, is currently a Ph.D. candidate in art history at Stony Brook University where she studies late modern and contemporary art.

This project was greatly enhanced by the contributions of MA candidate in Art History, Charmaine Branch, The Wallach Network, and in particular, the tireless participation of the talented independent curator, Souleo, who curated and organized many of the offsite venues.

She is a PhD candidate in Art History at Virginia Commonwealth University, specializing in Twentieth Century and African art, and held the Thalhimer Research Assistantship for the 2015 - 2016 academic year.

Twice recipient of the Sofie - and Emanuel Fohn Fellowship, Mussai is presently a PhD candidate in Art History at University College London.

She is a graduate of the Center for Curatorial Studies at Bard College and a Ph.D. candidate in art history at Columbia University.

She is also a PhD candidate in Art History at Columbia University.

Hannah Klemm (Smart Museum Mellon Foundation Curatorial Intern [2013 — 14] and PhD candidate in Art History, University of Chicago) and Iva Olah (Smart Museum Mellon Foundation Curatorial Intern [2012 — 13] and PhD 2013, University of Chicago) discuss issues of value, provenance, and attribution

The exhibition is organized by Maria Granato Sharon, M.A. Candidate in Art History.

Contributors include Eisenman, Mark Crosby, assistant professor of English at Kansas State University, Elizabeth Ferrell, assistant professor of art history at Arcadia University, Jacob Henry Leveton, Ph.D. candidate in art history at Northwestern, W.J.T. Mitchell and John P. Murphy, research associate in the Department of American Art at the Art Institute of Chicago.

Candidate in Art History, Theory, and Criticism in the Visual Arts Department at the University of California, San Diego.

Andrianna Campbell is a PhD candidate in Art History at the Graduate Center of the City University of New York.

Michael Tymkiw, PhD candidate in art history at the University of Chicago, in consultation with Jessica Moss, Smart Museum Assistant Curator of Contemporary Art, and Stephanie Smith, Smart Museum Director of Collections and Exhibitions and Curator of Contemporary Art.

Catherine Stuer (Assistant Professor of Art History, Denison University; Smart Museum Mellon Foundation Curatorial Intern [2011 — 12]; and and PhD» 12, Art History, University of Chicago) and Jie Shi (PhD candidate in Art History at the University of Chicago and Smart Museum Curatorial Intern) discuss why traditional East Asian paintings are often inscribed with words and stamped with seals

2018 Helga Christofferson, Assistant Curator, New Museum Katherine Gressel, Independent artist, curator, and writer Amy Zion, Writer and curator Marina Reyes Franco, Art historian and independent curator, co-founder and director of La Ena Holly Shen, Director of Visual Arts, BAM Will Penrose, Executive director, NURTUREart Mike Tan, Director, Rubber Factory Ryan Wong, Writer and exhibition organizer Helena Anrather, Director, Helena Anrather Gallery Nick Mirzoeff, Visual culture theorist and Professor, NYU Fionn Mead, Writer and curator Bartek Remisko, Associate Director, Green Point Projects, and Co - Founder / Co-Director, Beach64retreat Patrick Jaojoco, Assistant curator, Art in General Jamieson Webster, Psychoanalyst and cultural commentator Alex Sloane, Curatorial Assistant, MoMA PS1 Matthew Abrams, Writer and art historian Natalie Musteata, Ph.D. candidate in Art History, CUNY Graduate Center Park Myers, Curator, writer, co-founder and contributing editor of aCCeSsions Molly Kleiman, Editorial director, Triple Canopy Erin Carroll, Director, Bureau Inc Terri C. Smith, Creative Director, Franklin Street Works Lisa Sigal, Open Sessions Curator, Drawing Center Lisa Cooley, Gallerist Nicola Marie Lees, Director and curator, 80 Washington Square East Galleries Rachel Steinberg, Director, SoHo20 Gallery Jeff Dolven, Editor - at - large, Cabinet Magazine; Professor of poetry and poetics at Princeton University Mari Spirito, Founding Director, Protocinema Will Fenstermaker, Editor of digital content, Metropolitan Museum of Art; Associate editor, Brooklyn Rail Myrto Katsimicha, Curator Amanda Parmer, Independent writer and curator Rosario Guiraldes, Assistant Curator and Open Sessions Curator, Drawing Center Larry Ossei - Mensah, Independent curator and cultural critic Jenny Gerow, Assistant curator, BRIC Francisco Correa Cordero, Owner, Suite 207 Amy Smith - Stewart, Founder, Smith - Stewart; Independent curator, educator, and art advisor Gabriel de Guzman, Curator and Director of Exhibitions, Smack Mellon Manuela Paz, Director of Development and Strategic Planning, Independent Curators International

Instructor: Jennie Goldstein, a Joan Tisch Teaching Fellow at the Whitney Museum since 2011, is currently a Ph.D. candidate in art history at Stony Brook University where she studies late modern and contemporary art.

She received her Masters of Library and Information Science in 2007 and is currently a PHD candidate in art history at UCLA.

Ionit Behar is a Ph.D. candidate in Art History at the University of Illinois at Chicago.

Instructors: Jennie Goldstein, a Joan Tisch Teaching Fellow at the Whitney Museum since 2011, is currently a Ph.D. candidate in art history at Stony Brook University where she studies late modern and contemporary art.

Allison Rudnick is a PhD candidate in art history at the Graduate Center, City University of New York, where she focuses on printmaking practices in Europe, post-1945.

Eyes are for Asking: Narrative Photography Annual Curatorial Fellowship Co-curated by 2016 Curatorial Fellows Gretchen Halverson (M.A. Candidate in Art History) and Procheta Mukherjee Olson (M.F.A. Candidate in Studio Art).

As the University Museum of Contemporary Art's first Curatorial Fellow, Kathleen Banach (M.A. candidate in Art History «09) will work in consultation with the staff of the University Museum of Contemporary Art and art history professor Mario Ontiveros to focus her research on these photographs.

Danielle O'Steen is a PhD Candidate in Art History at the University of Maryland, and an independent curator and critic based in Washington, DC.

Aveilhé is an independent curator and currently a Masters candidate in Art History at Hunter College, specializing in Conceptual Art and photography.

Rachel Furnari, Smart Museum curatorial intern and University of Chicago PhD candidate in Art History, in consultation with Richard A. Born, Smart Museum Senior Curator.

Robert G. Donnelley, a PhD candidate in art history at the University of Chicago, in coordination with Richard A. Born, Smart Museum Senior Curator.

Rachel Wetzler is a New York — based writer and doctoral candidate in art history at City University of New York Graduate Center.

Candidate in Art History and Women's Studies at the Graduate Center of the City University of New York.

Natalie Musteata, independent curator, art critic and Ph.D. candidate in Art History at The Graduate Center, CUNY

Olivia Gauthier, freelance writer and M.A. Candidate in Art History and Curatorial Studies at Hunter College

Maria - Kristiina Soomre is currently an adviser on visual arts at the Estonian Ministry of Culture and a PhD candidate in Art History writing her dissertation on the exhibitionary practices of the Soviet era.

Saelan Twerdy is a freelance writer based in Montreal and a PhD candidate in Art History at McGill University.

Jessica Gogan is a Ph.D. candidate in Art History at the University of Pittsburgh and independent curator and educator working in the US and Brazil.

Alice Heeren is a MA candidate in the Art History, Theory and Criticism department at the School of the Art Institute of Chicago.

She is a Ph.D. candidate in art history at Columbia University.

Jennie is also a PhD candidate in art history at Stony Brook University.