The gallery hopes to «show how the artist has filtered
the canonical subjects of art — still life, the nude and the landscape — through a unique and personal lens.»
«With this important exhibition, we hope to show how Wesselmann has filtered
the canonical subjects of art — still life, the nude and the landscape — through a unique and personal lens using the media and technical innovation of the sixties, seventies and eighties, offering new possibilities for painting.»
Not exact matches
After World War II, Moore's legacy was already considered
canonical, and the artist was the
subject of widespread interest and acclaim, notably including a major 1946 retrospective at The Museum
of Modern
Art in New York and winning the International Sculpture Prize at the 1948 Venice Biennale.