Sentences with phrase «canvas gift of the artist»

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Very small pictures, if painted by gifted artists and installed in an adequate version of what Dave Hickey once dubbed a «clean, well - lighted place,» can produce exhibitions just as ambitious and adventurous as larger - scale projects... these canvases address significant issues related to their respective genres while averaging little more than a square foot apiece.»
Yet Kandinsky's curious gift of colour - hearing, which he successfully translated onto canvas as «visual music», to use the term coined by the art critic Roger Fry in 1912, gave the world another way of appreciating art that would be inherited by many more poets, abstract artists and psychedelic rockers throughout the rest of the disharmonic 20th century.
Inscribed on the stretcher» «GIFT» 1962», «Top» with an arrow, and «KENNETH NOLAND»; and on the back of the canvas» «Clement's Gift» 1962 Kenneth Noland» Acrylic on canvas, 72 x 72 (183 x 183) Presented by the artist through the American Federation of Arts 1966 Prov: Clement Greenberg, New York (gift from the artist); the artist Exh: XXXII Biennale, Venice, June - October 1964 (USA 17, reGIFT» 1962», «Top» with an arrow, and «KENNETH NOLAND»; and on the back of the canvas» «Clement's Gift» 1962 Kenneth Noland» Acrylic on canvas, 72 x 72 (183 x 183) Presented by the artist through the American Federation of Arts 1966 Prov: Clement Greenberg, New York (gift from the artist); the artist Exh: XXXII Biennale, Venice, June - October 1964 (USA 17, reGIFT» 1962», «Top» with an arrow, and «KENNETH NOLAND»; and on the back of the canvas» «Clement's Gift» 1962 Kenneth Noland» Acrylic on canvas, 72 x 72 (183 x 183) Presented by the artist through the American Federation of Arts 1966 Prov: Clement Greenberg, New York (gift from the artist); the artist Exh: XXXII Biennale, Venice, June - October 1964 (USA 17, reGift» 1962 Kenneth Noland» Acrylic on canvas, 72 x 72 (183 x 183) Presented by the artist through the American Federation of Arts 1966 Prov: Clement Greenberg, New York (gift from the artist); the artist Exh: XXXII Biennale, Venice, June - October 1964 (USA 17, reGift» 1962 Kenneth Noland» Acrylic on canvas, 72 x 72 (183 x 183) Presented by the artist through the American Federation of Arts 1966 Prov: Clement Greenberg, New York (gift from the artist); the artist Exh: XXXII Biennale, Venice, June - October 1964 (USA 17, regift from the artist); the artist Exh: XXXII Biennale, Venice, June - October 1964 (USA 17, regift from the artist); the artist Exh: XXXII Biennale, Venice, June - October 1964 (USA 17, repr.)
These include a selection of the most personal pieces from the collections of Johnson and Whitney — in many cases, gifts from the artists themselves, from the untitled oil on canvas of 1971 by Jasper Johns for David Whitney to literal birthday wishes to Philip Johnson from Frank Stella and Michael Graves.
Georgia O'Keeffe American, 1887 — 1986 Waterfall - No. 1 - Iao Valley - Maui, 1939 Oil on canvas Gift of Art Today 76.7 © Estate of Georgia O'Keeffe / Artists Rights Society (ARS), New York.
Georgia O'Keeffe American, 1887 — 1986 Oil on canvas Collection of Jan T. and Marica Vilcek, Promised Gift to the Vilcek Foundation Collection © Georgia O'Keeffe Museum / Artists Rights Society (ARS), New York
Images: Jackson Pollock, Echo: Number 25, 1951, 1951, enamel paint on canvas, Acquired through the Lillie P. Bliss Bequest and the Mr. and Mrs. David Rokefeller Fund, Museum of Modern Art, New York © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 7, 1951, 1951, enamel on canvas, The National Gallery of Art, Washington, D.C., Gift of the Collectors Committee (1983.77.1) © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Untitled, c. 1949 - 50, painted terracotta, Collection Gail and Tony Ganz, Los Angeles © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Portrait and a Dream, 1953, oil and enamel on canvas, Dallas Museum of Art, gift of Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 14, 1951, 1951, oil on canvas, Purchased with assistance from the American Fellows of the Tate Gallery Foundation 1988 © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Black and White Painting II, c. 1951, oil on canvas, Private Collection © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New Gift of the Collectors Committee (1983.77.1) © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Untitled, c. 1949 - 50, painted terracotta, Collection Gail and Tony Ganz, Los Angeles © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Portrait and a Dream, 1953, oil and enamel on canvas, Dallas Museum of Art, gift of Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 14, 1951, 1951, oil on canvas, Purchased with assistance from the American Fellows of the Tate Gallery Foundation 1988 © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Black and White Painting II, c. 1951, oil on canvas, Private Collection © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New gift of Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 14, 1951, 1951, oil on canvas, Purchased with assistance from the American Fellows of the Tate Gallery Foundation 1988 © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Black and White Painting II, c. 1951, oil on canvas, Private Collection © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York
Wilbur Niewald, Current River II, 1965, oil on canvas, 54 1/2 x 70 1/2 inches, Kemper Museum of Contemporary Art, Kansas City, Missouri, Gift of J. Scott Francis, Kansas City, Missouri, in memory of Sally Kemper Wood, 2011.24 © Wilbur Niewald, courtesy of the artist and Haw Contemporary.
Wilbur Niewald (American, b. 1925) Still Life with Bowl of Apples and Grey Pitcher, 1999 oil on canvas 26 x 32 inches Collection of the Kemper Museum of Contemporary Art, Kansas City, Missouri Gift of Gerry and Wilbur Niewald in honor of the 20th Anniversary of the Kemper Museum of Contemporary Art, 2013.12 © Wilbur Niewald, courtesy of the artist and Haw Contemporary.
Brendan Cass (American, b. 1973) Capri, 2009 acrylic on canvas 78 x 132 inches Collection of the Kemper Museum of Contemporary Art, Kansas City, Missouri, Bebe and Crosby Kemper Collection Museum purchase made possible by a gift from the William T. Kemper Charitable Trust, UMB Bank, n.a., Trustee, 2012.3 © Brendan Cass, courtesy of the artist and McClain Gallery, Houston, Texas.
(1936 - 2016) lived in Livingston Tranquil Pond — Overton County Along Windle Road, 2004 acrylic on canvas, 24 x 36 inches, 2015.65.28 gift of artist (TN Arts commissioner 2004 - 2011) in honor of the distinguished tenure of Rich Boyd
Henri Matisse, Interior at Nice, 1919; oil on canvas; the Art Institute of Chicago, gift of Mrs. Gilbert W. Chapman; © Succession H. Matisse / Artists Rights Society (ARS), New York
Henri Matisse, Notre Dame, A Late Afternoon, 1902; oil on paper mounted on canvas; Collection Albright - Knox Art Gallery, Buffalo, New York, gift of Seymour H. Knox, Jr; © Succession H. Matisse / Artists Rights Society (ARS), New York
Image: Dana Schutz Swimming, Smoking, Crying, 2009 Oil on canvas, 45 x 48 inches Collection Nerman Museum of Contemporary Art Johnson County Community College Overland Park, Kansas Gift of Marti and Tony Oppenheimer and the Oppenheimer Brothers Foundation Photo: Courtesy of the artist and Zach Feuer, New York
Dana Schutz, Swimming, Smoking, Crying, 2009 Oil on canvas 45 x 48 inches Collection Nerman Museum of Contemporary Art, Johnson County Community College, Overand Park, Kansas, Gift of Marti and Tony Oppenheimer and the Oppenheimer Brothers Foundation © Dana Schutz Courtesy of the artist and Zach Feuer, New York
Brünnhilde / Grane, 1982 - 93 woodcuts and acrylic on cut and pasted papers, mounted on canvas 106 x 96 3/8 inches Courtesy the artist and The Metropolitan Museum of Art Purchase, Lila Acheson Wallace Gift, 1995
T03327 NAKED MAN WITH KNIFE c. 1938 — 41 Not inscribed Oil on canvas, 50 × 36 (126.9 × 91.4) Presented by Frank Lloyd 1981 Prov: Marvin Jay Pollock (gift of the artist to his brother; later returned); Stella May McClure Pollock (gift of the artist to his mother); Sanford McCoy; Mrs Sanford McCoy, Deep River, Conn.; Marlborough Gallery Inc., New York; Frank Lloyd Exh: Jackson Pollock: New - Found Works, Yale University Art Gallery, New Haven, October — November 1978, National Collection of Fine Arts, Washington, D.C., December 1978 — February 1979, The David and Alfred Smart Gallery, University of Chicago, March — May 1979 (31, repr.)
Ellsworth Kelly (American, 1923 — 2015) Colors for a Large Wall 1951 Oil on canvas, sixty - four panels The Museum of Modern Art, New York Gift of the artist, 1969.
«Summer Bliss» (1960), oil on canvas; gift of the artist, Hans Hofmann, to the Berkeley Art Museum in memory of Worth Ryder.
Milton Avery (1885 — 1965) Mountain and Meadow, 1960 Oil on canvas, 60 × 68 inches National Gallery of Art, Gift of Sally Michel Avery, in Honor of the 50th Anniversary of the National Gallery of Art © 2016 The Milton Avery Trust / Artists Rights Society (ARS), New York
Milton Avery (1885 — 1965) The Picnic, Vermont, 1940 Oil on canvas, 28 × 36 inches The Peabody College Collection, Vanderbilt University Fine Arts Gallery Gift of Roy R. Neuberger © 2016 The Milton Avery Trust / Artists Rights Society (ARS), New York
Glenn Ligon, Untitled (I Am a Man), 1988, oil and enamel on canvas, National Gallery of Art, Washington, Patrons» Permanent Fund and Gift of the Artist
This gift basket provides all the sustenance an artist needs — stretched canvas, aquarelle pencil set, a copy of Joe Fig's Inside the Artist's Studio, a gift certificate to Bread Alone, gift certificate to A&P Bar, a gift certificate to Woodstock Framing Gallery, and the finest Intelligentsia coffee from Uptown Coffee, Kingstartist needs — stretched canvas, aquarelle pencil set, a copy of Joe Fig's Inside the Artist's Studio, a gift certificate to Bread Alone, gift certificate to A&P Bar, a gift certificate to Woodstock Framing Gallery, and the finest Intelligentsia coffee from Uptown Coffee, KingstArtist's Studio, a gift certificate to Bread Alone, gift certificate to A&P Bar, a gift certificate to Woodstock Framing Gallery, and the finest Intelligentsia coffee from Uptown Coffee, Kingston....
The work belongs to a series of paintings the artist created from printed canvases gifted to him by Arlington Withers, a fellow artist and friend.
Left: Burt Glinn, Jay DeFeo working on The Rose, 1960; © 2012; photo: Burt Glinn / Magnum; Right: Jay DeFeo, The Rose, 1958 — 66; oil with wood and mica on canvas; 128 7/8 x 92 1/4 x 11 in.; Whitney Museum of American Art, New York; gift of The Jay DeFeo Trust, Berkeley, CA, and purchase with funds from the Contemporary Painting and Sculpture Committee and the Judith Rothschild Foundation 95.170; © 2012 The Jay DeFeo Trust / Artists Rights Society, New York, photo: Ben Blackwell
It is interesting to watch Artists gifted with a blank canvas of not just a wall but a...
Oil on canvas / Neuberger Museum of Art, Purchase College, State University of New York; gift of Roy R. Neuberger (c) The Willem de Kooning Foundation / Artists Rights Society (ARS), New York — Photo: by Jim Frank
Oil on canvas / Neuberger Museum of Art, Purchase College, State University of New York; gift of Roy R. Neuberger © The Willem de Kooning Foundation / Artists Rights Society (ARS), New York — Photo: by Jim Frank
These include a selection of the most personal pieces from the collections of Johnson and Whitney - in many cases, gifts from the artists themselves, from the untitled oil on canvas of 1971 by Jasper Johns for David Whitney to literal birthday wishes to Philip Johnson from Frank Stella and Michael Graves.
Andy Warhol, Campbell's Soup Cans, 1962, synthetic polymer paint on thirty - two canvases, each 20 x 16 in., gift of Irving Blum; Nelson A. Rockefeller Bequest, gift of Mr. and Mrs. William A.M. Burden, Abby Aldrich Rockefeller Fund, gift of Nina and Gordon Bunshaft in honor of Henry Moore, Lillie P. Bliss Bequest, Philip Johnson Fund, Frances Keech Bequest, gift of Mrs. Bliss Parkinson, and Florence B. Wesley Bequest (all by exchange); The Museum of Modern Art, New York, NY, U.S.A., © 2011 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York, digital image © The Museum of Modern Art / Licensed by SCALA / Art Resource, NY, Campbell Trademarks used with permission of Campbell Soup Companycontemporary art.
Air View of Spring Nursery 1966 acrylic on canvas Alma Thomas born Columbus, Ga. 1891 died Washington, D.C. 1978 Gift of the Columbus - Phenix City National Association of Negro Business Women and of the artist 79.53 This abstract painting is Alma Thomas» interpretation of what the colorful rows of plants in a nursery would look like from an airplane.
Leon Polk Smith Chickasha, OK 1906 — New York, NY 1996 Red - Violet Diamond Oil on canvas, 1980 120 × 120 inches Nebraska Art Association, gift of the artist, N - 606.1982
The canvas is accompanied by a selection of prints and drawings featuring images of Rockport's fishing industry, all recent gifts from the estate of Gifford Beal made through the efforts of Kraushaar Galleries, which gave the artist his first solo exhibition in 1920 and thereafter served as his dealer for the remainder of his career.
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