Sentences with phrase «canvas in»

His current work is an exploration of feeling, memory and a unique vision laid out on canvas in a style which is both original and inviting and offers a fresh, new look at color and form.

Oil and collage on canvas in artist's frame 7 7/8 x 7 7/8 inches Signed, titled & dated in pen on the stretcher «Richard Pettibone 1967 Jasper Johns The Disappearance 1961» Inscribed verso by the artist in green felt tip pen «J # 54»

The paintings become gauzy mindscapes (not landscapes, mind you, but something much more vulnerable and cerebral), rendered with Flashe vinyl - based acrylic paint that stains and swirls on the canvas in color fields, before being lyrically interrupted by thin vines of colored neon light.

Paintings from his ground - breaking Anthropometry series will also be on display, for which Klein employed models as «living brushes» to create marks on the canvas in front of an audience, as well as Fire Paintings and Klein's later works in gold.

The artist painted the canvas in a three - week fury, agonizing over whether to portray the military leader in a fur hat or a cap (he eventually went for the latter).

The Montreal based artist uses oil and pencils on a wood canvas in her «Matter and Memory» series, which explores elements of the natural world.

Push the paint around until the subject fits on the canvas in just the way you like it.

He began by sketching Timberlake's face on the canvas in graphite, then started hammering away.

The painting in question, a close - up of Branson with the Antwerp skyline in the background, was done on a large canvas in Engels» distinct visual style of sepia tones and pallet knife - applied paint.

Animal skulls have become a popular canvas in recent years in both the design and decor worlds.

He has been reviewed in ARTFORUM, ARTPAPER and ART ON PAPER and is included in the permanent collections of both the Dallas Museum of Art and the Museum of Fine Arts in Houston, as well as a host of corporate collections, including a massive 700 - square foot canvas in the Dallas Omni Convention Center Hotel.

The optically titillating large - scale paintings are made by applying layers of acrylic paint to a canvas in a pre-determined order, resulting in heavily - built surfaces that take on illusionistic depth as the tone scale varies.

In his new body of work, Fairey builds up the surface of his canvas in densely collaged relief, calling to mind a city wall layered with decades of distressed flyers.

The earliest work is «Marrakech,» a flat, square Op Arty canvas in pink - and - yellow fluorescent stripes from 1964.

Frankenthaler first began staining thin, luminous paint into raw canvas in the early 1950s, adopting Jackson Pollock's technique of all - over poured pigment but without the gestural drawing marks.

Takashi Murakami's super tall skinny buxom anime girl sculptures, with the large panel painting «Rose Milk» (1997) acrylic on canvas in the background, presented by Gagosian Gallery — in newly opened Frieze art fair special section of «For Your Infotainment / Hudson and Feature Inc.» dedicated to the legacy of the dealer Hudson (1950 — 2014) and his influential gallery Feature Inc. (Chicago and NYC) #Frieze #TakashiMurakami #RoseMilk @gagosian @friezenewyork

BOLT Resident Azadeh Gholizadeh explores the space behind the canvas in her upcoming solo exhibition, Within the Threshold.

Each painting is a considered construction by the artist from its original source material: extracted, cropped, broken down and reassembled on the canvas in a deliberately reduced palette.

As the distance between pursuer and pursued closes, the space between the letters and lines of text stencilled on to the canvas in hazard red correspondingly collapses, until the climax of the chase ends in a crash of words at the bottom of the canvas.

Abstract expressionist painting on canvas in black frame 24 x 24 inches on stretched canvas, signed and dated on reverse This contemporary abstract expressionist style painting was...

As one drew nearer to several of the paintings, however, one began to discern the presence of Arabic texts (actually Sufist chants), meticulously transcribed onto the canvas in graphite or pigment, where they proliferate like coral.

ASHLEY BICKERTON Canoe, 2008 acrylic and digital print on canvas in carved wood, coconut, mother of pearl and coin inlaid artist frame 30.31 x 36.22 x 4.13 inches 77 x 92 x 10.5 cm LM13175

Now comes an exhibition organized by curator Toby Kamps around Red Blue Green, 1963, a major canvas in the museum's collection.

It's fascinating to see the diversity in Foulkes's complex formal language from his signature rag technique using rags to apply and subtract paint to the canvas in a way that anthropomorphizes the rock paintings into denim jean paintings, to the use of drips on the canvases imitating stains of a photograph, or over painting on top of collaged postcards.

There were two types of painting in his exhibition: the alluring young Chinese women painted in a dark photo - realist style, and appropriations of details from historical Chinese landscape paintings, reinterpreted in oil on canvas in an expressionist style.

ASHLEY BICKERTON Blue Bar, 2007 acrylic and digital print on canvas in carved wood, coconut, mother of pearl and coin inlaid artist frame 72 x 86 x 7 inches 182.9 x 218.4 x 17.8 cm LM10637

Patrick Lakey's flatly lit blend of still life and (nude) self - portraiture, from a series in which he plays dozens of characters from the Marquis de Sade's writings, caught hold of me at The Happy Lion's booth; at Madrid's Travesia Cuatro, Gonzalo Lebrija's intimate communion between himself, wearing a red hooded sweatshirt, and the lone red canvas in a selection of On Kawara «Date Paintings» brought out the latent melancholy in any notation of time; and at Cherry and Martin, Elad Lassry's small - scale conceptual tableaux possessed at once a fierce confidence and an estranging oddness.

Modern, abstract acrylic painting on canvas in bright teal green, creamy white and black.

His first London show also includes a room in which very much smaller paintings, made on 81 acetate slides, are projected on a scale far longer than the works on canvas in a 13.30 minute loop.

ASHLEY BICKERTON LH 17, 2007 oil and digital print on canvas in carved wood, coconut, mother of pearl and coin inlaid artist frame 80 x 72 x 7 inches 203.2 x 182.9 x 17.8 cm

The show features a new series of large - scale sumi ink paintings on canvas in Gibson's scruffy yet sensual figurative style.

Oil on canvas in black wood frame.

De Vliegher completes each canvas in one sitting, using several hundred paintbrushes and dozens of pre-mixed colors.

abstract expressionist oil painting on canvas in black frame 24 x 24 inches framed, oil painting on stretched canvas This modern, square abstract expressionist style painting was paint...

Large scale oil paintings dripping in paint and medium encapsulate the whole canvas in grid like nature.

ASHLEY BICKERTON Famili, 2007 acrylic and digital print on canvas in carved wood, coconut, mother of pearl and coin inlaid artist frame 86 x 72 x 7 inches 218.4 x 182.9 x 17.8 cm LM11019

Donzeaud's experiments in turning a plastic used for containers into flat screens that adapt to the walls of the indoor space are stretched out and over a frame; sometimes hanging like a canvas in «Untitled PE (Caring 01)» and «Untitled PE (Caring 02, 03, 04)» or jutting out of wall and becoming a sort of installation - sculpture in «Untitled PE (Caring 05, 06)».

Using a direct process called alla prima, oil paint is applied wet into wet to the canvas in one sitting.

It might mean painting the entire canvas in a field of single colour, or no colour at all.

He paints in series, with the shimmer of all - over painting, sometimes working outward from the center of the canvas in loops and swirls almost out of Cy Twombly.

- Francesco Bonami Rudolf Stingel's Untitled is a dazzling mesh of red and black tones, dispersed rhapsodically across the canvas in streaks, flecks, smudges and striations.

We Are One presents a selection of works on canvas in James's characteristically bold and bright palette of colours.

The former is a series of enamels on canvas in which the artist translates his passion for urban life's fast movement and vehicles, like cars and trams.

Acrylic on canvas in blister package.

With the aim to create something different from his previous pieces, he painted the canvas in red and realized that it works only with yellow and blue, making the confrontation with the work of Piet Mondrian.

A re-creation of the iconic Hans Namuth photograph of Jackson Pollock working on a large canvas in his studio, made using chocolate syrup, from Muniz's «Chocolate» series.

DeFeo often applied paint to canvas in thick layers, while Lawrence and Davis created flat planes of vivid color.

Encaustic and oil on canvas in artist frame, 85 x 91 inches.

In selecting Sotheby's, the city rejected Christie's International, which sold a large Still canvas in 2006 for $ 21.3 million.

For example, in Untitled [9/68] 1968 (T12242), he divided the canvas in half with a line along the diagonal and placed on either side, and at angles to one another, two linear grids coloured yellow, filling in the blocks of the grid in the upper right variously pink, lavender, and pale and dark blues.