Sentences with phrase «canvas into»

I am a Pallet Knife Painter, and enjoy turning a blank canvas into something peaceful and that evokes emotion.

Once it is completely dry, remove the glass from you desired frame and pop your faux canvas into the frame.

I have a particular passion for marquee celebrations where I love to transform a blank canvas into a magical setting using a highly professional team of experts.

The Rioni philosophy entails integrating only the finest leathers and canvas into their entire collection of quality goods.

Jackson Pollock flung paint and turned the canvas into a form of choreographic record in a restricted palette.

Rendered in three dimensions, this handcrafted cannon juts out of the canvas into the gallery space — a prime example of Morley's interest in heightening the viewer's sensation and experience of his work.

(Note: While the press photo of Snyder's Beanfield below will likely remind the viewer of Monet before evoking Guston, a detail snapped by a visitor to the gallery reveals a different painting: one with vigorous, loose paint handling, and «bean sprouts» that seem absurdly to grow out of the canvas into three - dimensional space.)

[vi] As noted by art historian Robert Hobbs, Hofmann's «painting sessions were particularly rewarding for Thomas who was alerted to the emotive potentialities of color, the need to work contrapuntally in terms of positive as well as negative spaces, and the significance of taking the overall dimensions of a given canvas into consideration as key compositional elements.»

Instead he began to work from postcards, adopting Artschwager's practice of dividing the canvas into a grid, isolating areas of the source image which could then be reproduced without constant reference to the original.

Who snuck the Joan Mitchell canvas into the Claude Monet show - which, if it follows the pattern of other Monet exhibitions, might well attract record crowds before it closes at the end of May?

Ultimately lifting the canvas off its classic flat plane to depths that measure as much as three feet, she literally transformed the canvas into sculpture.

Dividing the canvas into swaths of color, Lundqvist layers her boys and girls over a background of mossy greens, indigos, muted grays, and pale glowing yellows.

Though the horizontal strokes dividing the rectangular canvas into regularly refined segments evoke hard - edged geometric painting, they are made without tools and hence incorporate the animated irregularities that come with the movements of a free hand.

Continuing the themes and techniques featured in his 2015 exhibition at Mark Moore Gallery, Wallace has extended his signature textured multi-media methodology from the canvas into the gallery space itself.

Guyton's process is now implicit — any lay student of contemporary art knows that he feeds folds of primed canvas into his taxed and sputtering Epson printers — as are the conceptual and critical implications of that process and its resulting works: painting after the fact, postindustrial manufacture of gorgeously distilled canvases offering the retro payoff that comes of

In the 1960s, he introduced irregularly angled canvas into his work, and in the 1970s, he began incorporating curved shapes.

Converting the abandoned canvas into a hidden work of art Gilbert 1 utilizes fat cap mark making to create an expressionist style.

In her Whitney essay, Wilson notes that «The gray - brown palette, division of the canvas into large rectangles of contrasting light and dark tones, and the mask - like treatment of faces, as in Brodie's «The Penetration of a Thought», 1958 and Thompson's «Differences», 1958, seems to bear this out.»

Instead of experimenting with shaped canvasses or geometric painting to imply volume, he takes the canvas into three dimension to see how line and color are disrupted by actual volume.

After sewing each fragment onto a piece of canvas, Cloud cuts the canvas into the shape of the clothing, and then sews the resulting items into a larger, oddly shaped patchwork «quilts.»

The «split» Veils reveal bare canvas between the poured bands, and the «triadic» Veils resemble a triptych, as the two braces of the stretcher leave vertical lines that divide the canvas into three sections.

But the old tussle between representation and abstraction persists: The Heart of Old San Juan, for instance, depicts a green basketball court in Trinidad, but is also a formal exercise in which the markings on the court divide the canvas into sections of subtly different shades of green.

While Remi's art has always been about creating dimension within the depths of a canvas or a wall, his new works have taken that idea in an exciting new direction, by transforming a three dimensional object such as a skull through the application of paint and by extracting complex shapes from the flat canvas into sculptural forms.

How do you break up the canvas into equal parts of soft - hard?

The difference is his shift from the canvas to the gallery wall, making the canvas into the shape instead of presenting the shapes on the canvas.

Here, Pindell cut a 9 and a half - foot - long canvas into vertical strips, which she then sewed back together, leaving the stitching obvious.

Within a short time, he pushed the shaped canvas into a territory all his own, aggressively entering into the viewer's space.

Artist Josephine Halvorson loads a blank canvas into her «painting mobile» at Steep Rock Arts Association residency (Washington, Connecticut, 08.09.12).

In the present black painting, a white stripe runs vertically down the center of the canvas dissecting the canvas into two halves.

In close proximity to his canvas works, Amm's wall and sculptural pieces project his deftly constructed compositions from the surface of the canvas into the multi dimensional space of architecture.

As evidence of this ambient trend's beginnings, Pollock famously painted the engulfing «Mural» (1943) for Peggy Guggenheim, where he transformed the canvas into a whole wall instead of the usual small object of contemplation visually and physically dominated by the viewer.

Sky, sea and sand divide the canvas into a harmonious tripartite structure: dunes of palest lilac swoop into petrol - dark water; the foreground's textural shoreline is fringed with a shimmering border of yellow.

The fruits of this experimentation can be seen in «New Portraits,» which throws polyester, found fabric, and acrylic - on - canvas into the mix with industrial embroidery and beyond.

«Allusions to landscape are a function of Rothko's profoundly original implementation of color as well as his horizontal division of the canvas into an upper and lower zone, suggesting a horizon line,» Weiss wrote.

Later, he began to divide the canvas into squares and rectangles that were framed with aluminum and industrial materials and reassembled into a single structure.

Andre has described Stella's method as «neutralizing gesture» by using uniform, identical and repetitive brush strokes thereby transforming the ground of the canvas into «a field of the painting.»

The fact that Malevich eventually moved his Suprematist vocabulary off the canvas into maximal architectural forms is equally fascinating, but this is the subject of another essay, still in progress.

Transforming the canvas into a sculpture by careful folding, Kalina disrupts the grid and recaptures the energy of Abstract Expressionism — while avoiding its cult of bravado.

With a similar skepticism, Hantaï responded to Abstract Expressionism by reinterpreting its processes using a technique in which he crumpled a canvas into a large bunch, painted the exposed areas, then stretched it to reveal large abstractions.

During the 1950s he produced still lifes indebted to William Scott (also no relation) and then at the start of the following decade, when he represented Ireland at the Venice Biennale, more landscapes, often of bogs, which at last found him beginning to discover his own distinct timbre through the use of unprimed canvas into which tempera paint sank.

As in so many of Stingel's works, the painting is transformed from a canvas into a piece of interior architecture that resonates across multiple artistic registers.

I started with division of the canvas into two sections which then became areas of what I could only call action.

The artist seemingly transforms the canvas into a gateway to a wide spectrum of imagination and possibilities.

This work lends credence to Ivor Powell's observation that Koloane's «expressive and representational realisation makes the canvas into a site of subliminally emotive suggestion as much as a representational equivalent of observed reality.»

Marca - Relli often worked in collage, «drawing» rapidly with a razor blade, cutting pieces of canvas into random shapes and dispersing them across the picture surface.

She teases the viewer with the promise of illusionistic painterly space and then she catapults her canvas into the void, forcing it to exist in real time, building little fortresses, and firing cannons in its general direction.

His paintings take their starting point from simple underlying structural compositions, which divide the canvas into linear pathways and segments, such as crossed bars or architectural elevations.

Instead of reproducing a field, Frankenthaler, like Pollock before her, transformed the entire canvas into a field.

In her labor - intensive paintings she unites the word and the canvas into a meditative visual experience, which results in work that is about presence and experience.

In Summer, a tree of knowledge stands on the left and a race car driver on the right, either pointing upward or beckoning in; between and behind them, an iconic mountain, as perfectly triangular as Fuji, is outlined; faint lines divide the canvas into even 16ths.