Sentences with phrase «canvas like»

Small wall art will make a cramped room feel even smaller, so scale up with an oversized canvas like this one.
In the past I have mode podged the paper onto roam and created a canvas like frame but I have never been a complete fan of the end result.
And you don't have to make a canvas like this you can just print it on photo paper and plop it into a nice frame and call it a day.
I would never have thought to use it as a blank canvas like that.
By use of an unconventional and ingenious technique he stretches the canvas like a membrane on an underlying nail structure.
Paint, slowly and painstakingly built up in daubs, nearly curls off the canvas like calcified petals, resembling the flora with which he is obsessed.
In later paintings the bits of color, now jagged, shardlike and prismatic, take flight across the canvas like a flock of birds.
Seeking the relief of a more classical dryness, Pollock in 1951 and 1952 reduced his palette to black and white and returned to the firmer unities of his first style, emphasizing draftsmanship and making his blacks bite vehemently into the unsized canvas like an engraver's line.
Her vibrant abstractions, in which paint is soaked into the canvas like ink into a paper napkin, have a sensuous liquidity.
In Zhao Zhao's masterful sequence of paintings, slices of salted duck eggs float across the surface of the canvas like a new kind of calligraphy, the clarity of the ink black background forming many horizons that nearly blend into one.
We had set out to look at the new fall exhibitions, and moments later were at the Mnuchin Gallery on East 78th Street in Manhattan, taking in a show of historic abstract paintings by Morris Louis: his so - called «Veils,» their overlapping browns and greens soaked into the canvas like so much glistening lake water.
Similarly, in Cricket Painting (Paragrand)(2006 - 12) oil paint is laid on the canvas in acid hues of orange, green and blue, the surface flecked in places with splashes of paint, so that action of the image — a girl lobbing a cricket ball that hangs in the centre of the canvas like a white, full moon towards a boy waiting at a wicket — becomes secondary; a compliment to the dynamism and energy of the colours» relationship.
His subject matter sinks into the canvas like photographs faded by the sun, their realness a distant memory.
Nor do the paintings that depict what looks to be a skin attached to tenterhooks — splayed across the canvas like a Christian martyr in a Renaissance painting.
The result is a scintillating starburst of vitality, a tornado of reds, yellows, blue - greys and browns that roll and twist across the widescreen canvas like a prairie storm, sweeping up cattle, people, and all previous notions of art in its path.
Yet very often the action is all one sees — colossal brushmarks, vast expanses of colour, leviathan swirls, a tundra of impasto, the canvas like raw denim in places, or bearing pounds of pigment in others.
A canvas like «Stolen Blues» revisits the work of painters so disparately scattered throughout the last century — late 1940s Pollock, 1970s De Kooning, the glassy color swirlings of Janet Fish's still lifes — that merely recognizing them recalls Jorge Luis Borges's suggestion that artists create their own unique precursors.
A flash of light, picked out in white paint, illuminates his forehead, turning his face into a beacon, so that Cruse appears on the canvas like a guide in the gloam.
An inexplicable urge to touch them, these curious peaks and troughs, flowing across the canvas like an enticing piece of poetry, or sound; they are like a parallel universe, made of light and shadows, the real and the surreal, space and its many variations.
You'll also see Kusama's mesmerizing and intimate drawings, her early Infinity Net paintings in which nets organically expand along the surface of a canvas like cell formations, and her surreal sculptural objects.
«Following Helen Frankenthaler's precedent, Feeley thinned his alkyd enamel pigment, except not to the degree that it soaks fully into the canvas like hers and acquires associations with bodily fluids and watercolor.
The paint surfaces in the works are applied in a non-hierarchical manner, and fill the canvas like a map, without differentiation of depth.
What makes this painting distinctive is the woman's nose, which juts out from the canvas like a fetid, cantankerous growth.
The rays of a white, circular sun rotate counter-clockwise near the top of the canvas like the bands of a hurricane, with a central yin / yang symbol in pale yellow and white.
Utilizing the materiality of canvas like a screen or a rag, the works in «Tony...
The drops are three - dimensional objects that have been applied to the canvas like stuccowork.
Challenging the confinement of the rectangular plane, Smith expanded the three - dimensional elements of his canvases, warping them outwards, adding various shapes to their edges, and dispensing of stretchers all together, hanging sheets of painted canvas like giant kites.
After seeing how he applies paint to canvas like
One can almost see the forms moving across the canvas like a line of code down a computer screen.
Colour suffuses the canvas like a blush, or gathers like condensation on glass, changing the picture's mood and temperature.
Then, he strikes matches on the canvas like magical paintbrushes, creating light and energy in the dark.
That may risk blandness, but the horizontal edges of his oil impasto ripple across canvas like a storm surge.
«Bushwick Open Studios really strives to give every working artist in Bushwick, regardless of their level of experience or success in the art world, an equal opportunity to show their work to a wider public,» said Hitchings, whose works include a series of pastel colored paintings in which forms and figures seem to bleed through the canvas like haunted photographs.
A canvas like Mountain of Heaven, 1961, illustrates how Bearden was indeed an experimenter, but not in the iconoclastic sense of the AbEx group, nor in the Greenbergian formal sense favored by the younger color - field painters.
Instead of parsing the grays and the colors into individual squares on the same canvas like earlier Concentric Square paintings, Stella combines them, resulting in a dizzying clash between the two essential components of color, hue and value.
The result was an explosion of otherworldly biomorphic and architectural ink washes that evoke images of tree branches, piers and unfinished buildings, and more recently, their counterpoint, huge paintings with big thick tactile lines of color that sweep across the canvas like a roller coaster.
They are canvases of all sizes filled with meticulous square knife strokes that leap off the canvas like waves — at once still and dynamic, monochromatic and iridescent.
Where Pollock had used enamel that rested on raw canvas like skin, Ms. Frankenthaler poured turpentine - thinned paint in watery washes onto the raw canvas so that it soaked into the fabric weave, becoming one with it.
To add dimension onto the canvas like base.
Is it a canvas like material?
Turtleneck sweater, jeans and flats are all fine and good but I think a blank canvas like this sweater is just calling out for something.
I don't love a ton of clutter on a night stand, a lamp and a picture frame are enough for me, but I love hanging something on the wall behind a night stand, a canvas like this, picture frame or even a mirror, I love adding that little depth and it creates a nice subtle pop in the room.
In this Nailart tutorial, we will use a fan brush for making a canvas like design on the nails.
Mountain Buggy have gone back to their roots of using a canvas like material.
Couscous is a blank canvas like rice, it will absorb the flavour of the spices used in cooking it.
We loved the spicy, toasted, savory flavor on a blank canvas like a rice stir - fry and on chicken, and we can't wait to try it on fried tofu next.
The Yellow X in the back gallery repeats the former's fat shape in Lichtenstein - like Pop yellow, exploding across two abutting canvases like a Batman and Robin «ka - pow!»
He did away with easel stretchers, preferring to drape huge canvases like laundry on a line.
In Surrealism and Painting, [1] André Breton refers not to Donati's color but rather his «light,» which conveys the impression left by the deep electric blues permeating canvases like Composition (1945).
Vicente's palette lightened in the»50s and»60s, with canvases like «N» from 1959, which includes passages of electric green, orange and yellow, or «Princeton No. 5» from 1966, with its vaguely biomorphic collagelike shapes vibrating in a bright field.
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