Oil on
canvas over panel in artist's frame, modified paint can, rear - painted plexiglass.
Not exact matches
Used as models for marble
panels in the Paris apartment of Braque's art dealer Paul Rosenberg, the four
canvases reveal aspects of Braque's process; all were
in his studio at the same time at various stages of completion, as he reworked them
over several years.
Somewhere out there (
in here)[Diptych] 2011 Ink, acrylic and fabric collage on
canvas over panel 60 x 96 x 2 inches
The 1951 three -
panel White Painting is believed to have been painted
over almost immediately as Untitled [matte black triptych](ca. 1951, fig. 2).6
In fact, there is no exhibition history or any other evidence to indicate that White Painting [three panel] was extant between 1951 and 1968; 7 in those years, most of the original White Paintings had slipped out of existence, their canvases used as the supports for other pieces.8 Though artists throughout history have created new works on used canvases, Rauschenberg did so with an unusual frequency and ease, particularly in the early 1950s.9 Looking back at that period some ten years later, he commented, «Today I wouldn't do that..
In fact, there is no exhibition history or any other evidence to indicate that White Painting [three
panel] was extant between 1951 and 1968; 7
in those years, most of the original White Paintings had slipped out of existence, their canvases used as the supports for other pieces.8 Though artists throughout history have created new works on used canvases, Rauschenberg did so with an unusual frequency and ease, particularly in the early 1950s.9 Looking back at that period some ten years later, he commented, «Today I wouldn't do that..
in those years, most of the original White Paintings had slipped out of existence, their
canvases used as the supports for other pieces.8 Though artists throughout history have created new works on used
canvases, Rauschenberg did so with an unusual frequency and ease, particularly
in the early 1950s.9 Looking back at that period some ten years later, he commented, «Today I wouldn't do that..
in the early 1950s.9 Looking back at that period some ten years later, he commented, «Today I wouldn't do that....
No Key, No Question, 2013, Ink, acrylic, fabric, and collage on
canvas over panel; 60 x 60 x 2
in.
Circles and circular clusters radiate like third eyes, tracking viewers across a series of arresting paintings
in ink, acrylic, fabric, and collage on
canvas over wood
panels.
Ink, acrylic, fabric, and collage on
canvas over panel; 60 x 60 x 2
in.
Linda Stark: Nuggets, 2007; oil and Polyclay on
canvas over panel; 36 x 36 x 3
in.; courtesy Angles Gallery, Los Angeles.
In Mighty Mouse trying to Catch the Road Runner, primary splashes are layered
over a more linear backdrop to recall a marriage of Warhol's camouflage
canvases with Lichtenstein's contained comic
panels.
«Mars,» a Squeak Carnwath work
in oil and alkyd on
canvas over panel, is spotlighted
in «Material Matters» through March 13 at Seager Gray Gallery.
In «The Veil of Orpheus» (1968), he traced wax crayon lines
over panels of painted
canvas, creating what he referred to as «a time line without time».
«Flying Carpet with Magic Mirrors for a Distorted Nation,» cel - vinyl, spray enamel on
canvas over wood
panel, 108
in x 360 1/8
in, 2013.
Aiming to provoke a thought and emotion from his viewers, he has produced
in a number of different styles: the 1960s were marked by monochrome single -
panel paintings that featured accidental drips
over the
canvas; the works of the 1980s were obviously influenced by the Asian culture, seeing calligraphy becoming a part of his portfolio; by the 21st century, Marden has moved on to create paintings comprised of colorful, intertwining lines.
Made on
canvas stretched
over wood
panels, each painting
in KAW's new series of shaped paintings takes on the silhouette of a familiar figure from animated cartoons and comic strips.