Sentences with phrase «canvas piece in this show»

Untitled, the artist's large oil on canvas piece in this show, is an interconnected mix of elegant, organic lines in muted tones with pops of color.

Not exact matches

What's more, many pieces showed signs of fractal patterns — repeating motifs that reoccur at different scales, whether you zoom in or zoom out of a canvas (British Journal of Psychology, vol 102, p 49).
Sunday 10.11.15 - > 5 - 8 pm — Seven Bar & Kitchen in the Funk Zone Santa Barbara — 20 + pieces, never before shown works in acrylic & spray paint on canvas, plexi and recycled materials (& there are 4 limited edition prints available as well).
The kind of ambiance it has, seems to contemporize the past and show respect to it by means of beautiful vintage pieces all made part of the décor and displayed with a vibrant usage of a canvas of bright and bold colors in the décor.
Among the pieces shown at his first solo exhibition in 1950 was the canvas entitled Chief that indubitably referred his childhood, maybe the locomotive with the same name, her power, sound and steaming engine he remembered, or, as some also believed, that the artists fascination with dark color was the result of his growing up in the mining community.
Hansa artists» works represented in the Grey show include Jane Wilson's Portrait of Jane Freilicher (1957), an oil on canvas merging abstraction with figuration, and Jean Follett's Many - Headed Creature (1958), a piece that recreates a fragmented body on a wood panel out of junk and found objects — a light switch, socket cooling coils, a window, a screen, nails, a faucet knob, mirror twine, cinders, a caster, springs, and rope.
Divided in 6 separate rooms, the installation includes some 60 individual stoneware and porcelain pieces, as well as couple of rare editions on paper by Kusaka, and around 40 pieces by Wood, ranging from small collage showing his studio process, limited edition multiples, a series of floral pieces on paper, all the way to monumental oil and acrylic pieces on canvas.
In addition to the new works in the show, Richter has punctuated and augmented the exhibition with a selection of paintings on canvas, glass and photographs made over the last 15 years — including his «Abstraktes Bild» and «Farben» paintings — which inform and re-contextualize his more recent pieceIn addition to the new works in the show, Richter has punctuated and augmented the exhibition with a selection of paintings on canvas, glass and photographs made over the last 15 years — including his «Abstraktes Bild» and «Farben» paintings — which inform and re-contextualize his more recent piecein the show, Richter has punctuated and augmented the exhibition with a selection of paintings on canvas, glass and photographs made over the last 15 years — including his «Abstraktes Bild» and «Farben» paintings — which inform and re-contextualize his more recent pieces.
Included in the massive show, which goes to London's Tate Modern after MoMA, are abstractions like the ghostly, white - streaked Untitled (2007), as well as the classic 1980s piece Watchtower with Geese (1988), with its totalitarian subject matter and its use of interlocking color and patterns on fabric — one of Polke's many experiments with materials other than plain old oil on canvas.
Despite being the smallest piece in the show, this rectangular amalgamation of oil paint, acrylic paint, household paint, varnish and mixed media collage on canvas (then mounted on board) had that rare feeling of monumentality.
However, the pairing of Novros's «Untitled» oil on canvas, (15 parts)(1969), which was shown in his last memorable exhibit at Paula Cooper last September of 2009, and Judd's «Untitled» (1989), a Douglas Fir plywood piece, was splendidly tuned, partly because it's an interesting exchange of two artists, one, a logical empiricist who aspires to be an idealist, the other, an idealist, who thinks himself a logical empiricist.
The most exciting pieces in the show for me were the most recent works, The Eye Man (2014) and Corner Café (2014 - 2015), large canvases making their public debuts.
So the show will include the «Ookie Canvases», the «Visual Orgasms» series of GIFs, which I've added to with four new pieces, a sexy photo of wires drenched in lube which also serves as the centerfold for a catalog with essays by Nora O» Murchú and Seth Watter, and two wire sculptures.
Two years earlier, at Roche Court sculpture park, near Salisbury, Wiltshire, the couple had shown together for the first time in their marriage: he with a dozen huge, rusted steel pieces from the series called Flats, made in 1974 in Canada with the aid of a crane; she indoors with a sequence of vibrantly coloured canvases painted with architectural forms not far distant from his.
As the final images show, it's incredible how diverse in style and approach the pieces are: while some artists have taken a pattern - based, abstract route; others have simply taken their usual style of portraiture and shrunk it down to fit these unusual wee canvases.
Francis spent some time in Paris executing entirely monochromatic works, but his mature pieces are generally large oil paintings with splashed or splattered areas of bright contrasting color, with areas of white canvas left to show through.
The interlocked hermetic imagery of Commander Salamander (2017) includes a collaged reproduction of the titular character (an important alchemical figure) combined with a piece of fabric printed with wavy mushrooms (more psychedelic than edible), an inverted color reproduction of two robed medieval Christian elders in a boat, and a separately painted and affixed upside - down vibrant red cardinal (perhaps punning on the Pope's henchmen)-- all of them scattered across a canvas painted with some of the loopiest brushstrokes in the show.
Adian's wall - mounted abstract paintings, made by stretching canvas over shaped pieces of foam, will find themselves in a group show titled «Rascal House» with Blair Thurman, John Armleder, and Stephane Kropf at Half Gallery in January 2015, followed by an installation at Lever House in New York.
A Bigger Picture at the de Young Museum features the monumental pieces from the show in Europe, which include a painting 32 feet wide and 12 feet high, as well a painting made up of 32 canvases.
The first, in which I discussed the merits of the canvases, and how and why they were created, I chose to rewrite after I discovered that many pieces of information available about the show online (some of which factored into my original evaluation of the work), were fabricated by Ripps himself.
The exhibition ties these pieces quite well to the few large - scale, later canvases on view, showing the artist's continued interest in the compositional considerations of vastly different subject matter, increasingly represented through realistic brushstrokes and the language of mass - market advertising.
Working through the difficulties in that one canvas, you told me, ultimately helped you resolve the other pieces in your show.
Finally, an Ed Moses show at Albertz Benda will include a piece inspired by lines in textiles: for «Untitled (Hegeman Series),» Moses imagined threads on a Navajo blanket as lines on a canvas.
a b c d e f g h i j k l m n o p q r s t u v w x y z