Painting on a bigger
canvas than his previous works, Wingard created an atmosphere that contains just the right amount of suspense, humor, and terror.
Painting on a bigger
canvas than his previous works, Wingard create an atmosphere that contains just the right amount of suspense, humor, and terror.
Not exact matches
The results are less lively, even, and visually arresting
than her
previous work, and they fit more into a tradition that might include Fiona Rae, David Story, and Guy Goodwin — artists more dependent on visible structure, clearer geometry, and deploying a menu of marks and configurations on
canvas, all to lesser effect
than Ferris has already reached — but I will not stop paying attention to this live wire.
In a departure from
previous works, the new paintings pair color against color, rather
than incorporating white or raw
canvas to stabilize the foreground.
Compositions from the early 1970s, larger in scale
than previous work, offer playful variations on numbering systems where the divisions within the
canvas followed the Fibonacci sequence of 3,5,8.
In the 1960s he began employing brighter colors and scraping down entire
canvases rather
than working on top of
previous attempts, thus beginning the entire image afresh at each session and often spending months or years on a single painting.