Not exact matches
As part of assessing the
work, pupils are encouraged to
add evaluations and
work improvement suggestions to the
canvas.
Kurchanova writes: «Apart from large
canvases covered by Pollock's signature all - over web of patterned, dripped or sculpted paint, a range of his smaller abstract paintings
adds complexity to our understanding of his
work as that of an «action» painter... Pollock's active engagement with printing presents his achievement as a painter to us from a completely different angle and complicates the understanding of his
work as based in physical action and unmediated involvement of the artist's hand.
De Kooning's habit of rotating his
canvases as he
worked can be seen in the multidirectional brush strokes and drips that
add to the rhythmic movement of whole.
Here, he has not only slashed through the pristine white surface with twenty - four of his iconic cuts — the greatest number that he would ever commit to one
canvas — but has also
added a further dimension to the
work by enshrouding it in a black lacquer frame, which glistens with reflections of the world around it.
This selection of tough and tender, large - scale
works of oil on
canvas are so much about painting that we could call Eisler a painter's painter, and yet they use painting as an
added layer of mediation.
Also of interest are a series of photographs by Anne Sager, James Brooks's The Springs (lithograph, 1971), Marcia Gygli - King's Main Beach, East Hampton (oil on
canvas, mixed media frame, 1988 - 91), and Terry Elkins's Montauk (collage and pencil, 1994 - 97), a
work which is memorable both for his signature collage technique but also for the use of shadowing, which
adds a significantly suggestive intimation to the image of the Montauk lighthouse.
Both of these artists create intricate art - Brookes
works with clay and mixed media creating wall
works in high relief and King is a mixed media artist who has
worked primarily with paint and collage on
canvas and paper, but now has
added three dimensional digital art to her oeuvre.
For me, the entire generation of artists that followed Burri looked to him as master — we even see something of Burri in Damien Hirst's
works, when he
adds butterfly wings to the
canvas.»
He continues to assemble his
works starting with the wood battens and
canvas fragments which result in surprising and often markedly inventive painted constructions, to which he
adds titles that may at times illuminate or, at others, conceal his thinking before, during or actually after making the
work in question.
Wood has developed six portfolios of
work and
adds to them frequently... Found Object Sculpture, Hand - Carved Sculpture, Tapestry With Found Objects, Drawing, Oil Painting on
Canvas or Glass, and the newest... Collage.
The earth - toned ripples in one example (all the
works are untitled) beg to be read as markers of elevation; the more high - contrast red, gray and beige crests in another
work suggest a Bridget Riley
canvas in 3 - D, with an
added perceptual buzz in blurry areas that have been painted with an atomizer.
A hands - on painter, she
works intuitively, freely applying vigorous flurries of
added or taken away, a self - imposed game explored through shapes, marks and colors, which organize the space of the
canvas.
In several
works from 1972, Mr. Overstreet switches to an explosive, staccato drip technique, whose intimations of starry skies are regularly contradicted by dividing lines or
added segments of
canvas, leaving us suspended between deep space and eccentric objects.
However, several larger
works are created on unstretched
canvas that
adds a layer of dimensionality to the form.
Bruce Helander (The Art Economist) writes, «Jill Krutick's gentle and gracious
works add enchanting, soulful excitement every day for life... Krutick's unique formula that she follows in her distinctive paintings is to experiment with a variety of gestural brushstrokes, which seem to be in perfect harmony, like a complicated orchestra where a variety of musical components emit a certain collective sound, or in the case of Krutick, create a uniquely complicated gathering of disparate forms with a subliminal ambulatory feeling that makes them seem to skip off the
canvas and into thin air.»
Reginato has recently produced a series of paintings in enamel on
canvas that are brilliantly colorful and dynamic,
adding a new dimension to his
work.
In January 1979, Soulages
worked on a
canvas adding and removing black for hours.
Influenced by collage artists such as Robert Rauschenberg, Holland
works on paper and
canvas,
adding found objects to his compositions.
Where many modern artists who
worked with thick paint, tended to scrape back the paint to the bare
canvas, Stael just continued
adding layers with a brush or palette knife.
He
works on a stretched, draped and wrapped
canvas adding sculptural 3 - D elements.
To a lesser extent, the term «controversy» also relates to Ofili's notoriety as an artist known, or remembered, for regularly (and some might say «irreverently») fixing dried orbs of elephant dung to
canvases, as well as positioning them as spherical stands upon which
works are placed to transform them from two - dimensional artworks into more complex three - dimensional mixed - media sculptures (
adding to its potentially troublesome qualities, The Holy Virgin Mary utilized both techniques).
Inspired by Georges Braque, Paul Klee, Julius Bissier, František Kupka and the Bauhaus artists, Tom John creates gouache on paper or
canvas works, sometimes
adding newspaper and gold or silver foil to his paintings.
Soft lines are produced through frottage, a technique for which the artist rubs pastel on to an unstretched
canvas that has been placed over a tangle of cord or string, then often completes a
work by
adding pigment to the surface.
Vance
works in both oil on linen and watercolours and has said of her
work: «I am constantly disguising and
adding information, masking figuration, and opening and closing spaces in the
canvas until the composition behaves in a way that challenges the paintings hanging on the wall next to it.»
For this exhibition, Conrad will reconfigure his prison project,
adding a new series of diagrammatic
works on
canvas, effectively projecting the disciplinary penal institution through the kunsthalle's architectural and institutional context.
Controversy aside, the 14 international galleries» worth of contemporary African art was a definite highlight of the Armory,
adding a welcome mix of diversity and showcasing standout
works like collage - like paintings from Njideka Akunyili Crosby, a video from Kapwani Kiwanga, and bright
canvases from Barkley L. Hendricks, seen here.
The dots refer to earlier
works where he
added actual candy wrap to signify sweetness, by unifying the surface of the
canvas they also show a clear dialogue with conceptual painting.
An installation of Aboriginal
canvases by George Tjungurrayi, an artist
working at Papunya Tula in the Western Australian desert, will
add to the display.
Stepping far away from classic
canvas shapes, these pieces are constructed by interlocking various forms, with unorthodox paintjob and stacked segments under the
canvas adding textural aspect to the completed
works.
In contrast to previous series, for example, Herrera has employed a third color plane into individual
works for the first time since the 1950s, although this manifests itself as areas of raw
canvas,
adding surface texture and suggesting a neutrality or ambiguous status to this intruder.
Robert Rauschenberg's black paintings were similar in terms of ambient sensitivities, but these
works also included a new dimension of texture provided by embedded pieces of newspaper that were
added to
canvases.
To
add a touch of traditional painting to the
works, he then overpainted the
canvases with brushstrokes of clear gel to create a faux impasto effect.
Like some of the
works on view, it is painted in a combination of house paint (alkyd) and oil on
canvas, lending its colored segments an
added dimensionality that presages Taylor's later sculptures.
Working downward from the top of the
canvas, using a limited range of colors, Wilson
adds layer upon layer of pigment, a technique that provides extraordinary translucence and resonance.
Basic
canvas bags in plain colors can
work for souvenir shopping and also as a base to
add fun patches from your travels.
White handless furniture is given
added visual impact with the bold
canvas, and the scheme centres around a
work station, which incorporates a stainless steel breakfast bar.
The day and night themed nursery art
canvases have beautiful mural
work and you can spy our Kimono Allover Stencil
adding a gentle pattern in the background.
Black, grey and dark colours also
work as a great blank
canvas for
adding extra punch to pops of bold colour from pieces of furniture, pillows and paintings.
Why this
works Spring table settings should look elegant but feel casual, so start with a blank
canvas (white tablecloth, white napkins and simple china) and
add personality with home decor accessories.