Not exact matches
Featuring a quiet urban street on a rainy day
depicted in greys and warm golden tones, the Metro Lights I
Canvas Wall Art by Marmont Hill is an exquisite
work of art.
Featuring glorious mountain tops,
depicted in misty layers of rust and grey, the Hidden Mountains
Canvas Wall Art by Parvez Taj is an exquisite
work of art.
Depicting friends adrift waiting for a catch, this impressive giclee print
canvas work has the look of a fine gallery wrapped painting.
Featuring the iconic New York City skyline
depicted in warm bronze tones of a summer sunset, the Bronze Night
Canvas Wall Art by Parvez Taj is a beautiful
work of art.
Promising that the film will be as hyperreal and hallucinatory as his earlier
work, Odoul sees the film as «following a subjective point of view and a trajectory, crossing a landscape rather than giving us a broad
canvas or attempting to
depict the battlefield.»
Their
works feature dense accumulations of ink, paint,
canvas, and paper which come together to
depict bodies caught in the process of deterioration or collapse, as if the pressures of humanness are too great for them.
His early
work passed though the styles of impressionism, Orphism, Dada, Surealism, and verbal and visual collagel his later art extended from composition that superimpose linear painted figures upon one another (and, sometimes, several of those on apinted ground), to painting based on pinup nudes and commercial illustrations and, finally, to coarse, heavily textured
canvases that
depict totems, masks and shields.
The exhibition New
Works features Thomas» signature digital prints on
canvas; among them a large triptych
depicting Thomas» eye catching and sophisticated orchestration of numerous cut rectangles of colored cloth.
In the Creation series, Furnas» technique integrates wholly with concept, as his method of pouring paint along a grooved surface on the
canvas introduces gravity into the
work in a physical and literal sense, as the imagery
depicts the sequence of events leading to the Fall of Man.
An adjacent
canvas, one of a series of new figurative
works in the exhibition,
depicts a painting Murillo encountered in a collector's home in Bogotá — showing a young boy selling fish — against Regency - style wallpaper and antique furniture.
Along with other
works painted during the same period, such as Field for Skyes, in the collection of the Hirshhorn Museum and Sculpture Garden, and Clearing, at the Whitney Museum of American Art, Blueberry demonstrates Mitchell's ability to
depict space on
canvas.
Works such as her 2011 Shadow Weave series, which
depict Op Art - inspired patterns, seemingly generated by a computer, using only inter-woven black and white strips of
canvas, playing at the boundaries between the digital and the material as well as high aesthetic formalism and functionalism.
Working in series, the artist produced
canvases depicting flat, monochromatic forms, their blocks of vibrant colour cut with fine lines and sharp edges.
The
works depict realistic, detailed
works in ink on
canvas, and commencing this August, in conjunction with Jon Linkins Printroom Editions, various
works of John Flitcroft will be available as limited edition print reproductions.
In Reichman's «In the Studio Stretching New
Canvas,» the painter
depicts his own
working space with quiet praise, decorating his room with an airiness and rare amounts of bright San Francisco sunshine.
At Sperone Westwater, pioneer painter Susan Rothenberg exhibits new
works on
canvas that
depict fragmented compositions of the human body.
GWENN THOMAS» digitized collage
works on
canvas depict elegantly composed harmonies of hue and form.
Even in his later
works that
depict the atrocities of war, allegorical still lifes, vivid interpretations of art - historical masterpieces, and his sensual
canvases created during his twilight years, he continued to apply a reduction of colour.
One untitled
work characteristically
depicts a beach composed of criss - crossing brushstrokes, as if pulled this way and that by a wind felt only within the
canvas.
Working primarily in a muted palette, Noah's
canvases depict black figures in intimate and isolated scenes.
Exhibited for the first time since 1992, the same year that the artwork was made, the
work comprises a partially rolled
canvas depicting a dog, an overturned chair and a spilt bucket, and is hung on a brightly painted patterned wall.
The following year, he joined the WPA, and from 1939 to 1940, he
worked on Five Great American Negroes, a five - by - twelve - foot
canvas depicting Sojourner Truth, Booker T. Washington, Frederick Douglass, Marian Anderson, and George Washington Carver.
Whether it's an empty, soiled upholstered armchair or floppy, cut - out
canvas of the Supreme Court Building, his
works evoke a melancholy past of bygone glory days as he
depicts the emotional void.
From 1939 to 1940, White
worked on Five Great American Negroes, a five - by - twelve - foot
canvas depicting Sojourner Truth, Booker T. Washington, Frederick Douglass, Marian Anderson, and George Washington Carver.
Mainly painted on hexagonal
canvases, the
works depict a wide range of subjects, but in a reverse perspective.
While his first shaped
canvases were determined by the silhouette of a single
depicted object, as in the Smoker series, later
works such as Nude with Lamp are shaped according to their own logic, rather than that of the painted image, utilizing the blank space of the bare wall behind.
Each large - scale
work comprises multiple
canvases, both hanging and standing, shaped according to the outline of the commonplace objects that they
depict.
For his fourht solo show with the V1 family, James created 9 large
works on
canvas and 8
works on paper
depicting various perspectives and aspects of interior paintings.
Reinhardt's Daughter, 1994, which
depicts a naked infant, complicates Ad Reinhardt's use of black in his
canvases: in this
work, Dumas comments on some of the difficulties of using the color black, a color that is culturally loaded with unspoken semantic associations.
In his Creation series, for example, Furnas» technique integrates wholly with concept, as his method of pouring paint along a grooved surface on the
canvas introduces gravity into the
work in a physical and literal sense, while the imagery
depicts the sequence of events leading to the Fall of Man.
Hilary Pecis» first show solo show at Joshua Liner Gallery, New Paintings, will present nine new acrylic on
canvas works, all skillfully
depicting painterly scenes from the Artist's daily life.
The
canvases, which
depict animals, flowers, portraits and the male body, as well as images of torture and war, return to the central themes of Franko B's
work — death, eroticism, intimacy, pain and compassion.
Her recent
work has focused on representations of death, such as The Deceased, a
canvas from 2002 which
depicts the head of a resting corpse, evocative of both forensic photography and art historical memento mori.
With the subjects
depicted at life - size and squashed into the
canvas, the
work induces a sense of claustrophobia — partly from the plethora of details, partly from the way the yoga mat frames the composition.
In many of these
canvases, arseholes and penises become sources of illumination and cinematic projections: Chandelier (all
works 2016)
depicts a man hanging from the ceiling, projecting light from his bum, while in the Freudian - sounding Ding Dong Dream, an erect penis beams out the image of a smiling baby into a dark void.
With this body of
work, she explored using gouache on paper (as opposed to predominately oil on
canvas paintings in previous exhibitions) and
depicted urban landscapes in both daylight and moonlight.
In her latest
works, Tschabalala Self continues to
depict the regal black body — reposing, dancing, making love — to reverberating effect in large
works of paint on
canvas to which she appends found fabrics and smaller pieces of painted
canvas.
The kaolin
works are generally made from clay covered
canvases folded horizontally, or sometimes cut - out squares of
canvas coated in the clay and adhered onto the
canvas; he created just nine large - scale relief paintings
depicting folded cloth.
In this print, she represents her modus operandi by
depicting stacked recursive
canvases and titling the
work «Proclitic,» an adjective used to describe words that are so closely connected in pronunciation that they are pronounced together, such as, «t» was.»
The oil - on -
canvas triptyph Facing, Turning (Intro / About), Cleaving (Apart / Together), 1978 - 79, departs significantly from her austere Minimalist vocabulary,
depicting pastel penile forms and feminine curves against a
worked, netural ground.
Using acrylic paints on
canvas and linen, she creates award - winning
works depicting her century - long connection to the land and her heritage.
While his first shaped
canvases were determined by the silhouette of a single
depicted object, as in the «Smoker» series, later
works are shaped according to their own logic, rather than that of the painted image, utilizing the blank space of the bare wall behind.
The exhibition will include nine new
works, among them two large watercolour diptychs
depicting the Swiss psychiatrist and author C.G. Jung's house in Küsnacht, as well as a monumental allegorical oil painting on
canvas.
While this body of
work may appear like a dreamlike universe, Jones does not view his paintings as
depicting fantasy; they exist in front of the viewer, placed on
canvases and paper with skill and thoughtful reverie, as if looking at a real living being.
The picture in question, White Canoe, a heavily -
worked canvas depicting a ghostly canoe floating on a lake at night, does not feature in the retrospective of Doig's
work opening at Tate Britain today.
Amongst the
works on view was the striking painting Parabel (2008), which
depicts a fallen painter with a noose tied from his neck to a blank
canvas.
Architectures of Resistance debuts a series of large - scale
canvases and
works on paper
depicting interior spaces in which vibrant ceiling murals bloom with imagery of Western colonialism alongside imagery of Vietnam War conflict and protest.
Working in various mediums including oil on
canvas, gouache on paper, pen and ink drawings and collage, Ernst, along with Helmut Herzfelde (aka John Heartfield), created numerous satirical collages, using popular printed material,
depicting the grotesque and the erotic, in a style which heralded Parisian Surrealism.
As it is, the best paintings in the show are the least dependent on citation: in a set of gloriously luminous
works,
depicted light is confronted with the literal light of bent neon tubes that Mary Weatherford has stretched like drawn lines across the
canvas.
The artist paired each
work from his 1992 Blue Collar series with a new color
canvas depicting the future of the same urban landscape, some deteriorated, some growing and changing, some seemingly gentrifying.