Sentences with phrase «canvas works done»

The canvas is one of a series of canvas works done by Coupland over the past five years, many of which are a conscious revisiting of the work of Roy Lichtenstein that focuses on his late 1960s and early 1970s work.

Not exact matches

If he did, why could he not write his pinxit at the corner of the canvas, instead of leaving theattribution of the work to be a matter of inference?

Speak, breathe, prophesy, preach, get behind a pulpit, mark exam papers, run a company or a non-profit, clean your kitchen, put paint on a canvas, organize, rabble - rouse, work the Love out and in and around you, however God has made you to do it, just do it.

One of the best ways to do this is to use canvas drop cloths when you're working in a particular area or room.

Teach your kid some basic sewing skills by working with them to create their own pencil case to use this school year by weaving cording through white canvas mesh just like Lovely Indeed did to make a simple pencil pouch.

It paints a compelling picture of how the subatomic world works, but we do not yet know if this picture is just part of a larger canvas.

It's definitely not full coverage, it goes on light almost like a BB cream, but it does a great job of just giving you an even canvas to work with.

I've been testing Petal (sheer pink) and Canvas (sheer champagne), and can tell you the creamy formula doesn't work alone on my lids.

It's a cliche to say a cinematographer does painterly work, but Pope suffuses the screen with light in the way Turner did his canvases.

At this stage, I don't see her as being much more than a sketch comic working a larger canvas.

Not only does he effortlessly juggle a wide canvas of characters and storylines, coax fine performances from his entire cast, and employ some bravura camera work, he shows an amazing eye for detail.

There is a lot of talk about the «Genius Hour» — one example is the 20 % of work time that Google gives its employees to do «blank canvas» work, they are passionate about (ergo Gmail!).

Mosieur does commissioned work on paper, canvas, wood, and gourds.

Works on canvas usually do get more.

Lately I'm selling more murals than canvas work, since I didn't know how to price my mural I'm charging by the hour, I'm not sure if I'm pricing Wright, I feel that I'm underpricing my self.

I don't know what's «industry standard practice» for fine art galleries these days, regarding pricing works on paper vs. works on canvas, but my suspicion is that the reason for the * historical * difference between the two is that works on paper are perceived to be less «serious» (after all, watercolor started out as a quick way for oil painters to sketch out drafts), and less long - lasting (historically, a lot of watercolors were fugitive, and tended to fade with time, unlike varnished oil paintings).

You can see the ground I used was an old painting that I had painted out, and if you can, do the same, because old paintings form an excellent seal over the canvas, and also provide a fantastic texture to work over.

the interview was very informative and it makes good sense to approach selling art with a good business mind, I felt relief as I enjoy both the arts and commerce skills and see that selling is an art and an artist should not have trouble in designing a path that will work out sales special interest groups in other social networks this is just another journey a new color on the canvas I can do this thanks Cory your channel has been an inspiration I printed and sold 6 prints the first time I pitched I was selling prints of my work all with in a week end among friends I have now professionally digitized my work for reproduction online and want to offer a nice web gallery and this is where it's scary I'm an artist not enjoying computer mode I moved from an area with an art culture in Cincinnati to rural where artist is odd man in town so this is nice chatting with creative people thank you to Melissa for her uplifting input as well blessings to all

Work out where your still life should sit on the canvas by trying different things out, and keep a rag next to you to wipe off any lines you don't want.

With no more than a rectangular canvas and multicolor stripes, Davis created a richly varied body of work that looks as fresh today as it did when it first was shown.

The whereabouts of the painting after the Armory Show is unclear, but in 2005 the work was exhibited in a major Bluemner exhibition that Barbara Haskell organized at the Whitney Museum of American Art in New York, and while the accompanying catalogue indicates that the painting is one of the 1911 — 1912 canvases that Bluemner reworked in 1916 — 1917, it does not identify the earlier painting as the one that was in the Armory Show.

SPANNING THREE GALLERY FLOORS, Chris Ofili's exhibition at the New Museum doesn't hold back, presenting his greatest hits and new works, fabulous canvases that refute any notion that painting is dead.

With unforgiveable belatedness, I've only recently discovered the work that Gwenn Thomas was doing in the mid-1990s, a hybrid of painting and photography that resulted in canvases (or, more accurately, linens) that were extremely innovative when they were made and surprisingly timely today.

Bacon: We were talking earlier today about how, since the whites in your work are not painted, by you at least, since the canvas comes to you from the manufacturer already primed with that white ground, and then you didn't paint the top, but you painted the bottom half, it functions almost literally like a bank, right?

Margaret: I rarely make more than idea sketches, but do draw it out in pencil on canvas first when working perceptually.

So he would work on one section, for instance the left side, and then he would move over to the right side of the canvas, but not be able to see what he had just done on the left.»

Still, the only medical advice he did follow was not to paint large canvases, so he turned his attention to the smaller, less physically demanding works.

But her canvases do their own work, immediately altering their viewer's sense of vision, scale, and space.

He doesn't display his work at home, preferring to hang canvases by fellow abstract painters Kenneth Noland and Jules Olitski in his living room.

Barbara Rose: The 1960s and»70s was a moment when there was very serious, analytic painting in which people were doing very subtle work — often in close - valued colors, and acknowledging the material quality of the canvas, but in a different way than the people favored by Clement Greenberg.

If these paintings, like all of Kelly's shaped canvases, seem simple at first sight, that's because Kelly has already done the hardest work.

Unlike his cohorts, he did not adopt Frankenthaler's «staining» of unprimed canvases with poured color or employ acrylics but, like them, he considered expansive fields of color ample content, emphasized two - dimensionality in his work and eliminated bravura brushwork.

* The 2009 project by Robin Rhode did not create an art car, but rather used a BMW Z4 driven over a giant canvas to create a work by applying paint with the car's tires.

You don't need to see the accompanying pictures — text - based canvases rendered in a Pop palette and delineated with can't - be-bothered-with-this brevity — to glean an ironic sensibility pleased with itself and working overtime.

Brice Marden does — and not just seven new canvases, a dozen large works on paper, and a room of older drawings.

As for collage, I don't directly use outside material, not even for reference, I don't even work from drawings — everything is generated from my head and travels through my arm and happens unplanned directly on the canvas.

Confronting the Canvas: Women of Abstraction does not attempt to rewrite history, but instead it identifies and gives prominence to emerging and mid-career women working in the field of gestural abstraction today.

Curated by Sylvie Ramond, director of Lyon's Musée du Beaux - Arts, and French Academy director Eric de Chassey, the exhibition contains the experiments on canvas Soulage began working on in 2000, when he returned to painting after years of absence.

As the title suggests, Silva works within the long art historical tradition of setting up one's canvas outside and making work based on and inspired by nature — except for Silva, there's a twist: he does it in 3 - D, using his laptop as the canvas on which to create images and animations in response to the environment.

But looking at Mr. Burton's work we feel that, yes, he enjoys putting paint to canvas; we don't, however, sense an exigency to his enjoyment.

«Bradford's visually striking canvases push the possibilities of contemporary painting — for instance, the artist does not use paint in his work.»

Not only does the color of the letter «U» vary from work to work, but on closer inspection one notices how the image on each canvas is uniquely distressed.

The prominent commissions for the Rothko Chapel in Houston and the Seagram Building murals in New York receive extended treatment, as do many of the lesser - known and underappreciated aspects of Rothko's oeuvre, including reassessments of his late dark canvases and his formidable body of works on paper.

But when it does work, it gets a response that no other kind of theater gets, because people know that this was just created in the moment, like witnessing Franz Kline splash black paint across a white canvas.

The 1951 three - panel White Painting is believed to have been painted over almost immediately as Untitled [matte black triptych](ca. 1951, fig. 2).6 In fact, there is no exhibition history or any other evidence to indicate that White Painting [three panel] was extant between 1951 and 1968; 7 in those years, most of the original White Paintings had slipped out of existence, their canvases used as the supports for other pieces.8 Though artists throughout history have created new works on used canvases, Rauschenberg did so with an unusual frequency and ease, particularly in the early 1950s.9 Looking back at that period some ten years later, he commented, «Today I wouldn't do that....

Unlike Warhol's earlier work the Still Life 1976 paintings do not repeatedly reproduce the same image (or screen) from canvas to canvas.

(He actually executes these works upside down; he doesn't merely invert the canvas).

This is to contrast the work with other similar arguable acts of Instagram - to - canvas appropriation, specifically, this new thing Richard Prince is doing with canvas prints of art girls» from Instagram, as recontextualization is fairly evident, though excitingly debatable, at least to me.

Her works push the boundaries of a two - dimensional medium; the irregular triangles in the «Giant Maiden» series (1972) strain against the edges of canvases painted in high relief, while the explosive colors on an intricate collage - like canvas in Do the Dance (2005) lend the painting a kinetic, almost optical quality.

While the dates of this series and their related paintings overlap (the first paintings are dated 1958, while works on paper don't begin until 1960), it is widely acknowledged by Newman scholars that these ink on paper drawings play an important role in the development of the Stations canvases.