Sentences with phrase «canvas works fill»

Among them is Francesco Clemente, whose large oil - on - canvas works fill Mana's sixth floor gallery.

Not exact matches

Working on a sprawling canvas, Judge fills the screen with visual jokes, throwaway gags, and incisive commentary on the ubiquity of advertising.

Martin is known for her larger - than - life wall pieces, canvas work, and installations, consisting mostly of playful black - and - white illustrations filled with whimsical characters and messages.

[18] In some works, lines of colour are used to create a shimmering effect, while in others the canvas is filled with tessellating patterns.

With an eye to the Impressionist's work of Bonnard, Vuillard and Degas, Blanck's canvases are filled with deeply intimate portrayals of his everyday life with wife — artist Isca Greenfield - Sanders — and close friends in New York.

While the content is filled with personal memory, it is also fueled with humor, reverie, whimsy, and the colorful use of oil paint on canvas mixed with paper and meticulous embroidery work.

The Museum's small - format, highly - detailed canvas, which evinces a strange perspective, was the springboard for Eliav to create a sprawling installation of twenty large - scale paintings that will completely fill the exhibition space, each work conveying parts of the scene from a different perspective and in a different painting mode.

In some works, lines of color are used to create a shimmering effect, while in others the canvas is filled with tessellating patterns.

All were unique and distinctly reflecting the wide variety of artistic approaches of the 21stcentury from paintings on canvas & board (Kawaguchi, Sudran, & Dorsey) to the mixed media work of Mielenhausen & Dworin, the installation by Kubo that filled gallery walls, to the photographs of Moody, Smith and Gaynor and the colored pencil drawings of Borkow.

2 Among the works from this time is a series she called Prescience, in which she filled large canvases with layered colors, some seemingly below the surface and pushing forward, that have the ghostly quality of pentimenti.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

Transitioning from the sparer, more graphic works of 1960 — 61, Frankenthaler made paintings that more readily filled the space of the canvas, moving toward what critic B. H. Friedman described as the «total color image» that would become a hallmark of her later work.

The group exhibition, shot in the forest of Saurierpark Kleinwelka, a dinosaur park filled with life - size dinosaur models, combines «two prehistoric yet resilient species» for a collection of canvas works from eleven visual artists.

Bessone works from images of small porcelain figurines, which she enlarges to fill colossal canvases.

His early work, inspired by European Intimism, gave way in the 1970s and 1980s to abstract canvases that explored the light filled colors and sensibilities of the Mediterranean.

It was Joyner, a founding trustee of the Tate Acquisitions Committee for North America, that Nicholas Serota approached to help Tate fill the gaps in its collection of works by African - American artists, and her collection that loaned Gilliam's colossal, un-stretched, draped and sculptural canvas Carousel Change (1970) to «Soul of a Nation», a major highlight of the exhibition.

The exhibition includes more than 40 paintings and works on paper, ranging from the monumentally scaled mixed media on canvas Anything To Fill In The Long Silences, 1998 and Where Speech Could Have Been Transcribed, 2001, to intimately scaled paintings on paper from the 2000 series «What Makes a Writer Great.»

I enter the K.O.S. studio in Chelsea to find a sunlit space crowded with giant canvases, tables covered with books (Darwin's Origin of Species, Shakespeare's A Midsummer Night's Dream, H.G. Wells's The Time Machine), ladders with people reaching out to work at the top of the canvas, computers, music blaring, and several individuals kneeling and standing as they fill in and stamp, with various levels of pressure, hand stamps of tiny branches over a canvas covered in a grid of book pages.

Allowing the structure of the canvases and the materiality of the paint greater freedom to inform the development of her compositions, the artist has likened the creation of these works to the act of falling in love: an unpredictable and open - ended process that is as filled with awkwardness and anxiety as it is with bliss and discovery.

The title of the auction was taken from the work by Richard Prince — a salmon pink canvas traditionally filled with a joke: «Jewish man talking to his friend... If I live I'll see you Tuesday.

Trying to work with virtually nothing on the canvas until the weave is filled, and then it changes.

Burgher's current practice vacillates between his extraordinarily intricate colored pencil works on paper, in which the figure is often present, and much larger acrylic on canvas drop cloth works which are essentially abstract and filled with a growing lexicon of personal symbols.

The paint surfaces in the works are applied in a non-hierarchical manner, and fill the canvas like a map, without differentiation of depth.

From Stieglitz and some of the other photographers whose work he promoted, such as Paul Strand and Edward Steichen, O'Keeffe learned the technique of cropping and filling the frame of the camera, or canvas, with your subject.

Mark Rothkoâ $ ™ s search to express profound emotion through painting culminated in his now - signature compositions of richly colored squares filling large canvases, evoking what he referred to as â $ the sublime.â $ One of the pioneers of Color Field Painting, Rothkoâ $ ™ s abstract arrangements of shapes, ranging from the slightly surreal biomorphic ones in his early works to the dark squares and rectangles in later years, are intended to evoke the metaphysical through viewersâ $ ™ communion with the canvas in a controlled setting.

In these works the canvas does not change orientation, but rather just the painted image that, in a confirmation of our suppositions about the screenic paradigm, is able to exist even when truncated and not fully filling its rectilinear container.

The Soft Abstracts series was a continuation of Details, an earlier series of works made in 1970, in which Richter painted details of thick oil paint, extrapolating them in size to fill the large canvases.

Several of Accardi's canvases and gouaches, filled with the flatly rendered colored signs that characterize her work, are included in the exhibition, as are several works painted on transparent plastic called «sicofoil» — a series that revolutionized painting in Italy and beyond and had enormous influence on several sculptors from the «arte povera» group, including Luciano Fabro and Mario Merz.

The installation represented a room filled with shaped canvases, including his Angular and Bi-angolari series he started working on during that same decade, all painted with pristine white only.

Ms. Thomas made her late works by brushing on one small block of color at a time until she had filled the canvas or most of it with her irregular patterns, as in «Iris, Tulips, Jonquils, and Crocuses» (1969), in which vertical sequences of patches in deep blue, yellow, red and orange create a syncopating rhythm.

John was painting while lola, Spike & DoN luxuriated in Tim's studio filled with his exuberant stylized abstract paintings arrayed from floor to ceiling, paint splattered everywhere, outlines of canvases layered over years of work, brushes and paints poking out of cubbies — just like you imagine an artists» studio to be.

Early works in this style typically filled large scale canvases, whose size was designed to overwhelm spectators and draw them into another world.

Mid-sized and small oil, pumice, and latex works on canvas hang seamlessly together with framed ink on photo emulsion paper drawings in the front room, while large paintings essentially fill up the back space.

In his work Trane, contrasting colors break up a field of complementary colors: a centered orange line intersects at an angle with a blue line, filling the canvas with vibration.

Like Dieppe, the work inspired Stella to paint abstract landscapes that satisfied his notion of what a painting could be, how it could fill the space of a canvas and give rise to emotional content.

Influenced by the events of the Arab Spring, the artist, who was born in 1970 in Addis - Ababa and works in New York, has again filled huge canvases with skeins upon skeins of architectural plans, city maps, darting lines and free - flowing, undulating attacks of ink that are more powerful than ever, abstractly suggesting wild rivers, treacherous mountains and bombed - out landscapes.

Dancy often works on a large - scale, filling her canvases with expansive nudes rendered in a vibrant array of colors and with calligraphic, sweeping, sinuous lines.

In these works he does not simply scale up the words to fit the canvas, as Cy Twombly or Julian Schnabel might, but rather fills the space with a cacophony of words both discordant and, sometimes, eerily brilliant.

Nowhere in his work is this more clear than in the regimented pools of individual colours in the Spot Paintings, where no single colour is repeated on the same canvas, creating a vibrant yet disciplined visual effect that would later be brought into three dimensions in his vitrines filled with individual pills.

The exhibition is presented in two parts: A front gallery with two highly finished works; a pastel on paper, «For «Dream of Life» from 1988 and a shaped canvas, «Dust Tracks» from 1993; and a second gallery filled with many smaller scaled works that give us an intimate snapshot of her creative process.

A gallery filled with abstract works from 1947, 1949, and 1950 tellingly illuminates how the artist, born out West, in Cody, Wyoming, in January 1912, executed canvases that initially look chaotic but upon further viewing reveal themselves to be well structured.

He has many works at Berta Walker, but the glory of the show is «Creation Series,» a collection of four large canvases, each of which nearly fills a wall of the back room.

After weeks of no painting, he began filling his Roman studio with a flurry of small pinkish - hued works on paper, panel, and canvas.

She often cited natural elements as inspiration, and her signature style reflects the influences of Henri Matisse, Josef Albers, and Wassily Kandinsky — featuring loosely painted yet meticulously constructed canvases, filled with lattice works of bright color creating patterns from negative space.

Vanilla Android, on the other hand, gave consumers the best the platform could offer simply by trying to stay clean and doing less, or, as I like to put it, working as a canvas; a blank piece of paper that the user — rather than a manufacturer — had to fill via the immensely powerful tool represented by the Play Store.

White Trim — Existing Walls — White Dove in Eggshell by Benjamin Moore Doors — Mopboard Black in Semi-gloss by Benjamin Moore Stair Runner — Existing (Some form of Berber) Beadboard Wallpaper Below Chair Rail — Can be found here Frames — Framebridge (you can click here for a post about them) Gold Ring Chest — Soft Surroundings several years ago (painted Wrought Iron by BM) Wreath — Balsam Hill Mirror — Soft Surroundings Tufted Wingback Bench — Birch Lane Artwork above Bench — I painted it over an old canvas and then framed it out with some inexpensive wood and painted that gold Faux Cowhide Rug — World Market Lumbar Pillow — HomeGoods Planter on Books Filled with Flowers — Wayfair Rattan Suitcase — Birch Lane Lamp — HomeGoods (similar one found here) Books — Vintage — similar ones can be found here, here and here Wood Beaded Garland — Soft Surroundings Gold Pheasant — Antique from family Boots — Frye Hooks — HomeGoods Hat — Joyfolie several year ago Scarf — Joyfolie

I am working on filling up my mantle this year with all diy stuff, I made this spiderweb canvas out of pine needles: http://www.lovelymesses.com/halloween-spiderweb-tutorial/